12 May 2009
The Tuscan Convent Where Wagnerian Singers Are Trained
In a convent in the lovely Tuscan country side, near Lucca (Giacomo Puccini’s birthplace) there is the Mount Graal.
Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego Flórez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.
It would seem a logical step for the mezzo-soprano Kate Lindsey to take on the role of the Composer in Richard Strauss’s Ariadne auf Naxos.
“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.
When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.
Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).
When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.
On Wednesday evening, February 20, Los Angeles Opera gave a press conference at the Dorothy Chandler Pavilion featuring Music Director James Conlon.
It is another “What Could Have Been” moment. The debut of Brokeback Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming season.
Plans for July’s Aix-en-Provence Festival were announced and opera is, of course, at the center of the program with a particularly noteworthy Richard Strauss production.
Amsterdam enjoys a rare visit from Moscow’s Stanislavski Opera at the landmark Koninklijk Carre Theater, for three performances of Tchaikovski’s Eugene Onegin and a Sunday morning opera concert, on February 1st-3rd.
A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.
Yesterday, Conductor Riccardo Muti opened the Rome Opera, where he is “honorary conductor for life,” with a gala presentation of Verdi’s Simon Boccanegra.
When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company.
One of the most noteworthy and controversial productions in recent memory arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural opera, an inspired interpretation of Hector Berlioz’s Le Damnation de Faust, blasted into Ghent, followed by a run in Antwerp.
Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide”
Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.
The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.
A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago.
Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.
Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”
In a convent in the lovely Tuscan country side, near Lucca (Giacomo Puccini’s birthplace) there is the Mount Graal.
As a matter of fact, if you go there you not meet neither Amfortas nor Gurmenanz , but young singers studying Wagnerian roles in the “Accademia di Montegral”. The Academy was established some 22 years ago by Gustav Kuhn (a very well-known Austrian conductor who specialized in Wagner and Strauss, but not disdain Mozart and Verdi). Kuhn also loves Italy where has been Artistic Director of the Rome Opera House, the Sferisterio Festival and a star of the Rossini Opera Festival and of the San Carlo Theatre in Naples. The Academy is financed by a local savings and loans association and by a number if Austrian firms. In the Convento dell’Angelo , both an impressive monastery built by the Padri Passionisti and a pleasant and peaceful environment in which the artists can concentrate on their work, there also an annual chamber music festival , organized with the support of Col-Legno records (www.col-kegno.com). The next festival runs from May 14 to May 18; it offers a combination of classical music (from Bach to Puccini) and contemporary authors (Eggert, Ligeti): on Sunday May 18th, the Holy Mass will be accompanied by Rossini’s Petite Messe Solennelle; for information, www.montegral.com. In the Summer, there is a Festival in Tyrol, in the spectacular Passion Music Center of the small town of Erl (80 km from Munich and also, but in a different direction, 80 km from Salzburg). For several year the main feature has been a low cost but good quality production of Wagner’s Ring (www.tiroler-festpiele.at) . Next July, the Gods and the Nibelungs will take a rest, but there will be an exciting new production of Strauss’ Elektra which, for the first time in years, will be performed without the usual deletions and abbreviations.
The other new production is Meistersinger von Nürnberg, directed and conducted by Kuhn The costumes will be designed by the artistic manager of the costume manufacturing Lenka Radecky A new member of the team is the international sought-after architect and stage designer Jaafar Chalabi whose works for the Company of Nacho Duato in Madrid, Paris and Moscow. Matthew Best, a Heldenbariton for the great Wagner and Strauss operas, will give his first Hans Sachs. Michael Baba will be heard as Walther von Stolzing. The cast of another leading part means a connection to Erl: the international acting singer Martin Kronthaler will return to his hometown and perform Sixtus Beckmesser in Wagner’s opera.
Giuseppe Pennisi
Passionsspielhaus Erl [Photo © TFE]