Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in News

Latest news

 

Prokofiev’s Soviet Operas

https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB

The Operas of Benjamin Britten – Expression and Evasion by Claire Seymour

https://boydellandbrewer.com/the-operas-of-benjamin-britten.html

The Opera Singer’s Acting Toolkit

https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/

The real Traviata. The Song of Marie Duplessis

https://h-france.net/vol18reviews/vol18no52palidda.pdf

Glyndebourne announces new Artistic Director

http://www.operatoday.com/content/2018/08/glyndebourne_an.php

BLACK OPERA: HISTORY, POWER, ENGAGEMENT

A musical challenge to our view of the past

Die schöne Müllerin by Mark Padmore

Opera Rara - How to Rescue a Lost Opera

https://vimeo.com/operarara/how-to-rescue-an-opera

Welsh National Opera explores Madness for autumn season

 

New Releases from Opera Rara

 

A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony

 

On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side

 

Il Trittico: Puccini's most underrated opera

 

Bizet's Carmen | English National Opera

 

Metropolitan Opera Stars Join Opera Las Vegas in Puccini’s Madama Butterfly

 

Lowering the tone

 

Celebrating Bidú Sayão's Birthday (11 May 1902)

 

The Rake’s Progress, Metropolitan Opera, New York

 

Three Tales, Imax Cinema, Science Museum, London

 

OPERA TODAY ARCHIVES »

News

30 Jan 2010

Bass-baritone eager to sing at home, in English

http://www.washingtonpost.com/wp-dyn/content/article/2010/01/29/AR2010012900194.html

By Anne Midgette [Washington Post, 31 January 2010]

Eric Owens enjoys singing in English. “I always get so jealous of Italians and native Germans,” says the opera singer. As an American singing opera, “even if you get really fluent, there’s always a certain amount of disconnect, because you didn’t grow up with the language,” Owens says. “When I sing American music, it’s really satisfying to identify and connect so well with the text.”

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):