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News

18 Mar 2010

Thomas Adès in concert

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/03/17/DDGL1CH62N.DTL

By Joshua Kosman [San Francisco Chronicle, 18 March 2010]

The operatic concert paraphrase is one of the most time-bound of musical genres. It’s almost exclusively an artifact of the 19th century, an era when keyboard wizards were rife, operas were popular blockbusters, and home stereos didn’t exist.

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