Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Reviews

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.

Love, always: Chanticleer, Live from London … via San Francisco

This tenth of ten Live from London concerts was in fact a recorded live performance from California. It was no less enjoyable for that, and it was also uplifting to learn that this wasn’t in fact the ‘last’ LfL event that we will be able to enjoy, courtesy of VOCES8 and their fellow vocal ensembles (more below …).

Dreams and delusions from Ian Bostridge and Imogen Cooper at Wigmore Hall

Ever since Wigmore Hall announced their superb series of autumn concerts, all streamed live and available free of charge, I’d been looking forward to this song recital by Ian Bostridge and Imogen Cooper.

Henry Purcell, Royal Welcome Songs for King Charles II Vol. III: The Sixteen/Harry Christophers

The Sixteen continues its exploration of Henry Purcell’s Welcome Songs for Charles II. As with Robert King’s pioneering Purcell series begun over thirty years ago for Hyperion, Harry Christophers is recording two Welcome Songs per disc.

Treasures of the English Renaissance: Stile Antico, Live from London

Although Stile Antico’s programme article for their Live from London recital introduced their selection from the many treasures of the English Renaissance in the context of the theological debates and upheavals of the Tudor and Elizabethan years, their performance was more evocative of private chamber music than of public liturgy.

Anima Rara: Ermonela Jaho

In February this year, Albanian soprano Ermonela Jaho made a highly lauded debut recital at Wigmore Hall - a concert which both celebrated Opera Rara’s 50th anniversary and honoured the career of the Italian soprano Rosina Storchio (1872-1945), the star of verismo who created the title roles in Leoncavallo’s La bohème and Zazà, Mascagni’s Lodoletta and Puccini’s Madama Butterfly.

A wonderful Wigmore Hall debut by Elizabeth Llewellyn

Evidently, face masks don’t stifle appreciative “Bravo!”s. And, reducing audience numbers doesn’t lower the volume of such acclamations. For, the audience at Wigmore Hall gave soprano Elizabeth Llewellyn and pianist Simon Lepper a greatly deserved warm reception and hearty response following this lunchtime recital of late-Romantic song.

Requiem pour les temps futurs: An AI requiem for a post-modern society

Collapsology. Or, perhaps we should use the French word ‘Collapsologie’ because this is a transdisciplinary idea pretty much advocated by a series of French theorists - and apparently, mostly French theorists. It in essence focuses on the imminent collapse of modern society and all its layers - a series of escalating crises on a global scale: environmental, economic, geopolitical, governmental; the list is extensive.

The Sixteen: Music for Reflection, live from Kings Place

For this week’s Live from London vocal recital we moved from the home of VOCES8, St Anne and St Agnes in the City of London, to Kings Place, where The Sixteen - who have been associate artists at the venue for some time - presented a programme of music and words bound together by the theme of ‘reflection’.

Iestyn Davies and Elizabeth Kenny explore Dowland's directness and darkness at Hatfield House

'Such is your divine Disposation that both you excellently understand, and royally entertaine the Exercise of Musicke.’

Ádám Fischer’s 1991 MahlerFest Kassel ‘Resurrection’ issued for the first time

Amongst an avalanche of new Mahler recordings appearing at the moment (Das Lied von der Erde seems to be the most favoured, with three) this 1991 Mahler Second from the 2nd Kassel MahlerFest is one of the more interesting releases.

Paradise Lost: Tête-à-Tête 2020

‘And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven … that old serpent … Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.’

Max Lorenz: Tristan und Isolde, Hamburg 1949

If there is one myth, it seems believed by some people today, that probably needs shattering it is that post-war recordings or performances of Wagner operas were always of exceptional quality. This 1949 Hamburg Tristan und Isolde is one of those recordings - though quite who is to blame for its many problems takes quite some unearthing.

Joyce DiDonato: Met Stars Live in Concert

There was never any doubt that the fifth of the twelve Met Stars Live in Concert broadcasts was going to be a palpably intense and vivid event, as well as a musically stunning and theatrically enervating experience.

‘Where All Roses Go’: Apollo5, Live from London

‘Love’ was the theme for this Live from London performance by Apollo5. Given the complexity and diversity of that human emotion, and Apollo5’s reputation for versatility and diverse repertoire, ranging from Renaissance choral music to jazz, from contemporary classical works to popular song, it was no surprise that their programme spanned 500 years and several musical styles.

The Academy of St Martin in the Fields 're-connect'

The Academy of St Martin in the Fields have titled their autumn series of eight concerts - which are taking place at 5pm and 7.30pm on two Saturdays each month at their home venue in Trafalgar Square, and being filmed for streaming the following Thursday - ‘re:connect’.

Lucy Crowe and Allan Clayton join Sir Simon Rattle and the LSO at St Luke's

The London Symphony Orchestra opened their Autumn 2020 season with a homage to Oliver Knussen, who died at the age of 66 in July 2018. The programme traced a national musical lineage through the twentieth century, from Britten to Knussen, on to Mark-Anthony Turnage, and entwining the LSO and Rattle too.

Choral Dances: VOCES8, Live from London

With the Live from London digital vocal festival entering the second half of the series, the festival’s host, VOCES8, returned to their home at St Annes and St Agnes in the City of London to present a sequence of ‘Choral Dances’ - vocal music inspired by dance, embracing diverse genres from the Renaissance madrigal to swing jazz.

Royal Opera House Gala Concert

Just a few unison string wriggles from the opening of Mozart’s overture to Le nozze di Figaro are enough to make any opera-lover perch on the edge of their seat, in excited anticipation of the drama in music to come, so there could be no other curtain-raiser for this Gala Concert at the Royal Opera House, the latest instalment from ‘their House’ to ‘our houses’.

Fading: The Gesualdo Six at Live from London

"Before the ending of the day, creator of all things, we pray that, with your accustomed mercy, you may watch over us."

OPERA TODAY ARCHIVES »

Reviews

Dynamic DVD 33569
19 Apr 2010

Tosca at Torre del Lago, 2007

Opera festival DVDs often seem to be produced as tempting advertisements meant to induce viewers to consider a trip to that festival for the next season.

Giacomo Puccini: Tosca

Floria Tosca: Antonia Cifrone; Mario Cavaradossi: Stefano Secco; Il barone Scarpia: Giorgio Surian; Cesare Angelotti: Riccardo Ferrari; Spoletta: Massimo La Guardia; Il Sagrestano: Franco Boscolo; Sciarone: Fernado Ciuffo. Orchestra and Chorus of Festival Puccini. Conductor: Valerio Galli. Director: Mario Corradi. Festival Puccini, Torre del Lago, 2007.

Dynamic 33569 [2DVDs]

$39.49  Click to buy

Thus, this recording of Tosca at the 2007 Puccini festival in Torre del Lago opens with a travelogue sequence, with beautiful shots of the lake and then film of the handsomely attired audience arriving for the show. The actual staging may not be to the taste of every potential opera tourist, but the ecstatic response of the live audience, as recorded, suggests that a good time is there for the having.

Igor Mitoraj’s sets aren’t much more than a few short pedestals and a canopy bed oddly situated in Scarpia’s office, all lain out in front of what appears to be an open backstage, clothed in darkness. As is typical in these minimalist set stagings, the costumes (also by Mitoraj) offer more visual interest, if not originality. Some may wonder why in act two, Tosca’s gown for the cantata features a red serpent pinned to her breast. These same wondering folk may ask why Scarpia’s henchmen are already on stage as the opera opens, ambling away casually as Angelotti, supposedly breathless, stands stock still. An opera as popular as Tosca leads directors to search out fresh approaches, but director Mario Corradi’s ideas mostly smack of desperation. He does manage a fairly nice twist with “Vissi d’arte,” however, with Scarpia leading Tosca onto his bed, from where she sings her prayer while he lounges next to her, patiently awaiting his sensual reward.

Antonia Ciffrone has all the physical attributes of a great Tosca - a wild mane of black hair, beauty and sensuality, a passion veering into the hysterical. The voice, while nothing special, manages the role’s challenges without too much stress. Even better is Stefano Secco as Cavaradossi. Handsomer men have taken the role, but Secco sounds like a major tenor here, keeping a lyric line and yet able to muster the power for the more violent passages. Scarpias often steal the show, but not here, with Giorgio Surian bellowing and warbling, while offering nothing new to the usual portrayal of the sadistic lecher.

The Festival Puccini orchestra, surprisingly, sounds tentative at times under Valerio Galli’s baton, especially the slightly sickly winds. They seem to be a smaller force as well, under-powered at key moments. The audio is clear and clean but with a flat perspective that suggests either amplification or the most perfectly placed microphones imaginable.

The market does not lack for greater versions of this Puccini masterpiece, but for those who love this opera, this DVD will still prove of some entertainment value.

Chris Mullins

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):