03 Apr 2010
Tyne Daly as Maria Callas, a diva in a 'Master Class' by herself
http://www.washingtonpost.com/wp-dyn/content/article/2010/04/02/AR2010040204358.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.washingtonpost.com/wp-dyn/content/article/2010/04/02/AR2010040204358.html
By Peter Marks [Washington Post, 3 April 2010]
The master class Tyne Daly conducts in her droll turn as Maria Callas has less to do with music than with the fine art of living portraiture. She’s every catty, thin-skinned, self-pitying inch the diva — a word all too overapplied — in “Master Class,” Terrence McNally’s engrossing study of the post-incandescent mind-set of the opera legend.