03 Aug 2010
Glimmerglass’s Tosca: an economy of means, an extravagance of voice
Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.
By David Abrams [CNY Café Momus, 3 August 2010]
Ever since its first performance some 110 years ago, Tosca has commanded the attention of the listener’s eyes as well as ears. Who can forget the vivid images of the interior of the Church of Sant'Andrea della Valle, the iconic candles-and-crucifix ritual following Scarpia’s murder and the eerie pre-dawn calm preceding Cavaradossi’s execution atop Castel Sant’Angelo prison?