26 Aug 2010
The Sixteen/Christophers, Usher Hall, Edinburgh
http://www.guardian.co.uk/culture/2010/aug/26/the-sixteen-christophers-edinburgh-review
http://www.paris-opera-awards.fr/parisoperraawards-9480.html
http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
http://www.standard.co.uk/arts/welcome-to-awards-night-at-the-opera-8493092.html
http://www.nytimes.com/2013/02/07/arts/music/are-those-pictures-really-mozart.html?smid=tw-share&_r=1&
http://www.operatoday.com/content/2013/01/a_new_festival_.php
http://www.operatoday.com/content/2012/11/rome_opera_open.php
http://www.operatoday.com/content/2012/10/exciting_glynde.php
http://thesingersappetite.com/
http://www.operatoday.com/content/2012/09/new_attendance_.php
http://www.welt.de/kultur/musik/article108680314/Ich-kann-mir-keine-deutschen-Saetze-merken.html
http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
http://www.operatoday.com/content/2012/08/another_bayreut.php
http://www.operatoday.com/content/2012/07/changes_at_flor.php
http://www.operatoday.com/content/2012/07/changes_in_brat.php
http://www.operatoday.com/content/2012/07/honors_for_bayr.php
http://www.operatoday.com/content/2012/07/continued_progr.php
http://www.operatoday.com/content/2012/07/lots_of_loose_e.php
http://www.operatoday.com/content/2012/06/bavarian_state_.php
http://www.guardian.co.uk/culture/2010/aug/26/the-sixteen-christophers-edinburgh-review
By Rowena Smith [The Guardian, 26 August 2010]
The festival's New World theme has already offered up one baroque representation of the Aztec emperor Montezuma in Graun's opera seria - here it presented another in the form of Purcell's music for The Indian Queen. Dramatically, the play from which the music was taken seems to have been an unwieldy work. The outline synopsis runs to seven pages in the concert programme and contains more twists, turns, and complicated relationships than an entire basket of Handel operas - not in themselves known for either their concision or their plot rationality.