25 Feb 2011
All Cried Out, ‘Lucia’ Cedes Emotion to Men
http://www.nytimes.com/2011/02/26/arts/music/26lucia.html?_r=1&ref=music
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2011/02/26/arts/music/26lucia.html?_r=1&ref=music
By Zachary Woolfe [NY Times, 25 February 2011]
Deep in Act II of Donizetti’s opera “Lucia di Lammermoor,” the desperate and doomed title character, deserted by everyone she has trusted and about to be married against her will, cries out that even the ability to weep has left her. “My own tears have abandoned me,” she pathetically laments.