Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780521746472.png

0810888688.gif

0810882728.gif

Recently in Reviews

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.

Antonin Dvořák: The Cunning Peasant (Šelma Sedlák)

What an enjoyable opportunity to encounter Dvořák’s sixth opera, Šelma Sedlák¸or The Cunning Peasant!

Idomeneo, Royal Opera

Whether biblical parable or mythological moralising, it’s all the same really: human hubris, humility, sacrifice and redemption.

Donizetti’s Les Martyrs — Opera Rara, London

Opera Rara brought a rare performance of Donizetti’s first opera for the Paris Opera to the Royal Festival Hall on 4 November 2014, following recording sessions for the opera.

Luca Pisaroni in San Diego

Bass baritone, Luca Pisaroni, known to opera lovers throughout the world for his excellence in Mozart roles, offered San Diego vocal aficionados a double treat on October 28th: his mellifluous voice, and a recital of German songs.

La bohème, ENO

Jonathan Miller’s production of La bohème for ENO, shared with Cincinnati Opera, sits uneasily, at least as revived by Natascha Metherell, between comedy and tragedy.

Florian Boesch, Wigmore Hall - Liszt, Strauss and Schubert

Any Florian Boesch and Malcolm Martineau performance is superb, but this Wigmore Hall recital surprised, too. Boesch's Schubert is wonderful, but this time, it was his Liszt and Strauss songs which stood out. This year at the Wigmore Hall, we've heard a lot of Liszt and a lot of Richard Strauss everywhere, establishing high standards, but this was special.

Wexford Festival 2014

The weather was auspicious for Wexford Festival Opera’s first-night firework display — mild, clear and calm. But, as the rainbow rockets exploded over the River Slaney, even bigger bangs were being made down at the quayside.

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta

Capriccio at Lyric Opera of Chicago

Although performances of Richard Strauss’s last opera Capriccio have increased in recent time, Lyric Opera of Chicago has not experienced the “Konversationsstück für Musik” during the past twenty odd years.

OPERA TODAY ARCHIVES »

Reviews

Théodore Gouvy: Iphigénie en Tauride
13 Aug 2011

Théodore Gouvy’s Iphigénie en Tauride

Gounod you know, but how about Gouvy?

Théodore Gouvy: Iphigénie en Tauride

Iphigénie: Christine Maschler; Orest: Vinzenz Haab; Pylades: Benjamin Hulett; Thoas: Ekkehard Abele. Le Grand Société Philharmonique. Kantorie Saarlouis. Conductor: Joachim Fontaine

CPO 777504-2 [2CDs]

$34.99  Click to buy

According to the booklet essay in this CPO set of Théodore Gouvy’s Iphigénie en Tauride, the composer enjoyed wide respect in his lifetime (1819-1898), and this oratorio was his most successful work. Hearing it both explains the extent of his reputation during his life and why even Gouvy’s most successful work slipped into utter obscurity.

Herbert Schneider’s essay (translated by Nicholas Smith) also stipulates that Gouvy reviled Wagner and decried what was for Gouvy modern music’s “distancing” from “the ensembles, the finales, and melodic treatment of the voices.” Gouvy shows himself to be a master of choral writing in his score for this Iphigénie, with no fewer than 16 of this set’s 26 tracks listing “Choeur” participation. The Kantorie Saarlouis performs these sections beautifully, although they are not able to distinguish between the “Greeks,” “Furies” and “Scythians” the libretto depicts, for Gouvy’s great failing comes in characterization and drama. A blood-thirsty crowd calling for human sacrifice doesn’t sound all that more urgent than another group mourning in exile. Most of these passages are in minor keys, with simple but effective orchestral gestures. But that element of risk found in great art never appears in Gouvy’s work. Each section of the text is neatly compartmentalized, a tidiness that begins to feel routine very quickly. The very elegance and formal rigor that earned him such praise in his time fails him in ours, as his music only superficially captures the essence of the dark and blood-thirsty story of Iphigénie, who is forced to lead sacrifices and very nearly kills her own brother.

In the more dramatic exchanges between Iphigénie and Thoas, who compels her to perform the sacrifices, Gouvy does dare to have his Iphigénie shout out in distress, but those rare outbursts only heighten the disparity between most of the music’s professional sheen and the swirling passions of the text. Not helping matters is the unsteady vocalism of the Iphigénie, Christine Maschler. The body of the voice has a sour character, and she lunges precariously at high notes. Her male counterparts are more successful, with Benjamin Hulett in the tenor role of Orest’s friend Pylades showing a lot of promise, his voice sweet and yet powerful. Vinzenz Haab sings a stalwart Orest and Ekkehard Abele provides the expected bass aura of villainy very well as Thoas.

Conductor Joachim Fontaine and Le Grand Société Philharmonique deliver an enthusiastic reading, presenting ably the best of Gouvy’s music - some tasty orchestration, and a facility for pleasant, though not memorable, thematic material. For those who enjoy exploring rare repertoire, this CPO set will be a fine diversion. With a different soprano, this recording might even have earned Gouvy a new bunch of admirers, especially among those who agree that with Wagner, music lost that feel for “melodic treatment of the voices.” As the conclusion drags on and on, however, many more will be glad to have given Gouvy a chance, but feel that the judgment of music history was just and apt.

Chris Mullins

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):