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“At the start, one knows ‘bits’ of it,” says tenor Mark Padmore, somewhat wryly, when I meet him at the Stage Door of the Royal Opera House where the tenor has just begun rehearsals for David McVicar’s new production of Death in Venice, which in November will return Britten’s opera to the ROH stage for the first time since 1992.
English National Opera has appointed Annilese Miskimmon as Artistic Director.
“Trust me, I’m telling you stories …”
Guildhall School of Music & Drama in association with The Royal Opera today announces Oliver Leith as the fourth Doctoral Composer-in-Residence, starting in September 2019. Launched in 2013, the collaboration between Guildhall School and The Royal Opera is one...
When British opera director Nina Brazier tries to telephone me from Frankfurt, where she is in the middle of rehearsals for a revival of Florentine Klepper’s 2015 production of Martinů’s Julietta, she finds herself - to my embarrassment - ‘blocked’ by my telephone preference settings. The technical hitch is soon solved; but doors, in the UK and Europe, are certainly very much wide open for Nina, who has been described by The Observer as ‘one of Britain’s leading young directors of opera’.
Russian bass-baritone Mikhail Timoshenko has won the top prize at the 2019 Wigmore Hall/Independent Opera International Song Competition.
When his first opera, Gli sposi malcontenti, premiered at the Burgtheater in Vienna on 1st June 1985, the 23-year-old Stephen Storace must have been confident that his future fame and fortune were assured.
Some Details concerning the Revolution inaugurated by Rossini
English National Opera (ENO) is pleased to announce that Louise Jeffreys is to become Deputy Chair of English National Opera and the London Coliseum. She replaces Nicholas Allan. Louise is currently Artistic Director of the Barbican where she leads...
Rare testimonies to the history of Italian opera from the Milan-based, Bertelsmann-owned Ricordi Archive will now be shown in the United States for the first time. Fans of classical music and literature can look forward to the exhibition “Verdi: Creating Otello and Falstaff - Highlights from the Ricordi Archive”, which will be on view at the renowned Morgan Library & Museum in New York from September 6, 2019 to January 5, 2020.
BOSTON, MA (For Release 07.18.19) — One of the nation’s most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.
Glyndebourne’s major new international singing competition returns in 2020 with a renewed commitment to supporting diversity in opera. The Glyndebourne Opera Cup - the international competition for opera singers is designed to discover and spotlight the best young singers around the world, offering a top prize of £15,000 and a guaranteed role at a leading international opera house. The final will once again be broadcast live on Sky Arts on 7 March 2020 and the series is produced by Factory Films.
Winners of this year’s prestigious Leonard Ingrams Foundation awards are mezzo-soprano Bianca Andrew and tenor Oliver Johnston. These awards support, encourage and nurture the best young artists involved in the creative process of bringing opera to the stage, and are made in memory of Garsington Opera’s founder Leonard Ingrams, to ensure the continuity of his vision.
“We need to stop talking about ‘diversity’ and think instead about ‘inclusivity’,” says Bill Bankes-Jones, when we meet to talk about the forthcoming twelfth Tête à Tête Opera Festival which runs from 24th July to 10th August.
As part of its annual programme of events, Boughton House in Northamptonshire hosts ‘A Passion for Opera’, a rare exhibition portraying the musical life of Lady Elizabeth Montagu (1743–1827) and the world of Georgian operatic culture.
The young Hong Kong-born British composer Dani Howard is having quite a busy year.
Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.
For Peter Sellars, Mozart’s Idomeneo is a ‘visionary’ work, a utopian opera centred on a classic struggle between a father and a son written by an angry 25-year-old composer who wanted to show the musical establishment what a new generation could do.
“Physiognomy, psychology and technique.” These are the three things that determine the way a singer’s sound is produced, so Ken Querns-Langley explains when we meet in the genteel surroundings of the National Liberal Club, where the training programmes, open masterclasses and performances which will form part the third London Bel Canto Festival will be held from 5th-24th August.
The Royal Opera is delighted to be returning to Japan in September 2019 as part of an exciting year of UK-Japan exchanges, titled UK in Japan 2019-20, following the Company’s hugely successful tour in autumn 2015.
![Staatstheater Darmstadt [Photo © Barbara Aumüller]](http://www.operatoday.com/Darmstadt_Staatstheater.gif)
It might have reminded some in the audience of the finale of Wagner’s “Götterdämmerung.” Saturday evening, during the finale of that same composer’s “Das Rheingold” at the Staatstheater in the German city of Darmstadt when a large section of the scene fell and shattered on stage.
It was a piece of pressboard about 25 feet high and three feet wide and, on impact, a piece fell into the orchestra pit. No cast members were hurt but a member of the orchestra was hit in the head. She was taken to the hospital but was only slightly injured and was released later that night.
The Staatstheater management cancelled the remaining minutes of the sold-out opera. The police and the Office for Worker’s Safety have already begun an investigation.
Frank Cadenhead