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Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego Flórez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.
It would seem a logical step for the mezzo-soprano Kate Lindsey to take on
the role of the Composer in Richard Strauss’s Ariadne auf Naxos.
“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.
When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.
Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).
When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.
On Wednesday evening, February 20, Los Angeles Opera gave a press conference at the Dorothy Chandler Pavilion featuring Music Director James Conlon.
It is another “What Could Have Been” moment. The debut of Brokeback
Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming
Plans for July’s Aix-en-Provence Festival were announced and opera is, of course, at the center of the program with a particularly noteworthy Richard Strauss production.
Amsterdam enjoys a rare visit from Moscow’s Stanislavski Opera at the landmark Koninklijk Carre Theater, for three performances of Tchaikovski’s Eugene Onegin and a Sunday morning opera concert, on February 1st-3rd.
A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.
Yesterday, Conductor Riccardo Muti opened the Rome Opera, where he is “honorary conductor for life,” with a gala presentation of Verdi’s Simon Boccanegra.
When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company.
One of the most noteworthy and controversial productions in recent memory
arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural
opera, an inspired interpretation of Hector Berlioz’s Le Damnation de
Faust, blasted into Ghent, followed by a run in Antwerp.
Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide”
Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.
The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.
A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago.
Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.
Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”
26 Apr 2012
Christopher Koelsch Tapped by LA Opera
Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15.
According to the Los Angeles Times, “he will report to tenor Plácido Domingo, who serves as L.A. Opera’s general director.” Mr. Domingo, an international star, spends only a small percentage of his time in Los Angeles and his term is set to expire next year.
“For the first time in five years, Los Angeles Opera will have one person overseeing both the company’s artistic efforts and finances on a daily basis.” continues the Los Angeles Times, while clearly suggesting that only Domingo has decision-making authority. Mr. Koelsch, who has held positions with the Spoleto Festival in South Carolina and, briefly, Opera Pacific, has little experience directing an opera company.
Koelsch replaces Stephen Rountree who was dividing his time between co-directing the Opera with Mr. Domingo and heading up the Los Angeles Music Center complex. He indicated that he will combine the desks of CEO and COO so his former position will not be filled.
The Los Angeles Opera received an emergency grant from the county in 2009 in order to avoid closing. Since that time, economies have been made and half the loan has been repaid. Now presenting only six operas per year, Koelsch suggested that for the season after next, there might be seven on the Los Angeles Opera schedule.