13 Feb 2013
The New Season at Teatro Real
It is another “What Could Have Been” moment. The debut of Brokeback Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming season.
Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego Flórez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.
It would seem a logical step for the mezzo-soprano Kate Lindsey to take on the role of the Composer in Richard Strauss’s Ariadne auf Naxos.
“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.
When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.
Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).
When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.
On Wednesday evening, February 20, Los Angeles Opera gave a press conference at the Dorothy Chandler Pavilion featuring Music Director James Conlon.
It is another “What Could Have Been” moment. The debut of Brokeback Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming season.
Plans for July’s Aix-en-Provence Festival were announced and opera is, of course, at the center of the program with a particularly noteworthy Richard Strauss production.
Amsterdam enjoys a rare visit from Moscow’s Stanislavski Opera at the landmark Koninklijk Carre Theater, for three performances of Tchaikovski’s Eugene Onegin and a Sunday morning opera concert, on February 1st-3rd.
A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.
Yesterday, Conductor Riccardo Muti opened the Rome Opera, where he is “honorary conductor for life,” with a gala presentation of Verdi’s Simon Boccanegra.
When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company.
One of the most noteworthy and controversial productions in recent memory arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural opera, an inspired interpretation of Hector Berlioz’s Le Damnation de Faust, blasted into Ghent, followed by a run in Antwerp.
Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide”
Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.
The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.
A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago.
Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.
Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”
It is another “What Could Have Been” moment. The debut of Brokeback Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming season.
It is another indication of what could have been the future of the New York City Opera had they found the financial resources to keep Gerard Mortier in New York.
Philip Glassʼ newest opera, The Perfect American, about the final years of Walt Disney, attracted a large slice of the opera worldʼs attention just a few weeks ago and Wuorinenʼs opera will likely do the same next year in Madrid. With a libretto by Annie Proulx, the author of the original story which appeared in the New Yorker in 1997, the story is about an intense love affair between two men, Wyoming sheep herders in the 1960s. The subsequent 2005 movie was a major popular hit.
Both of these operas had already been talked about when Mortier learned that the NYCO could not fund the next season, his first, at the financial level he had been promised. His eventual move to Madrid gave him a stage to realize some of the dreams discussed.
Along with the Wuorinen opera, Die Eroberung von Mexiko (The Conquest of Mexico) by German composer Wolfgang Rihm will premiere in October. This production will be staged by Pierre Audi and stars soprano Nadja Michael as Montezuma with baritones Georg Nigl and Holger Falk sharing the role of Cortez.
In addition to these new works, the well traveled Bill Viola/Peter Sellars video production of Wagnerʼs Tristan und Isolde can also be seen. A production of Lohengrin will be on the schedule in April. Purcell’s The Indian Queen will also be on the schedule in November in a Peter Sellars production. Other operas on the list include Gluckʼs Alceste (a new production by bad-boy director Krzysztof Warlikowski) with Anna Caterina Antonacci and Sofia Soloviy alternating in the title role and Offenbachʼs Tales of Hoffmann conducted by Sylvain Cambreling and directed by Christoph Marthaler.
The opera’s management again denied rumors that Mortier might leave before the 2016 end of his contract. The 2015 vacancy at the helm of La Scala in Milan has created much public speculation. There are eleven productions in the 2013-2014 season. Further information is at www.teatro-real.com
Frank Cadenhead