12 Jun 2014
A Digital Orchestra for Opera? Purists Take (and Play) Offense
Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.
By Michael Cooper [NY Times, 11 June 2014]
Nothing about Wagner’s epic “Ring” cycle is small in scale, but when a would-be impresario came up with the idea of staging it in West Hartford, Conn., he envisioned replacing its massive orchestral forces with the digital sounds of sampled instruments.