Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Performances

ETO Autumn 2020 Season Announcement: Lyric Solitude

English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.

Love, always: Chanticleer, Live from London … via San Francisco

This tenth of ten Live from London concerts was in fact a recorded live performance from California. It was no less enjoyable for that, and it was also uplifting to learn that this wasn’t in fact the ‘last’ LfL event that we will be able to enjoy, courtesy of VOCES8 and their fellow vocal ensembles (more below …).

Dreams and delusions from Ian Bostridge and Imogen Cooper at Wigmore Hall

Ever since Wigmore Hall announced their superb series of autumn concerts, all streamed live and available free of charge, I’d been looking forward to this song recital by Ian Bostridge and Imogen Cooper.

Treasures of the English Renaissance: Stile Antico, Live from London

Although Stile Antico’s programme article for their Live from London recital introduced their selection from the many treasures of the English Renaissance in the context of the theological debates and upheavals of the Tudor and Elizabethan years, their performance was more evocative of private chamber music than of public liturgy.

A wonderful Wigmore Hall debut by Elizabeth Llewellyn

Evidently, face masks don’t stifle appreciative “Bravo!”s. And, reducing audience numbers doesn’t lower the volume of such acclamations. For, the audience at Wigmore Hall gave soprano Elizabeth Llewellyn and pianist Simon Lepper a greatly deserved warm reception and hearty response following this lunchtime recital of late-Romantic song.

The Sixteen: Music for Reflection, live from Kings Place

For this week’s Live from London vocal recital we moved from the home of VOCES8, St Anne and St Agnes in the City of London, to Kings Place, where The Sixteen - who have been associate artists at the venue for some time - presented a programme of music and words bound together by the theme of ‘reflection’.

Iestyn Davies and Elizabeth Kenny explore Dowland's directness and darkness at Hatfield House

'Such is your divine Disposation that both you excellently understand, and royally entertaine the Exercise of Musicke.’

Paradise Lost: Tête-à-Tête 2020

‘And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven … that old serpent … Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.’

Joyce DiDonato: Met Stars Live in Concert

There was never any doubt that the fifth of the twelve Met Stars Live in Concert broadcasts was going to be a palpably intense and vivid event, as well as a musically stunning and theatrically enervating experience.

‘Where All Roses Go’: Apollo5, Live from London

‘Love’ was the theme for this Live from London performance by Apollo5. Given the complexity and diversity of that human emotion, and Apollo5’s reputation for versatility and diverse repertoire, ranging from Renaissance choral music to jazz, from contemporary classical works to popular song, it was no surprise that their programme spanned 500 years and several musical styles.

The Academy of St Martin in the Fields 're-connect'

The Academy of St Martin in the Fields have titled their autumn series of eight concerts - which are taking place at 5pm and 7.30pm on two Saturdays each month at their home venue in Trafalgar Square, and being filmed for streaming the following Thursday - ‘re:connect’.

Lucy Crowe and Allan Clayton join Sir Simon Rattle and the LSO at St Luke's

The London Symphony Orchestra opened their Autumn 2020 season with a homage to Oliver Knussen, who died at the age of 66 in July 2018. The programme traced a national musical lineage through the twentieth century, from Britten to Knussen, on to Mark-Anthony Turnage, and entwining the LSO and Rattle too.

Choral Dances: VOCES8, Live from London

With the Live from London digital vocal festival entering the second half of the series, the festival’s host, VOCES8, returned to their home at St Annes and St Agnes in the City of London to present a sequence of ‘Choral Dances’ - vocal music inspired by dance, embracing diverse genres from the Renaissance madrigal to swing jazz.

Royal Opera House Gala Concert

Just a few unison string wriggles from the opening of Mozart’s overture to Le nozze di Figaro are enough to make any opera-lover perch on the edge of their seat, in excited anticipation of the drama in music to come, so there could be no other curtain-raiser for this Gala Concert at the Royal Opera House, the latest instalment from ‘their House’ to ‘our houses’.

Fading: The Gesualdo Six at Live from London

"Before the ending of the day, creator of all things, we pray that, with your accustomed mercy, you may watch over us."

Met Stars Live in Concert: Lise Davidsen at the Oscarshall Palace in Oslo

The doors at The Metropolitan Opera will not open to live audiences until 2021 at the earliest, and the likelihood of normal operatic life resuming in cities around the world looks but a distant dream at present. But, while we may not be invited from our homes into the opera house for some time yet, with its free daily screenings of past productions and its pay-per-view Met Stars Live in Concert series, the Met continues to bring opera into our homes.

Precipice: The Grange Festival

Music-making at this year’s Grange Festival Opera may have fallen silent in June and July, but the country house and extensive grounds of The Grange provided an ideal setting for a weekend of twelve specially conceived ‘promenade’ performances encompassing music and dance.

Monteverdi: The Ache of Love - Live from London

There’s a “slide of harmony” and “all the bones leave your body at that moment and you collapse to the floor, it’s so extraordinary.”

Music for a While: Rowan Pierce and Christopher Glynn at Ryedale Online

“Music for a while, shall all your cares beguile.”

A Musical Reunion at Garsington Opera

The hum of bees rising from myriad scented blooms; gentle strains of birdsong; the cheerful chatter of picnickers beside a still lake; decorous thwacks of leather on willow; song and music floating through the warm evening air.

OPERA TODAY ARCHIVES »

Performances

26 Mar 2015

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

A review by Maria Nockin

 

Ars Minerva is a new San Francisco based company that is presenting the Carnival Series Project: music that was played during the seventeenth century Venetian season of Carnevale, the name of which means goodbye to meat. This time of year culminated in Martedi Grasso (Mardi Gras/Fat Tuesday) the day before Ash Wednesday, which begins the penitential season of Lent. Carnevale di Venezia was famous not only for its music but also for its elaborate masks, facsimiles of which were on view in the lobby of the Marines Memorial Theater at La Cleopatra.

On March 14 and 15, 2015, Céline Ricci directed the up-to-date, realistic action of Castrovillari’s timeless opera. I saw the matinee performance on the fifteenth. The stage design by Matthew Holmes consisted of necessary pieces of furniture and a screen on which scenic elements were projected as though reflected in an imaginary pool. Together with Brian Poedy’s lighting, each scene was effectively put in its correct setting. Ricci was a glorious Queen Cleopatra whose regal persona turned romantic when she was with Marc Antonio. Vocally, she endowed her music with a wide variety of colors while conveying every emotional expression from protestations of love to death threats.

In this piece, Marc Antonio, sung with a secure line by countertenor Randall Scotting, was a straying husband whose wife, Ottavia, was anything but a wilting flower. Nell Snaidas sang Ottavia with power and passion as she tried to persuade a servant to kill the queen. Igor Viera, dressed in rough clothing and a grass hat, sang Clisterno with a robust sound. Together with Michael Desnoyers as the smart-mouthed, cross dressing elderly servant, Filenia, he brought moments of comic relief to this otherwise dramatic story.

Jennifer Ellis Kampani sang Coriaspe with sumptuous tones and iridescent waves of musical color. Hers is a voice from which I hope to hear a great deal more. Molly Mahoney was a mellifluous Arsinoe and Spencer Dodd sang with burnished tones in the dual roles of Dolabella and Arante.

The Marines Memorial Theater is not overly big and Derek Tam’s Baroque players filled the space with gorgeous sound. Tam played the harpsichord and conducted. Adam Cockerham played theorbo and guitar. Gretchen Claassen played cello, while Natalie Carducci and Laura Rubinstein-Salzedo played first and second violins. It was a great treat to hear this beautiful, well-composed opera that has been unjustly forgotten for so long. Thank you, Céline Ricci, for bringing it to us.

Maria Nockin


Cast and production information:

Cleopatra, Céline Ricci; Marc Antonio, Randall Scotting; Ottavia, Nell Snaidas; Coriaspe, Jennifer Ellis Kampani; Arsinoe, Molly Mahoney; Filenia, Michael Desnoyers; Clisterno, Igor Viera; Dolabella/Ariante, Spencer Dodd; Augusto, Anders Froelich; Domitio, James Hogan; Director, Céline Ricci; Video Stage Design, Matthew Holmes, Lighting Design, Brian Poedy; Conductor, Derek Tam; Theorbo and Guitar, Adam Cockerham; Cello, Gretchen Claassen; Violin I, Natalie Carducci; Violin II, Laura Rubinstein-Salzedo.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):