Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Commentary

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

Battles administration neglects FLO’s assets by defunding the program

The college administration and President Denise Battles’ recent decision to defund the Finger Lakes Opera came as a shock to many and a concern to more. This decision reflects the administration’s blatant disregard for the arts and reveals a mindset that is counterproductive to the mission of the college.

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival.

BEMF Chamber Opera Series Presents Splendors of Versailles

The GRAMMY Award-winning BEMF Chamber Opera Series returns with an all-new production inspired by the splendor and music of the palace of Versailles. King Louis XIV transformed his father’s pastoral hunting lodge at Versailles into a lavish palace that served as the seat of government and culture in France.

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.

Boston Early Music Festival announces the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director

Cambridge, MA–The Boston Early Music Festival (BEMF) is pleased to announce the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director.

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.

A New Opera Company with a True Story of Forbidden Love

Victory Hall Opera is a new company making its debut in Charlottesville Virginia on August 14, 2016. Its first presentation will be Richard Strauss’s and Hugo von Hofmannsthal’s Der Rosenkavalier.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

A Chat With Baritone Brian Mulligan

Maria Nockin interviews baritone Brian Mulligan.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Atsuto Sawakami — Sponsor of Italian Opera in Japan

Atsuto Sawakami is a slightly built man in his late sixties with impeccable, gentlemanly manners. He communicates a certain restless energy and his piercingly bright eyes reveal an undimmed appetite for life.

Mark Stone — Oxford Lieder Festival

‘Lieder v. Opera’? At first glance it might seem to be a pointless or nonsensical question.

Rhymes With Opera Presents New Opera About Dolly Parton Fans

Extreme Dolly Parton fans may sound like unlikely subjects for an opera, but they are the major characters in Heartbreak Express, a collaboration of composer George Lam and librettist John Clum.

Oxford Lieder Festival 2015 - Sholto Kynoch interview

Last year's Oxford Lieder Festival made something of a splash when it encompassed all of Schubert's songs, performed in the space of three weeks. This year's festival, the 14th, which runs from 16 to 31 October 2015 has a rather different, yet still eye-catching theme; Singing Words: Poets and their Songs.

OPERA TODAY ARCHIVES »

Commentary

Sondra Radvanovsky in the title role of Donizetti's Anna Bolena. [Photo by Ken Howard/Metropolitan Opera.]
24 Sep 2015

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The First of Three Donizetti Queens She Will Sing at the Met This Season

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The Metropolitan Opera Press Release

Above: Sondra Radvanovsky in the title role of Donizetti's Anna Bolena. [Photo by Ken Howard/Metropolitan Opera.]

 

David McVicar’s production, opening September 26, also stars Jamie Barton as Giovanna Seymour, Tamara Mumford as Smeton, Stephen Costello and Taylor Stayton as Lord Percy, and Ildar Abdrazakov as Enrico VIII. Radvanovsky will also sing the title role in Maria Stuarda and Elizabeth I in Roberto Devereux this season, a feat not accomplished on a New York stage since Beverly Sills in the 1970s.

New York, NY (September 24, 2015) – This Saturday, September 26, American soprano Sondra Radvanovsky will begin her season-long quest to sing all three of the principal heroines in Donizetti’s “Tudor trilogy,” being presented in its entirety for the first time at the Met this season. In the first opera, Anna Bolena, Radvanovsky stars as the young queen Anne Boleyn, grasping to hold onto the throne of England. Later this season, Radvanovsky will also star as the devout and doomed Mary, Queen of Scots in Maria Stuarda and as the conflicted Elizabeth I in the first-ever Met performances of Roberto Devereux. Radvanovsky will be the first soprano since Beverly Sills in the 1970s to sing the lead roles in all three operas in the course of a single New York season.

Anna Bolena also stars rising American mezzo-soprano Jamie Barton as Giovanna, Anna Bolena’s lady-in-waiting turned rival, along with Tamara Mumford as Smeton, Stephen Costello as Anna’s first love Lord Riccardo Percy, and Ildar Abdrazakov as King Enrico VIII. In later performances, American tenor Taylor Stayton sings the role of Lord Riccardo Percy. Marco Armiliato conducts all performances of Anna Bolena at the Met this season.

Further information, including biographies of principal artists, is available in our online press room here.

Performances: September 26mat; October 1, 5, 9, 13; January 5, 9mat. Curtain times vary: complete schedulehere. Running time: 3 hours, 22 minutes, including one intermission.

Tickets begin at $25; for prices, more information, or to place an order, please call (212) 362-6000 or visit www.metopera.org. Special rates for groups of 10 or more are available by calling (212) 341-5410 or visiting www.metopera.org/groups.

Same-day $25 rush tickets for all performances of Anna Bolena are available on a first-come, first-served basis on the Met’s Web site. Tickets will go on sale for performances Monday-Friday at noon, matinees four hours before curtain, and Saturday evenings at 2pm. To enter, click here.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):