Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Reviews

Choral at Cadogan: The Tallis Scholars open a new season

As The Tallis Scholars processed onto the Cadogan Hall platform, for the opening concert of this season’s Choral at Cadogan series, there were some unfamiliar faces among its ten members - or faces familiar but more usually seen in other contexts.

Stars of Lyric Opera 2017, Millennium Park, Chicago

As a prelude to the 2017-18 season Lyric Opera of Chicago presented its annual concert, Stars of Lyric Opera at Millennium Park, during the last weekend. A number of those who performed in this event will be featured in roles during the coming season.

A Verlaine Songbook

Back in the LP days, if a singer wanted to show some sophistication, s/he sometimes put out an album of songs by famous composers set to the poems of one poet: for example, Phyllis Curtin’s much-admired 1964 disc of Debussy and Fauré songs to poems by Verlaine, with pianist Ryan Edwards (available now as a CD from VAI).

Die Zauberflöte at the ROH: radiant and eternal

Watching David McVicar’s 2003 production of Die Zauberflöte at the Royal Opera House - its sixth revival - for the third time, I was struck by how discerningly John MacFarlane’s sumptuous designs, further enhanced by Paule Constable’s superbly evocative lighting, communicate the dense and rich symbolism of Mozart’s Singspiel.

Fantasy in Philadelphia: The Wake World

Composer and librettist David Hertzberg’s magical mystery tour that is The Wake World opened to a cheering sold out audience that was clearly enraptured with its magnificent artistic achievement.

A Mysterious Lucia at Forest Lawn

On September 10, 2017, Pacific Opera Project (POP) presented Gaetano Donizetti’s Lucia di Lammermoor in a beautiful outdoor setting at Forest Lawn. POP audiences enjoy casual seating with wine, water, and finger foods at each table. General and Artistic Director Josh Shaw greeted patrons in a “blood stained” white wedding suit. Since Lucia is a Scottish opera, it opened with an elegant bagpipe solo calling members of the audience to their seats.

This is Rattle: Blazing Berlioz at the Barbican Hall

Blazing Berlioz' The Damnation of Faust at the Barbican with Sir Simon Rattle, Bryan Hymel, Christopher Purves, Karen Cargill, Gabor Bretz, The London Symphony Orchestra and The London Symphony Chorus directed by Simon Halsey, Rattle's chorus master of choice for nearly 35 years. Towards the end, the Tiffin Boys' Choir, the Tiffin Girls' Choir and Tiffin Children's Choir (choirmaster James Day) filed into the darkened auditorium to sing The Apotheosis of Marguerite, their voices pure and angelic, their faces shining. An astonishingly theatrical touch, but absolutely right.

Moved Takes on Philadelphia Headlines

There‘s a powerful new force in the opera world and its name is O17.

Philly Flute’s Fast and Furious Frills

If you never thought opera could make your eyes cross with visual sensory over load, you never saw Opera Philadelphia’s razzle-dazzle The Magic Flute.

At War With Philadelphia

Enterprising Opera Philadelphia has included a couple of intriguing site-specific events in their O17 Festival line-up.

The Mozartists at the Wigmore Hall

Three years into their MOZART 250 project, Classical Opera have launched a new venture, The Mozartists, which is designed to allow the company to broaden its exploration of the concert and symphonic works of Mozart and his contemporaries.

Philadelphia: Putting On Great Opera Can Be Murder

Composer Kevin Puts and librettist Mark Campbell have gifted Opera Philadelphia (and by extension, the world) with a crackling and melodious new stage piece, Elizabeth Cree.

Mansfield Park at The Grange

In her 200th anniversary year, in the county of her birth and in which she spent much of her life, and two days after she became the first female writer to feature on a banknote - the new polymer £10 note - Jane Austen’s Mansfield Park made a timely appearance, in operatic form, at The Grange in Hampshire.

Elektra in San Francisco

Among the myriad of artistic innovation during the Kurt Herbert Adler era at San Francisco Opera was the expansion of the War Memorial Opera House pit. Thus there could be 100 players in the pit for this current edition of Strauss’ beloved opera, Elektra!

Mark Padmore on festivals, lieder and musical conversations

I have to confess, somewhat sheepishly, at the start of my conversation with Mark Padmore, that I had not previously been aware of the annual music festival held in the small Cotswolds town of Tetbury, which was founded in 2002 and to which Padmore will return later this month to perform a recital of lieder by Schubert and Schumann with pianist Till Fellner.

Turandot in San Francisco

Mega famous L.A. artist David Hockney is no stranger at San Francisco Opera. Of his six designs for opera only the Met’s Parade and Covent Garden’s Die Frau ohne Schatten have not found their way onto the War Memorial stage.

The School of Jealousy: Bampton Classical Opera bring Salieri to London

In addition to fond memories of previous beguiling productions, I had two specific reasons for eagerly anticipating this annual visit by Bampton Classical Opera to St John’s Smith Square. First, it offered the chance to enjoy again the tunefulness and wit of Salieri’s dramma giocoso, La scuola de’ gelosi (The School of Jealousy), which I’d seen the company perform so stylishly at Bampton in July.

Richard Jones' new La bohème opens ROH season

There was a decided nip in the air as I made my way to the opening night of the Royal Opera House’s 2017/18 season, eagerly anticipating the House’s first new production of La bohème for over forty years. But, inside the theatre in took just a few moments of magic for director Richard Jones and his designer, Stewart Laing, to convince me that I had left autumnal London far behind.

Giovanni Simon Mayr: Medea in Corinto

The Bavarian-born Johann Simon Mayr (1763–1845) trained and made his career in Italy and thus ended up calling himself Giovanni Simone Mayr, or simply G. S. Mayr. He is best known for having been composition teacher to Giuseppe Donizetti.

Robin Tritschler and Julius Drake open
Wigmore Hall's 2017/18 season

It must be a Director’s nightmare. After all the months of planning, co-ordinating and facilitating, you are approaching the opening night of a new concert season, at which one of the world’s leading baritones is due to perform, accompanied by a pianist who is one of the world’s leading chamber musicians. And, then, appendicitis strikes. You have 24 hours to find a replacement vocal soloist or else the expectant patrons will be disappointed.

OPERA TODAY ARCHIVES »

Reviews

16 Nov 2016

Soldier Songs in San Diego

David Little composed his one-man opera, Soldier Songs, ten years ago and the International Festival of Arts & Ideas of New Haven, Connecticut, premiered it in 2011. At San Diego Opera, the fifty-five minute musical presentation and the “Talk Back” that followed it were part of the Shiley dētour Series which is held in the company’s smaller venue, the historic Balboa Theatre.

San Diego Opera's Shiley dētour Series presents Soldier Songs

A review by Maria Nockin

Above: Baritone David Adam Moore is the Soldier [Photo courtesy of San Diego Opera, copyright Karli Cadel]

 

Upon entering the theater, the audience was greeted by low rumbling sounds that erupted into soft-edged explosions every few minutes. It was somewhat unnerving as it continued unabated until the presentation began, but the idea was to give the incoming audience a tiny taste of what it is like to be in a war zone. The mood didn’t get any lighter when Director Tomer Zvulun and design group GLMMR began to show a verismo version of the three stages of a soldier’s life.

In Stage One, the child, acted by Ryan Singer, plays with guns and video games. He enjoys chasing other children with guns. Children chant slogans about killing people with strange clothes and funny names. Video games simulate war and the child onstage thinks going to war is very much like playing a video game. The finality of death has completely escaped the youngster.

In Stage two, the child has grown up and enlisted in the military. Played by David Adam Moore, the Soldier sang with strong virile tones and excellent diction. In this presentation all the music was amplified in Garth MacAleavey’s sound design. There were titles in case anyone missed a word, but they were not altogether necessary.

After enlisting, the Soldier learned some hard truths: Getting shot hurts and soldiers actually die in combat. Casualties of war don’t get up and go home in the way that those shot down in video games or children’s stories do. Only when the soldier saw a mutilated body lying on the ground before him, did he begin to understand what war could do to the warrior. Then, he began to realize that he might be maimed and return home disabled or that he might lose his life and return in a coffin.

In Stage Three, actor Dan Denison showed the audience some of the thoughts of veterans who were lucky enough to have returned home. Contemplating what soldiering had done to them, they found they had trouble talking about their overseas experiences with people who had not been to war. Later, members of the "Talk Back" Panel noted that some veterans have had more trouble reintegrating into American society than others. Unfortunately, returnees who need psychological services may be embarrassed to ask for them. It’s sad to see that some veterans do not learn to cope with life in the United States and end up homeless.

The woman veteran on the "Talk Back" Panel said rejoining normal life in the States was harder for women because military trainers negated much of what girls had been taught growing up. As a child, she had been taught to nurture but as an adult she had learned to join in doing harm. Coming home she was again expected to be nurturing rather than aggressive, and it did not come easily. In business, for example, we expect men to be much more aggressive than women.

In Soldier Songs David Little combined the sounds of far off artillery and percussion with flute, violin, cello, clarinet, and piano. Conductor Steven Schick, a renowned percussionist, is well known for his performances of contemporary music. He paid a great deal of attention to detail and gave an impressive rendition of this unusual score.

Soldier Songs is not for the faint of heart. It takes the audience into war-like situations and shows the average American who has never seen a war zone what some soldiers have to endure. It also points out the lack of understanding many parents and children have regarding the difference between playing violent games and actual violence. High school youngsters, in particular, need to know what the dangers of war are for those who join the military. I think performances of Soldier Songs in San Diego did a great deal to bridge the gaps between soldier, veteran, and civilian.

Maria Nockin


Cast and production information:

Cast and Production Information:

Soldier, David Adam Moore; Child, Ryan Singer; Elder Man, Dan Denison; Conductor, Steven Schick; Director Tomer Zvulun; Production Design, GLMMR: David Adam Moore, Victoria “Vita” Tzykun; Lighting Designer, Maxwell Bowman; Sound Designer, Garth MacAleavey; Supertitles Coordinator, Charles Arthur; San Diego Symphony: Violin, Wesley Precourt; Cello, Chia-Ling Chien; Flute, Erica Peel; Clarinet, Frank Renk; Percussion, Erin Douglas Dowrey and Andrew Watkins; Piano M. Barranger.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):