Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Reviews

Hugo Wolf, Italienisches Liederbuch

Nationality is a complicated thing at the best of times. (At the worst of times: well, none of us needs reminding about that.) What, if anything, might it mean for Hugo Wolf’s Italian Songbook? Almost whatever you want it to mean, or not to mean.

San Jose’s Dutchman Treat

At my advanced age, I have now experienced ten different productions of Wagner’s The Flying Dutchman in my opera-going lifetime, but Opera San Jose’s just might be the finest.

Mortal Voices: the Academy of Ancient Music at Milton Court

The relationship between music and money is long-standing, complex and inextricable. In the Baroque era it was symbiotically advantageous.

Glyndebourne Opera Cup 2018: semi-finalists announced

The semi-finalists for the first Glyndebourne Opera Cup have been announced. Following a worldwide search that attracted nearly 200 entries, and preliminary rounds in Berlin, London and Philadelphia, 23 singers aged 21-28 have been chosen to compete in the semi-final at Glyndebourne on 22 March.

ENO announces Studio Live casts and three new Harewood Artists

English National Opera (ENO) has announced the casts for Acis and Galatea and Paul Bunyan, 2018’s two ENO Studio Live productions. ENO Studio Live forms part of ENO Outside which takes ENO’s work to arts-engaged audiences that may not have considered opera before, presenting the immense power of opera in more intimate studio and theatre environments.

Handel in London: 2018 London Handel Festival

The 2018 London Handel Festival explores Handel’s relationship with the city. Running from 17 March to 16 April 2018, the Festival offers four weeks of concerts, talks, walks & film screenings explore masterpieces by Handel, from semi-staged operas to grand oratorio and lunchtime recitals.

Dartington International Summer School & Festival: 70th anniversary programme

Internationally-renowned Dartington Summer School & Festival has released the course programme for its 70th Anniversary Summer School and Festival, curated by the pianist Joanna MacGregor, that will run from 28th July to 25th of August 2018.

I Puritani at Lyric Opera of Chicago

What better evocation of bel canto than an opera which uses the power of song to dispel madness and to reunite the heroine with her banished fiancé? Such is the final premise of Vincenzo Bellini’s I puritani, currently in performance at Lyric Opera of Chicago.

Iolanthe: English National Opera

The current government’s unfathomable handling of the Brexit negotiations might tempt one to conclude that the entire Conservative Party are living in the land of the fairies. In Gilbert & Sullivan’s 1882 operetta Iolanthe, the arcane and Arcadia really do conflate, and Cal McCrystal’s new production for English National Opera relishes this topsy-turvy world where peris consort with peri-wigs.

Il barbiere di Siviglia in Marseille

Any Laurent Pelly production is news, any role undertaken by soprano Stephanie d’Oustrac is news. Here’s the news from Marseille.

Riveting Maria de San Diego

As part of its continuing, adventurous “Detour” series, San Diego Opera mounted a deliciously moody, proudly pulsating, wholly evocative presentation of Astor Piazzolla’s “nuevo tango” opera, Maria de Buenos Aires.

La Walkyrie in Toulouse

The Nicolas Joel 1999 production of Die Walküre seen just now in Toulouse well upholds the Airbus city’s fame as Bayreuth-su-Garonne (the river that passes through this quite beautiful, rich city).

Barrie Kosky's Carmen at Covent Garden

Carmen is dead. Long live Carmen. In a sense, both Bizet’s opera and his gypsy diva have been ‘done to death’, but in this new production at the ROH (first seen at Frankfurt in 2016) Barrie Kosky attempts to find ways to breathe new life into the show and resurrect, quite literally, the eponymous temptress.

Candide at Arizona Opera

On Friday February 2, 2018, Arizona Opera presented Leonard Bernstein’s Candide to honor the 100th anniversary of the composer’s birth. Although all the music was Bernstein’s, the text was written and re-written by numerous authors including Lillian Hellman, Richard Wilbur, Stephen Sondheim, John La Touche, and Dorothy Parker, as well as the composer.

Satyagraha at English National Opera

The second of Philip Glass’s so-called 'profile' operas, Satyagraha is magnificent in ENO’s acclaimed staging, with a largely new cast and conductor bringing something very special to this seminal work.

Mahler Symphony no 8—Harding, Swedish Radio Symphony Orchestra

From the Berwaldhallen, Stockholm, a very interesting Mahler Symphony no 8 with Daniel Harding and the Swedish Radio Symphony Orchestra. The title "Symphony of a Thousand" was dreamed up by promoters trying to sell tickets, creating the myth that quantity matters more than quality. For many listeners, Mahler 8 is still a hard nut to crack, for many reasons, and the myth is part of the problem. Mahler 8 is so original that it defies easy categories.

Wigmore Hall Schubert Birthday—Angelika Kirchschlager

At the Wigmore Hall, Schubert's birthday is always celebrated in style. This year, Angelika Kirchschlager and Julius Drake, much loved Wigmore Hall audience favourites, did the honours, with a recital marking the climax of the two-year-long Complete Schubert Songs Series. The programme began with a birthday song, Namenstaglied, and ended with a farewell, Abschied von der Erde. Along the way, a traverse through some of Schubert's finest moments, highlighting different aspects of his song output : Schubert's life, in miniature.

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

Schubert's Winterreise is almost certainly the most performed Lieder cycle in the repertoire. Thousands of performances and hundreds of recordings ! But Mark Padmore and Kristian Bezuidenhout's recording for Harmonia Mundi is proof of concept that the better the music the more it lends itself to re-discovery and endless revelation.

Ilker Arcayürek at Wigmore Hall

The first thing that struck me in this Wigmore Hall recital was the palpable sincerity of Ilker Arcayürek’s artistry. Sincerity is not everything, of course; what we think of as such may even be carefully constructed artifice, although not, I think, here.

OPERA TODAY ARCHIVES »

Reviews

Guildhall School Gold Medal
11 May 2017

Baritone Josep-Ramon Olivé wins the 2017 Guildhall School Gold Medal

The Guildhall School of Music and Drama has announced baritone Josep-Ramon Olivé as the winner of this year’s Gold Medal, the School’s most prestigious prize for outstanding soloists. The prize is awarded to singers and instrumentalists in alternate years and this year was the turn of the singers.

Guildhall School Gold Medal

Above: Josep-Ramon Olivé_

Photo credit: Clive Totman

 

Josep-Ramon Olivé’s winning performance included Mompou’sJo et pressentia com la mar (Combat del somni, No. 3), Schubert’s Du bist die Ruh, D776, Duparc’s Le manoir de Rosemonde, Rachmaninov’s O dolgo budu ja, Op. 4 No. 3 and Strauss’ Heimliche Aufforderung (Secret invitation), Op. 27 No. 3 with pianist Lana Bode. His programme also featured Handel’sSe il mar promette calma (from Lotario HWV 26), Korngold’sMein Sehnen, mein Wähnen (from Die tote Stadt) and Rossini’s Largo al factotum (from Il barbiere di Siviglia, accompanied by the Guildhall Symphony Orchestra, conducted by Dominic Wheeler.

The other Gold Medal finalists, Daniel Shelvey, Bianca Andrew and Samuel Carl also performed programmes of songs and arias of their choice before a Barbican Hall audience.

Josep-Ramon Olivé commented: “I am completely overwhelmed, it’s a dream come true to win the Gold Medal. It’s a great achievement that is the icing on the cake for my time at the Guildhall School. I would like to thank my family, friends, fellow colleagues at the School and of course my tutor Professor Rudolf Piernay.”

The Final took place before a distinguished panel of judges including the Guildhall School’s new Principal Lynne Williams; General Director of Glyndebourne Sebastian F. Schwarz; Vice-Principal & Director of Music, Guildhall SchoolJonathan Vaughan; Head of Opera, Guildhall SchoolDominic Wheeler; and accompanist Malcolm Martineau.

The Gold Medal award was founded and endowed by Sir H. Dixon Kimber in 1915. Since 1950 it has been open to singers and instrumentalists in alternate years. Previous winners include William Primrose (1922), Jacqueline du Pré (1960), Patricia Rozario (1979), Tasmin Little (1986) and Bryn Terfel (1989).

Born in Barcelona, baritone Josep-Ramon Olivé studied at the Escola Superior de Musica de Catalunya, followed by the Guildhall School’s Opera Course. He is currently on the Artist Diploma programme under Professor Rudolf Piernay and is a recipient of the Harry Rolfe Award.

His operatic roles include Il Conte in Mozart’s Le Nozze di Figaro , Tarquinius in Britten’s The Rape of Lucretia, Orfeo in Monteverdi’s L’Orfeo, Lesbo in Handel’s Agrippina, Aeneas in Purcell’s Dido & Aeneas, Frank in Strauss’Die Fledermaus, Pantalone in Wolf-Ferrari’s Le donne curiose, Thésée in Martinů’s Ariane ( review ) and Uberto in Pergolesi’s La Serva Padrona. His Oratorio repertoire includes Brahms Ein Deutches Requiem, FauréRequiem, Duruflé Requiem, Mozart Requiem, OrffCarmina Burana, Handel Messiah and Bach B minor Mass, Magnificat.

He has performed with the London Handel Orchestra, Les Concert des Nations, Hespérion XXI, Barcelona Symphony Orchestra, Orchestra of the Age of Enlightenment. He has performed all around the world in venues including: Palau de la Música Catalana, Shanghai Grand Theatre, Konzerthaus Vienna, Philharmonie de Paris, and the Barbican Hall. He has collaborated with Jordi Savall, Kazushi Ono, Laurence Cummings and Sigiswald, Kujken and has recorded for Alia-Vox, Columna Música, Phaedra, Discmedi and Musièpoca labels. He is currently a member of the Capaella Reial de Catalunya, conducted by Jordi Savall.

Josep-Ramon was awarded First Prize, as well as the Audience Prize, at the 2015 Handel Singing Competition; Second Prize at the 2013 International Singing Competition ‘Symphonies d’Autômne’ (Mâcon); Second Prize at the 2013 International Singing Competition ‘Germans Pla’ (Balaguer) and Second Prize at the 2011 Concurso Permanente of Juventudes Musicales de España. In 2015 he was nominated for ‘Oxford Lieder Young Artist’, together with pianist Ben-San Lau.

His future plans include The Count in Le nozze di Figaro with Clonter Opera; and Le Jardin des Voix Academy with William Christie and Paul Agnew.

www.gsmd.ac.uk

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):