Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Commentary

Unknown, Remembered: in conversation with Shiva Feshareki

It sounds like a question from a BBC Radio 4 quiz show: what links Handel’s cantata for solo contralto, La Lucrezia, Samuel Beckett’s Krapp’s Last Tape, and the post-punk band Joy Division?

Bampton Classical Opera to perform Gian Carlo Menotti's Amahl and the Night Visitors

Gian Carlo Menotti’s much-loved Christmas opera, Amahl and the Night Visitors was commissioned in America by the National Broadcasting Company and was broadcast in 1951 - the first-ever opera composed specifically for television. Menotti said that it “is an opera for children because it tries to recapture my own childhood”.

Kings College, Cambridge launches as curator on Apple Music

November 5, 2018, Los Angeles, CA: Today, King’s College Cambridge announces the launch of the College as a curator on Apple Music.

Royal Opera House’s Music Director Sir Antonio Pappano extends tenure to 2023

Sir Antonio Pappano, Music Director of the Royal Opera House, has confirmed that he will remain in position until at least the end of the 2022/23 Season.

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.

Bampton Classical Opera Goes to the Ball

I wonder if Cinderella realised that when she found her Prince she would also find international fame, becoming not just a Princess but also a global celebrity and icon. The glass slipper, placed loving on her shapely foot, has graced theatres, variety halls, cinema screens and opera houses - even postage stamps - and the perennial popularity of this rags-to-riches fairy-tale, in which innocence and goodness triumph over injustice and oppression, shows no signs of waning.

Glyndebourne announces new Artistic Director

Stephen Langridge has been appointed Artistic Director of Glyndebourne. Stephen is currently Director for Opera and Drama at Gothenburg Opera, Sweden, a role he has occupied for five years. He will take up his new role at Glyndebourne in spring 2019.

Beyond Gilbert and Sullivan: Edward Loder’s Raymond and Agnes and the Apotheosis of English Romantic Opera

Mention ‘nineteenth-century English opera’ to most people, and they will immediately think ‘Gilbert and Sullivan’. If they really know their Gilbert and Sullivan, they’ll probably remember that Sullivan always wanted to compose more serious operas, but that Gilbert resisted this, believing they should ‘stick to their last’: light, comic, tuneful satire.

Mascagni's Isabeau at Opera Holland Park: in conversation with David Butt Philip

Opera directors are used to thinking their way out of theatrical, dramaturgical and musico-dramatic conundrums, but one of the more unusual challenges must be how to stage the spectacle of a young princess’s naked horseback-ride through the streets of a city.

The Moderate Soprano : Q&A with Nancy Carroll and Roger Allam

Nancy Carroll and Roger Allam play Audrey Mildmay and John Christie in David Hare’s play The Moderate Soprano which is currently at the Duke of York’s Theatre in London.

Soprano Nadine Sierra Wins the 2018 Beverly Sills Artist Award

Soprano Nadine Sierra has been named the winner of the 13 th annual Beverly Sills Artist Award for young singers at the Metropolitan Opera.

The Grand Tour: A European Journey in Song

The seventeenth Oxford Lieder Festival (12-27 October 2018) will celebrate a rich tapestry of music, words and performance in European song and will showcase the pinnacles of the repertoire while exploring wider cultural influences.

An Interview with Soprano Lisette Oropesa

Lisette Oropesa sings Eurydice in Los Angeles Opera’s French version of Gluck’s Orpheus and Eurydice that can currently be seen at the Dorothy Chandler Pavilion.

Opera in Amsterdam in 2018-2019

The operatic tradition is not as old in the Netherlands as in other European countries, yet opera is a vital part of the Dutch classical landscape. Both Dutch National Opera & Ballet and the Concertgebouw are in Amsterdam, so the capital gets the lion’s share of the opera on offer.

Lyric Opera of Chicago to Premiere Fellow Travelers—A Preview

On 17 March 2018 Lyric Opera of Chicago will premiere the 2016 opera Fellow Travelers by Gregory Spears (with a libretto by Greg Pierce, based on the novel by Thomas Mallon. Mallon’s 2007 novel offered fresh perspectives on the paranoiac investigations of McCarthy-era Washington, DC, through the lens of a gay relationship.

A newly discovered song by Alma Mahler

It is well known that in addition to the fourteen songs by Alma Mahler published in her lifetime, several dozen more - perhaps as many as one hundred - were written and have been lost or destroyed.

Glyndebourne Opera Cup 2018: semi-finalists announced

The semi-finalists for the first Glyndebourne Opera Cup have been announced. Following a worldwide search that attracted nearly 200 entries, and preliminary rounds in Berlin, London and Philadelphia, 23 singers aged 21-28 have been chosen to compete in the semi-final at Glyndebourne on 22 March.

OPERA TODAY ARCHIVES »

Commentary

ROH new exterior
19 Sep 2018

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project.

Above: Royal Opera House exterior

Photo credit: ROH/Luke Hayes

 

With inviting new entrances, extended foyers and terraces and a new café, bar and restaurant, together with an extensive programme of ticketed and free daytime events, activities and festivals for people of all ages, the Royal Opera House is now, for the first time, open to the public every day from 10am.

At the heart of this project is a brand new Linbury Theatre, the West End’s newest and most intimate theatre, which provides an additional world-class stage for The Royal Ballet, The Royal Opera and a host of internationally celebrated artists and partners. In its inaugural Season, the Linbury Theatre showcases an astonishing range of work, from an 18th-century rarity to 21st-century world premieres - with 25 per cent of seats priced at £25 or less.

Linbury Theatre © Hufton + Crow, 2018 (1).jpgNewly designed Linbury Theatre. Photo Credit: Hufton+Crow.

The project, designed by award-winning architects Stanton Williams, unites 19th-century grandeur with 21st-century elegance. The new bar and restaurant provide delicious food and drink in beautifully designed spaces, and are open to both performance goers and other members of the public.

Chief Executive of the Royal Opera House, Alex Beard, said:
“We are delighted to open the doors to a transformed Royal Opera House, with our new Linbury Theatre, new entrances, foyers and terraces, a new café, bar and restaurant and refurbished Clore Studio, as well as an extensive programme of daytime events, activities and festivals. The Royal Opera House is now open every day from 10am, and we want as many people as possible to visit one of the world’s most beautiful theatres, to experience our art forms and to get a taste of the remarkable creativity at play here.”

The final construction cost is estimated at £50.7m, with all of the funds raised from philanthropy.

Main Foyer ©2018 ROH. Photograph by Luke Hayes (1).jpgRoyal Opera House Main Foyer. Photo Credit: ROH/Luke Hayes.

The elegant, newly-created spaces will be brought alive with a year-round daytime programme of events, activities and festivals for audiences of all ages: events will range from workshops demonstrating the magic of backstage theatre crafts to guest artist performances and immersive events. The new front-of-house displays will include stunning costumes charting some famous episodes in the history of The Royal Ballet and The Royal Opera.

The new Royal Opera House Shop, open Monday-Saturday from 10am until after the last interval on a performance evening, and on Sunday 10am-6pm, boasts a diverse range of specially designed products inspired by our theatre and art from some of Britain’s most exciting designers.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):