Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Commentary

Handel Singing Competition semi-finalists announced

The Handel Singing Competition has announced its 13 semi-finalists who will be competing in the 2019 Competition. The semi-final is due to take place on 5 March at Grosvenor Chapel, and the final is on 6 April at St George’s, Hanover Square - both in front of a live audience. The Competition this year received over 170 applications from all around the world, from 25 countries as far afield as Argentina, Australia, Israel, the United States and Canada.

Longborough Festival Opera founders to receive Wagner Society award

The Wagner Society has announced that Longborough Festival Opera co-founders Martin and Lizzie Graham will receive its prestigious Reginald Goodall Award, which recognises individuals who have been of outstanding service to Wagner and his music.

Six Charlotte Mew Settings: in conversation with composer Kate Whitley

Though she won praise from the literary greats of her day, including Thomas Hardy, Virginia Woolf, Ezra Pound and Siegfried Sassoon, the Victorian poet Charlotte Mew (1869-1928) was little-known among the contemporary reading public. When she visited the Poetry Bookshop of Harold Monro, the publisher of her first and only collection, The Farmer’s Bride (1916), she was asked, “Are you Charlotte Mew?” Her reply was characteristically diffident and self-deprecatory: “I’m sorry to say I am.”

"It Lives!": Mark Grey 're-animates' Mary Shelley's Frankenstein

“It lives!” So cries Victor Frankenstein in Richard Brinsley Peake’s Presumption: or the Fate of Frankenstein on beholding the animation of his creature for the first time. Peake might equally have been describing the novel upon which he had based his 1823 play which, staged at the English Opera House, had such a successful first run that it gave rise to fourteen further adaptations of Mary Shelley’s 1818 novella in the following three years.

Bampton Classical Opera Young Singers' Competition 2019

Applications will open on March 1, 2019 for Bampton Classical Opera’s fourth biennial Young Singers’ Competition. The competition was launched in 2013 to celebrate the company’s 20th birthday. It is now well established and identifies, rewards and nurtures some of the country’s most talented young professional singers aged 21-32 and their accompanists.

Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert's births

To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.

English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre

Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.

Glyndebourne celebrates 25 years of its award-winning opera house in 2019

Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.

Garsington Opera’s 30th anniversary season: four new productions including an Offenbach premiere

Garsington Opera’s 30th anniversary season will feature four new productions - the UK stage premiere of Offenbach’s Fantasio, Smetana’s The Bartered Bride, Mozart’s Don Giovanni and finally Britten’s The Turn of the Screw.

Plácido Domingo awarded Honorary Fellowship of the International Opera Awards

A patron of the International Opera Awards since their inception, legendary tenor Plácido Domingo will receive the first ever Honorary Fellowship of the Opera Awards Foundation at a fundraising evening on Monday 28 January at the Royal Society of Arts, London.

Wexford Festival Opera Announces New Artistic Director

The Board of Wexford Festival Opera has announced Rosetta Cucchi as the new Artistic Director of the Festival. She will take up the six-year position when the current Artistic Director David Agler finishes his tenure after the 2019 Festival.

Unknown, Remembered: in conversation with Shiva Feshareki

It sounds like a question from a BBC Radio 4 quiz show: what links Handel’s cantata for solo contralto, La Lucrezia, Samuel Beckett’s Krapp’s Last Tape, and the post-punk band Joy Division?

Bampton Classical Opera to perform Gian Carlo Menotti's Amahl and the Night Visitors

Gian Carlo Menotti’s much-loved Christmas opera, Amahl and the Night Visitors was commissioned in America by the National Broadcasting Company and was broadcast in 1951 - the first-ever opera composed specifically for television. Menotti said that it “is an opera for children because it tries to recapture my own childhood”.

Kings College, Cambridge launches as curator on Apple Music

November 5, 2018, Los Angeles, CA: Today, King’s College Cambridge announces the launch of the College as a curator on Apple Music.

Royal Opera House’s Music Director Sir Antonio Pappano extends tenure to 2023

Sir Antonio Pappano, Music Director of the Royal Opera House, has confirmed that he will remain in position until at least the end of the 2022/23 Season.

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.

Bampton Classical Opera Goes to the Ball

I wonder if Cinderella realised that when she found her Prince she would also find international fame, becoming not just a Princess but also a global celebrity and icon. The glass slipper, placed loving on her shapely foot, has graced theatres, variety halls, cinema screens and opera houses - even postage stamps - and the perennial popularity of this rags-to-riches fairy-tale, in which innocence and goodness triumph over injustice and oppression, shows no signs of waning.

OPERA TODAY ARCHIVES »

Commentary

Photo by Kathy Wittman courtesy of Boston Early Music Festival Chamber Opera
30 Oct 2018

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

Press release by Boston Early Music Festival Chamber Opera

Photos by Kathy Wittman courtesy of Boston Early Music Festival Chamber Opera

 

Cambridge, MA – The GRAMMY Award-winning Boston Early Music Festival Chamber Opera Series returns on Thanksgiving weekend with an all-new production of the first opera by a woman composer, Francesca Caccini’s Alcina. Alcina is a brilliant entertainment, full of wit, magic, and drama, with a demanding title role first sung by the composer herself. The production will receive four performances: Saturday, November 24 and Sunday, November 25 in Boston, and Monday, November 26 and Tuesday, November 27 in New York City.

“Women have been shaping the world of opera from the very beginning, and we at BEMF are excited to present a new production of the first opera by a female composer, Francesca Caccini’s 1625 La liberazione di Ruggiero dall’isola d’Alcina ,” offers Executive Director Kathleen Fay. “As more and more women are finding their voice in opera, whether as artists, producers, patrons, or composers, it is exciting to be reminded that this is not a new phenomenon. We have been here for nearly 400 years already, and we are only getting started!”

This groundbreaking work is brought to life by the all-star BEMF Vocal and Chamber Ensembles in a magnificent production featuring gorgeous costumes and elegant period staging. Led by BEMF’s GRAMMY-winning Musical Directors Paul O’Dette and Stephen Stubbs and Stage Director Gilbert Blin, the directorial team also features Concertmaster Robert Mealy, Dance Director Melinda Sullivan, Costume Designer Anna Watkins, and Executive Producer Kathleen Fay. The dynamic cast of 15 singers features many BEMF favorites, including Canadian soprano Shannon Mercer (Alcina), praised for “ the lyric beauty and surprising power of her voice” ( Salt Lake Tribune); tenor Colin Balzer (Ruggiero), a frequent guest of BEMF’s Centerpiece Opera productions and recordings; and mezzo-soprano Kelsey Lauritano (Melissa), who made her début with the BEMF Orchestra at the June 2017 Festival. These superb vocalists appear alongside the twelve-member BEMF Chamber Ensemble.

BEMF Versailles Chamber Opera 2 - Kathy Wittman credit.jpg

 

A contemporary of Monteverdi and a colleague of Galileo, Francesca Caccini came of age in Florence during the earliest years of opera as an art form. Both a composer and a performer, she was one of the most important musical figures at the Medici court during the regency of Christina of Lorraine and Maria Maddalena. In 1625, amid this time of female leadership, she created Alcina, the first opera by a woman composer and among the first Italian operas performed outside of Italy. Adapted from Ludovico Ariosto’s 16th-century epic poem Orlando furioso, the sorceress Alcina stands at the center of a struggle between illusion and destiny as the valiant Melissa strives to save the warrior Ruggiero and liberate the captives Alcina has transformed into plants and trees to ornament her island.

ARTISTS: Boston Early Music Festival Chamber Opera Series
Paul O’Dette & Stephen Stubbs, Musical Directors
Gilbert Blin, Stage Director
Robert Mealy, Concertmaster
Melinda Sullivan, Dance Director
Anna Watkins, Costume Designer
Kathleen Fay, Executive Producer

Boston Early Music Festival Vocal Ensemble
Shannon Mercer, Alcina
Colin Balzer, Ruggiero
Kelsey Lauritano, Melissa
Teresa Wakim, Margot Rood, Sonja DuToit Tengblad, Danielle Sampson, Sophie Michaux, Mindy Ella Chu, Jason McStoots, Brian Giebler, David Evans, David McFerrin, Ian Pomerantz & Daniel Fridley

Boston Early Music Festival Chamber Ensemble
Paul O’Dette & Stephen Stubbs, chitarrone & Baroque guitar
Robert Mealy & Julie Andrijeski, violin
Sarah Darling, viola
Erin Headley, Christel Thielmann & Laura Jeppesen, viola da gamba
Kathryn Montoya & Héloïse Degrugillier, recorder
Maxine Eilander, Baroque harp
Michael Sponseller, organ, regal & harpsichord

WHEN: Saturday, November 24, 2018 at 8pm
Sunday, November 25, 2018 at 3pm
New England Conservatory’s Jordan Hall, 30 Gainsborough Street, Boston, MA

Monday, November 26, 2018 at 7:30pm
Tuesday, November 27, 2018 at 7:30pm
Gilder Lehrman Hall at the Morgan Library & Museum
225 Madison Avenue at 36th Street, New York, NY

PROGRAM: Francesca Caccini’s Alcina

TICKETS: Tickets for the Boston performances are priced at $25, $45, $55, $75, and $125 each, and can be purchased at www.BEMF.org and 617-661-1812; as well as through the Jordan Hall Box Office located at 30 Gainsborough Street in Boston and by telephone at 617-585-1260; a $5 discount for students, seniors, and groups is available by calling 617-661-1812. Subscription discounts are available with the purchase of three or more programs on the 2018-2019 Season.

Tickets for the New York performance are priced at $55 for Morgan members and $65 for non-members, and can be purchased at www.themorgan.org/bemf and at 212-685-0008 ext. 560.

ASSOCIATED EVENTS:

There will be a Pre-Opera Talk with members of the directorial team one hour prior to each performance in Boston, and one half-hour prior to each performance in New York.

RESOURCES:

Download artist photos: http://www.bemf.org/pages/press/images.htm

BEMF’s 2018–2019 Season Press Release: http://www.bemf.org/pages/press/071618_1819season.htm

ABOUT THE BEMF CHAMBER OPERA SERIES:

Hailed by the Boston Globe for “vivid performances,” since 2008 the BEMF Chamber Opera Series has taken the internationally acclaimed musicianship, scholarship, and direction showcased in BEMF’s fully staged Festival operas and focused it on small-scale works in intimate productions each Thanksgiving weekend. Two productions from the Chamber Opera Series have also been presented on tour across North America: Handel’s Acis and Galatea in 2011 and Charpentier’s La Descente d’Orphée aux Enfers and La Couronne de Fleurs in 2014. BEMF’s studio recording of Charpentier’sLa Descente d’Orphée aux Enfers and La Couronne de Fleurs was awarded the 2015 GRAMMY Award for Best Opera Recording.

ABOUT THE MORGAN LIBRARY & MUSEUM:

The Morgan Library & Museum began as the private library of financier Pierpont Morgan, one of the preeminent collectors and cultural benefactors in the United States. Today, more than a century after its founding, the Morgan serves as a museum, independent research library, musical venue, architectural landmark, and historical site. Located at Madison Avenue and 36th Street, its collection includes world-renowned collections of drawings, literary and historical manuscripts, musical scores, medieval and Renaissance manuscripts, printed books, photography, and ancient near Eastern seals and tablets. Gilder Lehrman Hall, designed by renowned architect Renzo Piano, was opened by the Morgan in May 2006, and seats 264 people, providing a uniquely intimate concert venue. This marks the Boston Early Music Festival’s 13th season of concerts at the Morgan Library & Museum.

ABOUT THE BOSTON EARLY MUSIC FESTIVAL:

Recognized as the preeminent early music presenter and Baroque opera producer in North America, the Boston Early Music Festival (BEMF) has been credited with securing Boston’s reputation as “America’s early music capital” ( The Boston Globe). Founded in 1981, BEMF offers diverse programs and activities, including one GRAMMY Award-winning and four GRAMMY Award-nominated opera recordings, an annual concert series that brings early music’s brightest stars to the Boston and New York concert stages, and a biennial week-long Festival and Exhibition recognized as the “world’s leading festival of early music” ( The Times, London). The 20th Boston Early Music Festival will take place from June 9–16, 2019, and feature the fully staged North American premiere of Agostino Steffani’s Orlando as the Centerpiece Opera. BEMF’s Artistic Leadership includes Artistic Directors Paul O’Dette and Stephen Stubbs, Opera Director Gilbert Blin, Orchestra Director Robert Mealy, and Dance Director Melinda Sullivan.

The 2018-2019 Boston Early Music Festival Concert Series is presented with support from the Massachusetts Cultural Council, National Endowment for the Arts, WGBH Radio Boston, and Harpsichord Clearing House, as well as a number of generous foundations and individuals from around the world.

For more information, images, press tickets, or to schedule an interview, please contact Kathleen Fay at 617-661-1812 or email kathy@bemf.org.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):