Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Commentary

New Mascarade Opera Studio announces first participants

Mascarade Opera Studio has announced its first ten Studio Artists following applications from ambitious opera talent from all over the world. From September 2020, the new opera studio launching in Florence will offer its nine-month training programme for eight exceptional young singers and two répétiteurs.

Accentus stream full-length operas on Opernhaus Zürich website

Accentus is delighted to announce that a selection of outstanding full-length operas that the production company and label has produced will be streamed on the Opernhaus Zürich website.

Royal Academy of Music appoints Brenda Hurley as Head of Opera

The Royal Academy of Music today announced Brenda Hurley as its new Head of Opera, effective July 2020.

The Royal Opera House launches a programme of free online content for the culturally curious at home

The Royal Opera House today announced a free programme of curated online broadcasts, musical masterclasses and cultural insights that get under the skin of both ballet and opera and offer everyone a unique look behind the scenes at one of the world's most famous cultural institutions.

Charles Wuorinen: June 9, 1938 – March 11, 2020

Press release from Aleba & Co.:

Edward Nelson Wins 2020 Glyndebourne Opera Cup

A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.

Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater

A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.

Glanert: Requiem for Hieronymus Bosch - UK premiere

The culmination of the BBC Symphony Orchestra’s Total Immersion: Detlev Glanert on Saturday 7 December will be the UK première of the German composer’s Requiem for Hieronymus Bosch conducted by Semyon Bychkov.

Bampton Classical Opera's Young Singers' Competition - Winner Announced

Bampton Classical Opera is delighted to announce that the winner of the 2019 Young Singers’ Competition is soprano Lucy Anderson. The runner-up prize has been awarded jointly to soprano Daniella Sicari and mezzo-soprano Carolyn Holt. The winner of the accompanists’ prize, a new category since 2017, is Dylan Perez, who accompanied Lucy Anderson.

Soprano Eleanor Dennis performs Beethoven and Schubert at the 2019 Highgate International Chamber Music Festival

When soprano Eleanor Dennis was asked - by Ashok Klouda, one of the founders and co-directors of the Highgate International Chamber Music Festival - to perform some of Beethoven’s Scottish Songs Op.108 at this year’s Festival, as she leafed through the score to make her selection the first thing that struck her was the beauty of the poetry.

Mark Padmore reflects on Britten's Death in Venice

“At the start, one knows ‘bits’ of it,” says tenor Mark Padmore, somewhat wryly, when I meet him at the Stage Door of the Royal Opera House where the tenor has just begun rehearsals for David McVicar’s new production of Death in Venice, which in November will return Britten’s opera to the ROH stage for the first time since 1992.

Annilese Miskimmon appointed as English National Opera’s Artistic Director

English National Opera has appointed Annilese Miskimmon as Artistic Director.

An interview with Cheryl Frances-Hoad, Oxford Lieder Festival's first Associate Composer

“Trust me, I’m telling you stories …”

GSMD and ROH announce Oliver Leith as new Doctoral Composer-in-Residence 2019-2022

Guildhall School of Music & Drama in association with The Royal Opera today announces Oliver Leith as the fourth Doctoral Composer-in-Residence, starting in September 2019. Launched in 2013, the collaboration between Guildhall School and The Royal Opera is one...

In conversation with Nina Brazier

When British opera director Nina Brazier tries to telephone me from Frankfurt, where she is in the middle of rehearsals for a revival of Florentine Klepper’s 2015 production of Martinů’s Julietta, she finds herself - to my embarrassment - ‘blocked’ by my telephone preference settings. The technical hitch is soon solved; but doors, in the UK and Europe, are certainly very much wide open for Nina, who has been described by The Observer as ‘one of Britain’s leading young directors of opera’.

2019 Wigmore Hall/Independent Opera International Song Competition

Russian bass-baritone Mikhail Timoshenko has won the top prize at the 2019 Wigmore Hall/Independent Opera International Song Competition.

An Englishman in Vienna: Stephen Storace

When his first opera, Gli sposi malcontenti, premiered at the Burgtheater in Vienna on 1st June 1985, the 23-year-old Stephen Storace must have been confident that his future fame and fortune were assured.

Stendhal on the Rossini Revolution

Some Details concerning the Revolution inaugurated by Rossini

Louise Jeffreys to become Deputy Chair of ENO

English National Opera (ENO) is pleased to announce that Louise Jeffreys is to become Deputy Chair of English National Opera and the London Coliseum. She replaces Nicholas Allan. Louise is currently Artistic Director of the Barbican where she leads...

Verdi Treasures from Milan’s Ricordi Archive make US debut

Rare testimonies to the history of Italian opera from the Milan-based, Bertelsmann-owned Ricordi Archive will now be shown in the United States for the first time. Fans of classical music and literature can look forward to the exhibition “Verdi: Creating Otello and Falstaff - Highlights from the Ricordi Archive”, which will be on view at the renowned Morgan Library & Museum in New York from September 6, 2019 to January 5, 2020.

OPERA TODAY ARCHIVES »

Commentary

08 Mar 2020

Edward Nelson Wins 2020 Glyndebourne Opera Cup

A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.

2020 Glyndebourne Opera Cup

Above: Edward Johnson

Photo credit: Richard Hubert Smith

 

Edward Nelson, 31, grew up in a non-musical family, with the exception of his uncle who used to take him to concerts. Growing up he took part in a variety of performing arts including jazz, classical piano and musical theatre before dedicating himself to opera. He recently made an acclaimed European debut at Norwegian National Opera as Pelléas in Debussy’s Pelléas et Mélisande after learning the role in just four weeks.

During the Glyndebourne Opera Cup final, Nelson performed two dramatic arias from Ambroise Thomas’s Hamlet before sealing his win with a spectacular performance of the show-stopping ‘Largo al factotum’ aria from The Barber of Seville.

He was presented with his prize by Dame Janet Baker, the competition’s honorary president, who sat on the prestigious jury alongside fellow opera legends Sumi Jo, Sir Thomas Allen, and Dame Felicity Lott and top industry professionals. The competition was produced for Sky Arts by Factory Films and was presented by Chris Addison and Danielle de Niese.

As part of Glyndebourne’s commitment to diversity in the Glyndebourne Opera Cup, Sky Arts offered a bursary for BAME and Financially Disadvantaged contestants, which was claimed by a quarter of the singers who reached the semi-finals and a third of the finalists.

Six singers competed at the final for the top prize of £15,000 and the guarantee of a role within five years at one of the top international opera houses represented on the competition’s jury. They were accompanied by the London Philharmonic Orchestra, conducted by the up-and-coming Canadian conductor Jordan de Souza.

Second Place went to British soprano Alexandra Lowe, 28, while taking Third Place was American tenor, Eric Ferring, 27.

The Audience Prize, voted on by the live audience at Glyndebourne, was awarded to Chinese soprano Meigui Zhang, 26, and the Ginette Theano Prize for Most Promising Talent, was presented to South Africa mezzo-soprano Siphokazi Molteno.

The Glyndebourne Youth Jury, made up of young singers aged 16-21 who have taken part in Glyndebourne talent development and youth opera programmes, awarded their prize for the most engaging and communicative performance to South Korean tenor Sungho Kim.

Stephen Langridge, Glyndebourne’s Artistic Director and chair of The Glyndebourne Opera Cup jury, said: ‘All of the finalists performed to an extremely high standard but Edward Nelson’s dramatic flair and vocal elegance set him apart on the night and made him our worthy winner.’

Dame Janet Baker, honorary president of The Glyndebourne Opera Cup, said: ‘Sometimes the differences between talented singers are very small indeed; this was the case tonight. Both the semi final and the final stages produced technical singing of quality and all the singers involved can go home with heads held high knowing they have done themselves justice.’

The final of The Glyndebourne Opera Cup was broadcast live on Sky Arts and is available to watch on demand.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):