Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

Camille Saint-Saens: Mélodies avec orchestra

Saint-Saëns Mélodies avec orchestra with Yann Beuron and Tassis Christoyannis with the Orchestra della Svizzera Italiana conducted by Markus Poschner.

Les Funérailles Royales de Louis XIV recreated at Versailles

Les Funérailles Royales de Louis XIV, with Ensemble Pygmalion, conducted by Raphaël Pichon now on DVD/Blu -ray from Harmonia Mundi. This captures the historic performance at the Chapelle Royale de Versailles in November 2015, on the 300th anniversary of the King's death.

Tenebræ Responsories
recording by Stile Antico

Tomas Luis de Victoria’s Tenebrae Responsories are designed to occupy the final three days of Holy Week, and contemplate the themes of loss, betrayal and death that dominate the Easter week. As such, the Responsories demand a sense of darkness, reflection and depth that this new recording by Stile Antico - at least partially - captures.

Mahler Symphony no 9, Daniel Harding SRSO

Mahler Symphony no 9 in D major, with Daniel Harding conducting the Swedish Radio Symphony Orchestra, new from Harmonia Mundi. A rewarding performance on many levels, not least because it's thoughtfully sculpted, connecting structure to meaning.

A Splendid Italian Spoken-Dialogue Opera: De Giosa’s Don Checco

Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

Schubert's Winterreise is almost certainly the most performed Lieder cycle in the repertoire. Thousands of performances and hundreds of recordings ! But Mark Padmore and Kristian Bezuidenhout's recording for Harmonia Mundi is proof of concept that the better the music the more it lends itself to re-discovery and endless revelation.

The Epic of Gilgamesh - Bohuslav Martinů

New recording of the English version of Bohuslav Martinů's The Epic of Gilgamesh, from Supraphon, the Czech Philharmonic Orchestra conducted by Manfred Honeck. This is the world premiere recording of the text in English, the original language in which it was written.

Maybe the Best L’heure espagnole Yet

The new recording, from Munich, has features in common with one from Stuttgart that I greatly enjoyed and reviewed here: the singers are all native French-speakers, the orchestra is associated with a German radio channel, we are hearing an actual performance (or in this case an edited version from several performances, in April 2016), and the recording is released by the orchestra itself or its institutional parent.

Stéphanie d’Oustrac in Two Exotic Masterpieces by Maurice Ravel

The two works on this CD make an apt and welcome pair. First we have Ravel’s sumptuous three-song cycle about the mysteries of love and fantasies of exotic lands. Then we have his one-act opera that takes place in a land that, to French people at the time, was beckoningly exotic, and whose title might be freely translated “The Nutty and Delightful Things That Can Happen in Spain in Just One Hour”.

Stefano Secco: Crescendo

I had never heard of Stefano Secco before receiving this CD. But I see that, at age 34, he already has had a substantial career, singing major roles at important houses throughout Europe and, while I was not paying attention, occasionally in the US.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

Il sogno di Scipione: a new recording from Classical Opera

With this recording of Mozart’s 1771 opera, Il sogno di Scipione (Sicpio’s Dream), Classical Opera continue their progress through the adolescent composer’s precocious achievements and take another step towards the fulfilment of their complete Mozart opera series for Signum Classics.

Mozart’s Requiem: Pierre-Henri Dutron Edition

The stories surrounding Mozart’s Requiem are well-known. Dominated by the work in the final days of his life, Mozart claimed that he composed the Requiem for himself (Landon, 153), rather than for the wealthy Count Walsegg’s wife, the man who had commissioned it in July 1791.

Schumann and Mahler Lieder : Florian Boesch

Schumann and Mahler Lieder with Florian Boesch and Malcolm Martineau, now out from Linn Records, following their recent Schubert Winterreise on Hyperion. From Boesch and Martineau, excellence is the norm. But their Mahler Lieder eines fahrenden Gesellen takes excellence to even greater levels

Hans Werner Henze : Kammermusik 1958

"....In lieblicher Bläue". Landmark new recordings of Hans Werner Henze Neue Volkslieder und Hirtengesänge and Kammermusik 1958 from the Scharoun Ensemble Berlin, with Andrew Staples, Markus Weidmann, Jürgen Ruck and Daniel Harding.

Elder conducts Lohengrin

There have been dozens of capable, and more than capable, recordings of Lohengrin. Among the most-often praised are the Sawallisch/Bayreuth (1962), Kempe (1963), Solti (1985), and Abbado (1991). Recording a major Wagner opera involves heavy costs that a record company may be unable to recoup.

OPERA TODAY ARCHIVES »

Recordings

On Wings of Jewish Songs — Music from the New Jewish School
26 Sep 2005

On Wings of Jewish Songs — Music from the New Jewish School

Yiddish is a language based on medieval German that developed separately from modern German. It spread throughout Eastern Europe, where it acquired words from Hebrew, as well as Russian, Polish, and other Slavic languages.

On Wings of Jewish Songs — Music from the New Jewish School

Hänssler Classic 093041000 [CD]

 

Beginning in the late nineteenth century, serious writers such as Sholem Aleichem, Chaim Nachman Bialik, and Mendele Moicher Sforim produced poetry, stories, and novels in Yiddish that captured the imagination of Jews worldwide. At the same time, Jews became conscious of a repertoire of songs and melodies--old ones passed down from earlier generations and new ones that sprang up--in Yiddish, as well as sacred music in Hebrew. Collections of such music were published, beginning in the early twentieth century and continuing till today.

What is called the “New Jewish School of Music” has its roots in these secular and sacred songs, which from the early twentieth century were also used by “serious” or “classical” composers. For this recording, the artists have chosen 36 items that date primarily from the first half of the twentieth century, some for solo piano, most for voice and piano.

The singer featured on this CD is the American-born and -educated mezzo-soprano Helene Schneidermann, who has been with the Stuttgart State Opera for more than twenty years. She has performed dozens of roles in opera houses in the United States, Europe, and Israel, including Carmen, Orlofsy in Fledermaus, Maddalena in Rigoletto, and Rosina in The Barber of Seville. Her rich mezzo voice is excellent for the more serious works on the recording, but Schneidermann also gives a spirited and light-hearted rendering when it is called for. One of the latter, “Ich bin a bal-agole” (I am a coachman), was written by Solomon Rosowsky (1878-1962). Son of the cantor and composer Baruch Leib Rosowsky, Solomon was a composer, musicologist, collector and editor of Jewish music, music critic, teacher, and author of The Cantillation of the Bible: The Five Books of Moses.

Interspersed between the songs are four sets of works for solo piano by Alexander Krejn, his “Jewish Dances,” op. 50, performed by Jascha Nemtsov. Born and educated in Russia, Nemtsov graduated with distinction from the Leningrad Conservatory in 1986, and six years later moved to Stuttgart, Germany, where he still lives. His sensitive playing of the solo works and the relatively simple accompaniments suits the music very well.

Like Rosovsky, Krejn (1883-1951) was born into a musical family. His father was a klezmer musician who played violin at Jewish weddings, and his six brothers all became musicians. Kreijn achieved his greatet success as a composer for the Yiddish theater in Russia during the 1920s. The Opus 50 dances are drawn from some of his theater works. After Jewish music was banned in the Soviet Union, Kreijn wrote works unrelated to his career up till then.

The best-known of the composers on this CD is Lazare Saminsky, who is represented by four works at the beginning and three at the end of the recording. Saminsky, who grew up in Russia and emigrated to New York when he was nearly 40, became music director for Temple Emanuel, which has been called the “Vatican” of the Reform Jewish movement. If anyone can be called the Grand Old Man of New Jewish Music, it is Saminsky (whose dates, 1882-1959, are erroneously given as 1959-1982!).

The first work on the recording is “Shir Hashirim,” Saminsky’s setting of the first few sentences of the Song of Songs in Hebrew. It is appropriately prayer-like, featuring simple harmonies played mostly in chords in the piano. It sticks close to the tonic, like Torah chanting, and features flourishes at ends of some of the sentences. The Hebrew pronunciation (as well as the transliteration in the booklet) are inconsistent and, in some places, simply wrong. Nevertheless, starting off the recital with a prayerful Bible passage sets a good tone for what is to come.

Of the other composers represented on this CD, the best known is Joseph Achron (1886-1943), whose “Po En-Harod” (Here is En-Harod) in Hebrew is a tribute to a kibbutz in Israel.

Michael Ochs

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):