Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Bernarda Fink Sings Mahler Lieder

Bernarda Fink’s recording of Gustav Mahler’s Lieder is an important new release that includes outstanding performances of the composer’s well-known songs, along with compelling readings of some less-familiar ones.

Gergiev’s Das Rheingold

Das Rheingold launches what is perhaps the single most ambitious project in opera, Richard Wagner’s Der Ring des Nibelungen

Hänsel und Gretel

This live performance of Laurent Pelly’s Glyndebourne staging of Humperdinck’s affectionately regarded fairy tale opera, was recorded at Glyndebourne Opera House in July and August 2010, and the handsomely produced disc set — the discs are presented in a hard-backed, glossy-leaved book and supplemented by numerous production photographs and an informative article by Julian Johnson — is certainly stylish and unquestionably recommendable.

Magdalena Kožená: Love and Longing

Recorded at a live performance in 2012, this CD brings together an eclectic selection of turn-of-the-century orchestral songs and affirms the extraordinary versatility, musicianship and technical accomplishment of mezzo-soprano Magdalena Kožená.

Once I was: Songs by Ricky Ian Gordon

Once I was: Songs by Ricky Ian Gordon features an assortment of songs by Ricky Ian Gordon interpreted by soprano Stacey Tappan, a longtime friend of the composer since their work on his opera Morning Star at the Lyric Opera of Chicago.

Amore e Tormento

Alfredo Kraus, one of the most astute artists in operatic history in terms of careful management of technique and vocal resources, once said in an interview that ‘you have to make a choice when you start to sing and decide whether you want to service the music, and be at the top of your art, or if you want to be a very popular tenor.’ 

Rivals—Arias for Farinelli & Co.

In generations past, an important singer’s first recording of Italian arias would almost invariably have included the music of Verdi. 

Verdi at the Old MET

With celebrations of the Verdi Bicentennial in full swing, there have been many grumblings about the precarious state of Verdi singing in the world’s major opera houses today.

Italo Montemezzi: L’amore dei tre re

In the thirty-five years immediately following its American première at the Metropolitan Opera in 1914, Italo Montemezzi’s ‘Tragic Poem in Three Acts’ L’amore dei tre re was performed in New York on sixty-six occasions. 

Così fan tutte from DG

Few operas inspire the kind of competing affection and controversy that have surrounded Mozart’s Così fan tutte almost since its first performance in Vienna in 1790. 

Heart’s Delight: The Songs of Richard Tauber

During his career in film, opera, and operetta, Richard Tauber (1891 - 1948) enjoyed the sort of global fame that eludes all but the tiniest handful of ‘serious’ singers today.

Adriana Lecouvreur from Decca

Known principally for its two concert show-pieces for the leading lady, the success of Francesco Cilea’s Adriana Lecouvreur relies upon finding a soprano willing to take on, and able to pull off, the eponymous role.

Lawrence Brownlee’s Spiritual Sketches

It would be condescending and perhaps even offensive to suggest that singing traditional Spirituals is a rite a passage for artists of color, but the musical heritage of the United States has been greatly enriched by the performances and recordings of Spirituals by important artists such as Paul Robeson, Marian Anderson, Leontyne Price, Martina Arroyo, Shirley Verrett, Grace Bumbry, Jessye Norman, Barbara Hendricks, Florence Quivar, Kathleen Battle, Harolyn Blackwell, and Denyce Graves.

Great Wagner Conductors from DG

As a companion to their excellent Great Wagner Singers boxed set compiled and released in celebration of the Wagner Bicentennial, Deutsche Grammophon have also released Great Wagner Conductors, a selection of orchestral music conducted by five of the most iconic Wagnerian conductors of the Twentieth Century, extracted from Deutsche Grammophon’s extensive archives.

Great Wagner Singers from DG

There could be no greater gift to the Wagnerian celebrating the Master’s Bicentennial than this compilation from Deutsche Grammophon, aptly entitled Great Wagner Singers.

Adding Movie Magic to The Magic Flute

What better way for Masonic brothers, Wolfgang Amadeus Mozart and Emmanuel Shikaneder to disseminate Masonic virtues, than through the most popular musical entertainment of their age, a happy ending folktale that features a dragon, enchanting flutes and bells, mixed-up parentage, and a beautiful young princess in distress?

OPERA TODAY ARCHIVES »

Recordings

The very best of Thomas Hampson
28 Sep 2005

The Very Best of Thomas Hampson

The Very Best of Thomas Hampson is an excellent selection on CD of Hampson’s recordings from various points in his career. The American baritone is one of the international stars of classical music for both his roles on the opera stage and his work as a recitalist.

The very best of Thomas Hampson

Thomas Hampson, baritone. With Sir Roger Norrington, Michel Plasson, Placido Domingo, Eugene Kohn, Antonio de Almeida, Roberto Alagna, Csaba Airizer, Antonio Pappano, Richard Armstrong, Sir Andrew Davis, Geoffrey Parsons, Fabio Luisi, Wolfgang Sawallisch, Wolfram Rieger, Sir Simon Rattle, Franz Welser-Möst, London Voices, Kenneth Sillito, Armen Guzelimian, Jay Ungar, Molly Mason, Michael Parloff, David Alpher.

EMI Classics 5863322 [2CDs]

 

His recordings with EMI include both studio recordings and live performances, and this CD represents him well through the depth and variety of repertoire it contains.

Of the two CDs in this set, the first CD is devoted primarily Italian and French composers, with the focus mainly on opera, while the second has mostly German composers, with many of the selections being Lieder. There are some exceptions on both CDs, with some songs by Rossini augmenting the Italian repertoire on the first one; similarly, some songs by American composers like Griffes and Foster round out the Lieder on the second.

Hampson’s work in opera includes a number of prominent Italian roles, like the character of Figaro in Rossini’s Il barbiere di Siviglia, and his performance of “Largo al factotum” is characteristic of his clear and straightforward delivery of the text. A parallel piece not usually associated with baritones is “Von der Schönheit,” from Mahler’s Das Lied von der Erde, which requires a comparable approach to diction that must also preserve the musicality implicit in the title of the piece. The latter is an excerpt from the recording of the less familiar version of Das Lied that involves two male singers (tenor and baritone), which Hampson made with Peter Seiffert and conducted by Simon Rattle.

Likewise, Hampson is part of some excellent recordings of French opera, such as Gounod’s Faust, and his interpretation of Valentin’s aria “Avant de quitter des lieux” is among the finest from recent decades. His intelligent approach to French repertoire is also represented from a selection from Massenet’s Hérodiade, another fine recording, which also calls to mind his memorable performance several years ago in the new production of the same composer’s Thaïs at the Lyric Opera of Chicago. In addition, Hampson has performed some of the French versions of Verdi’s operas, and he made an exceptional contribution in Don Carlos, which is represented here with two excerpts. For those not familiar with the recording, the selections should give an idea of its merits, not only for Hampson’s contribution, but the other performers, as well.

When it comes to the German repertoire, the selection from Weber’s Euryanthe represents Hampson’s fine diction and nuanced phrasing. Likewise the excerpt from Korngold’s Die tote Stadt is an excellent choice, and the aria “O du mein holder Abendstern” from Wagner’s Tannhaüser conveys some of the power of Hampson’s voice. Yet the baritone’s performances of Lieder are critical for an understanding of his contribution to this repertoire. Hampson’s fine, resonant tone is well suited to Lieder, and his interpretations of Schumann are outstanding, as is shown in the selection from his recording of the Dichterliebe as well as several of Mahler’s Rückert Lieder. As a Mahler interpreter, Hampson is highly respected, and those who enjoy the music included on this CD may wish to explore the singer’s interpretations of Mahler’s settings from Des Knaben Wunderhorn.

As difficult as it sometimes may be to find a representative sampling in any CD entitled “The Very Best,” this selection meets the challenge. Yet it would have been convenient to have the texts and translations of the works included. A discography would be of some assistance for this retrospective CD set and others like it, rather than the selective listings of recordings that were apparently made with EMI alone. These are minor quibbles, however, and should by no means suggest any reservations about this fine collection.

James L. Zychwoicz
Madison, Wisconsin

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):