Guglielmo Tell: Melodramma tragico in four acts
Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).
Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet.
Faust, Opéra en cinq actes
Music composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe
La damnation de Faust, Légende dramatique en quatre parties
Music composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe
Mefistofele, Opera in un prologo, quattro atti e un epilogo
Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe
La Forza del Destino, a melodramma in quattro atti
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra
Martha, an opera in four acts.
Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.
First performance: 25 November 1847 at Theater an der Wien, Vienna.
La serva padrona, intermezzo in two parts
Music composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.
First performance: 28 August 1733, Teatro San Bartolomeo, Naples.
Fidelio, an opera in two acts
Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano.
VERDI: Macbeth, melodramma in quattro parti.
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.
Music composed by Johann Strauss II.
Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.
First performance: 5 April 1874 at the Theater an der Wien, Vienna.
Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance.
Fedora, a melodrama in three acts.
Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien Sardou
First performance: 17 November 1898 at Teatro Lirico Internazionale, Milan
Tosca, a melodrama in three acts
Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.
First performance: 14 January 1900 at Teatro Costanzi, Rome
A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!"
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Eugene Onegin, lyrical scenes in three acts and seven tableaux.
Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin.
First performance: 29 March 1879 at the Maliy Theatre, Moscow.
Manon Lescaut, dramma lirico in quattro atti
Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists.
First performance: 1 February 1893 at Teatro Regio, Turin.
The Queen of Spades (Pique Dame), an opera in three acts.
Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists.
First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg.
Streaming Audio
Characters
| Lisa, the Countess’ grandaughter | Soprano |
| Gherman (or Herman), an army engineer | Tenor |
| Prince Yeletsky, an officer, Lisa’s fiancé | Baritone |
| Count Tomsky, an officer | Baritone |
| The Countess, called the Queen of Spades | Soprano or Mezzo-Soprano |
| Polina (or Paulina), Lisa’s friend | Mezzo-Soprano |
Synopsis
Act One
Scene One
Herman is considered to be an outsider by the circle of officers around Tomsky, Sourin and Tchekalinsky. For some time now he has spent night after night at the gambling table, merely watching what is going on in silence. He tells Tomsky in confidence that he has fallen in love with a beautiful young noblewoman, but does not know her name. As Herman is poor and below her in station, he fears that she will prove to be beyond his reach. Prince Yeletsky introduces Tomsky and his friends Sourin and Tchekalinsky to his fiancée, Lisa. Herman recognises her as his own beloved. The old Countess, Lisa's grandmother, and Lisa herself both exclaim when they catch sight of Herman.
Prince Yeletsky, Tomsky and Herman are also struck by an inexplicable fear.
Prince Yeletsky moves away with the ladies and Tomsky tells his friends the rumours surrounding the old Countess. The Countess was a beauty when she was young and lived in Paris, where she was referred to as the "Venus from Moscow". One day she lost all her money at the gambling table. The Count Saint-Germain offered to reveal to her the secret of the three cards with which she could win back her fortune if she would grant him a rendezvous and she agreed. She subsequently passed on the secret of the three cards to two other people but now she guards it carefully. She was warned in a dream that she would die at the hands of the third man who tried desperately to win the secret of the three cards from her. Herman is fascinated by the story. He sees how he can acquire money and respect and then win Lisa.
Scene Two
Lisa's friends are celebrating her engagement to Prince Yeletsky in the Countess’s house, but Lisa is sad and thoughtful. Ever since she first met Herman she has felt irresistably attracted to him. When Lisa's friends have left, Herman appears in her room and declares his love for her. Lisa is desperately torn between her sense of duty and her inclination. When Herman threatens to kill himself if she spurns him she feels duty-bound to admit that she loves him.
Act Two
Scene Three
At the ball Prince Yeletsky begs Lisa to tell him what is troubling her. He assures her of his love but at the same time is aware of a great feeling of strangeness between them.
Lisa sends Herman a note in which she asks him to meet her after the performance of the pastoral The Faithful Shepherdess. In this intermezzo, Chloe has to choose between two men, Daphnis, a poor shepherd, and Plutus, a rich merchant. She decides in favour of her love for Daphnis, although it will mean a meagre existence in future. After the performance Lisa gives Herman a key with which he will be able to gain access to her own apartments through the bedroom of the Countess. Herman interprets this as a sign; he is now determined to get the secret of the three cards from the Countess at all cost.
Scene Four
Herman hides in the Countess's bedroom. The Countess herself comes in with her maids and attendants, whom she soon sends away. Herman approaches her and begs her to tell him the secret of the three cards. When she remains silent, Herman threatens her with a pistol in his desperation, and the Countess dies of shock at the sight of the weapon. Lisa appears on the scene and is forced to realise that Herman has only come because of the cards and not because of her. She also believes that he has killed her grandmother.
Act Three
Scene Five
Lisa has sent Herman a letter in which she forgives him and asks him to meet her at midnight. Herman is obsessed by memories of the Countess's funeral. Suddenly the ghost of his victim appears and reveals the secret of the three cards: Three, Seven, Ace.
Scene Six
Lisa is prepared to elope with Herman. When he finally appears, the only thing he can think of is going to the gaming-house. In his obsession he pushes Lisa aside, not even recognising her any longer, and goes off. Lisa can see no other way out and commits suicide.
Scene Seven
The mood is boisterous in the gaming-house. Prince Yeletsky tells Tomsky that his engagement to Lisa has been broken and that he is seeking revenge on his rival, Herman. Herman arrives and immediately begins to play for high stakes. He wins with his first card, the three, and also with his second, the seven. In the third game only Prince Yeletsky dares to play against him and Herman stakes all the money he has won on the third card, the ace. It is, however, not an ace but the Queen of Spades which he turns over. Again he sees the ghost of the old Countess, whose smile seems to be mocking at him, and kills himself. With his dying breath he asks for the Prince's pardon and sees Lisa's ghost, who forgives him.
[Synopsis courtesy of Bayerische Staatsoper]
Click here or here for the complete text of Pushkin’s The Queen of Spades.