Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Repertoire

Verdi – Il Trovatore (La Scala 1930)

Il Trovatore, dramma in four parts.

Strauss – Ariadne auf Naxos (Salzburg 1954)

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).

MOZART: Die Entführung aus dem Serail (Berlin 1949)

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

MOZART: Die Entführung aus dem Serail (Aix-En-Provence 1954)

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

STRAUSS: Arabella – Dresden 2005

Arabella: Lyrische Komödie in three acts

MOZART: Die Entführung aus dem Serail (Vienna 1956)

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).

VERDI: Don Carlo

Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).

VERDI: Un ballo in maschera

Un ballo in maschera, a melodramma in three acts.

Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)

Giovanni Pacini: Medea

Medea: Melodramma tragico in three acts.

Erich Wolfgang Korngold: Die Tote Stadt

Die Tote Stadt, an opera in three acts.

Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.

Stendhal on the Rossini Revolution

Some Details concerning the Revolution inaugurated by Rossini

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti

STRAUSS : Elektra

Elektra: Tragedy in one act.

Lyric Opera of Chicago’s 2020 Ring Cycle

Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.

Carlo Diacono: L’Alpino

“Diacono himself does not know what musical talent he possesses” – Mascagni

The Nibelungen-Myth. As Sketch for a Drama

From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.

Martín y Soler: Una cosa rara

Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.

Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara.

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further.

A culinary coupling from the Guildhall School of Music and Drama

What a treat the London Music Conservatoires serve up for opera-goers each season. After the Royal Academy’s Bizet double-bill of Le docteur Miracle and La tragédie de Carmen, and in advance of the Royal College’s forthcoming pairing of Huw Watkins’ new opera, In the Locked Room, based on a short story by Thomas Hardy, and The Lighthouse by Peter Maxwell Davies, the Guildhall School of Music and Drama have delivered a culinary coupling of Paul Hindemith’s The Long Christmas Dinner and Sir Lennox Berkeley’s The Dinner Engagement which the Conservatoire last presented for our delectation in November 2006.

OPERA TODAY ARCHIVES »

Repertoire

Angela Denoke as Arabella (Photo by Matthias Creutziger)
02 Apr 2020

STRAUSS: Arabella – Dresden 2005

Arabella: Lyrische Komödie in three acts

Streaming Audio

Richard Strauss: Arabella

Waldner (Alfred Kuhn), Adelaide (Christa Mayer), Arabella (Angela Denoke), Zdenka (Birgit Fandrey), Mandryka (Hans-Joachim Ketelsen), Matteo (Klaus Florian Vogt), Elemer (Martin Homrich), Dominik (Jürgen Hartfiel), Lamoral (Matthias Henneberg), Fortune-Teller (Andrea Ihle), Semperoper Dresden, Wolfgang Rennert (cond.)
Live performance: 24 June 2005, Semperoper, Dresden

Above: Angela Denoke as Arabella (Photo by Matthias Creutziger)

 

Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.

First Performance: 1 July 1933, Sächsisches Staatstheater Opernhaus, Dresden

Principal Roles:
Count Waldner Bass
Adelaide, his wife Mezzo Soprano
Arabella, their daughter Soprano
Zdenka, Arabella's younger sister Soprano
Mandryka, a Croatian landowner Baritone
Matteo, an officer Tenor
Count Elemer Tenor
Count Dominik Baritone
Count Lamoral Bass
Fiakermilli Soprano
Fortune-Teller Soprano
Three Players Basses
Welko, Mandryka’s bodyguard Spoken Role

Synopsis:

The impoverished Count and Countess Waldner seek a rich suitor for their eldest daughter Arabella, and have disguised their younger daughter Zdenka as a boy to save money. Zdenka is in love with Matteo, one of Arabella's admirers, and has written him letters in her sister's name. Arabella believes she will recognise 'the right man', and is curious about a stranger who has watched her outside the hotel. She agrees to choose a husband by the end of the Coachmen's Ball that evening, and leaves for a sleigh-ride. Beset by creditors, the Count has written to a Croatian landowning friend, enclosing a photo of Arabella. The friend's nephew and heir, Mandryka, announces himself. He is bewitched by Arabella's portrait and has come to Vienna to woo her. The Count accepts Mandryka's suit and a loan for the gambling tables. At the ball, Arabella and Mandryka are attracted to each other - he is the stranger she had noticed. He describes a village custom in which a glass of water is offered by a maid to her betrothed to drink. She agrees to marry him, but begs a few hours to bid farewell to her youth. Arabella is proclaimed Queen of the Ball by Milli, the coachmen's darling, and takes leave from each of her former suitors. Zdenka arranges an assignation with Matteo, luring him with a key to Arabella's room. This is overheard by Mandryka, who notes Arabella's departure and falls into a drunken fury, outraging the Countess with accusations of Arabella's infidelity. The Waldners leave the ball and the Count commands Mandryka to follow. Back at the hotel, Matteo believes he has met with Arabella in her darkened bedroom, but in the foyer she is baffled by his allusions. Mandryka has lost his trust in Arabella, and in the growing confusion challenges Matteo to a fight. Zdenka appears in a nightdress and confesses her love for Matteo. Arabella seeks forgiveness from Mandryka and asks her father to bless the union of Zdenka and Matteo. Mandryka, alone, contemplates his feelings for Arabella and sends a glass of water to her room. She brings it down for him to drink, as a symbol of their love.

[Synopsis Source: Boosey & Hawkes]

Click here for the complete libretto.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):