20 Nov 2005
VERDI: Macbeth
VERDI: Macbeth, melodramma in quattro parti.
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.
La damnation de Faust, Légende dramatique en quatre parties
Music composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe
Mefistofele, Opera in un prologo, quattro atti e un epilogo
Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe
La Forza del Destino, a melodramma in quattro atti
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra
Martha, an opera in four acts.
Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.
First performance: 25 November 1847 at Theater an der Wien, Vienna.
La serva padrona, intermezzo in two parts
Music composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.
First performance: 28 August 1733, Teatro San Bartolomeo, Naples.
Fidelio, an opera in two acts
Music by Ludwig van Beethoven. Libretto by Josef Sonnleithner, based on a French libretto by Jean Nicolas Bouilly
First performance: 23 May 1814 at the k.k. Hoftheater nächst dem Kärnthnerthor, Vienna
Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano.
Music composed by Johann Strauss II.
Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.
First performance: 5 April 1874 at the Theater an der Wien, Vienna.
Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance.
Fedora, a melodrama in three acts.
Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien Sardou
First performance: 17 November 1898 at Teatro Lirico Internazionale, Milan
Tosca, a melodrama in three acts
Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.
First performance: 14 January 1900 at Teatro Costanzi, Rome
Victorien Sardou (1831-1908) was a popular French dramatist during the later half of the 19th Century. He, along with Eugène Scribe, combined melodrama and realism to a produce a more serious form of drama that emphasized careful plot construction.
A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!"
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Eugene Onegin, lyrical scenes in three acts and seven tableaux.
Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin.
First performance: 29 March 1879 at the Maliy Theatre, Moscow.
Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997]
The Queen of Spades (Pique Dame), an opera in three acts.
Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists.
First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg.
Manon Lescaut, dramma lirico in quattro atti
Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists.
First performance: 1 February 1893 at Teatro Regio, Turin.
The Story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost stands as one of the great works of French literature. It first appeared in 1731 as an appendix to the series, Memoirs and Adventures of a Man of Quality. It was later revised in 1753 for independent publication under the title Les Aventures du chevalier Des Grieux et Manon Lescaut with illustrations by Pasquier and Gravelot.
VERDI: Macbeth, melodramma in quattro parti.
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.
First performance: 14 March 1847 at Teatro La Pergola, Florence.
First performance (revised version): 21 April 1865 at Théâtre Lyrique Impériale, Paris.
Principal Characters
| Duncano, Re di Scozia | Silent |
| Macbeth, Generali dell'esercito del Re Duncano | Baritone |
| Banco | Bass |
| Lady Macbeth, moglie di Macbeth | Soprano |
| Dama di Lady Macbeth | Mezzo-soprano |
| Macduff, nobile scozzese Signore Fiff | Tenor |
| Malcolm, figlio di Duncano | Tenor |
| Fleanzio, figlio di Banco | Silent |
| Domestico di Macbeth | Bass |
| Medico | Bass |
| Sicario | Bass |
In the castle Lady Macbeth reads the letter in which her husband tells her of his meeting with the witches, and she reflects that, in order for the prophecy to come true, King Duncano will have to be killed. She incites Macbeth to commit the crime, although he is the victim of terrifying visions. Duncano, spending the night in the castle as a guest, is assassinated. In the morning Macduff goes to wake Duncano and comes back horrified by what he has found. Everyone rushes to the scene to condemn the act of treason.
Act II
Since the witches predicted that Banco would be the father of kings, Macbeth, seeing this as an obstacle to his own ambitious plan to rise to power, decides to kill his friend together with his son Fleanzio. He entrusts the task to a group of murderers who ambush them while they are going through a wood, but they are only partially successful: Banco is killed and Fleanzio manages to escape.
Meanwhile in Macbeth's castle a banquet is being held, whose festive atmosphere is interrupted by the arrival of a murderer with blood on hs face. When he recounts what has happened, Macbeth is alarmed and starts to rave: Banco's ghost appears before him, his hair soaked in blood. He speaks wildly to it, denying his guilt, to the terror of the guests; Lady Macbeth exhorts him to compose himself, but shortly after the ghost reappears. Macbeth resolves to go and question the witches again.
Act III
In a dark cavern the witches are gathered around a cauldron. Macbeth arrives to question them and they call up a series of apparitions. The first tells Macbeth to beware of Macduff, the second that no man of woman born will harm him, the third pronounces him invincible until he sees Birnam Wood moving towards him. Then eight kings file past, Banco's offspring who will rule: Macbeth tries to attack them, then faints. Witches and aerial spirits revive him and he spurs himself on to increase his power.
Act IV
On the borders of Scotland and England the Scottish refugees lament the fate of their country now that it is at the mercy of a bloodthirsty tyrant. The victims of Macbeth's latest massacre are Macduff's wife and children. Malcolm and Macduff prepare the revolt against Macbeth: every soldier will advance towards the castle with a branch in his hand.
Inside the castle Lady Macbeth, watched over by a doctor and a lady-in-waiting, reveals her crisis of conscience every night by reliving the brutal deeds in her sleep and trying obsessively to wash the blood from her hands.
The enemy troops are attacking Macbeth's castle when the Queen's death is announced. Even this news does not shake him, but when he learns that Birnam Wood is moving towards him he shouts that he has been deceived and, seizing sword and dagger, confronts Macduff declaring he has no fear of him. Macduff tells him that he was not born, but untimely ripped from his mother's womb. Macbeth is mortally wounded and dies.