Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

The Tallis Scholars: Josquin's Missa Di dadi

‘Can great music be inspired by the throw of the dice?’ asks Peter Phillips, director of The Tallis Scholars, in his liner notes to the ensemble’s new recording of Josquin’s Missa Di dadi (The Dice Mass). The fifteenth-century artist certainly had an abundant supply of devotional imagery. As one scholar has put it, during this age there was neither ‘an object nor an action, however trivial, that [was] not constantly correlated with Christ or salvation’.

A Venetian Double: English Touring Opera

Francesco Cavalli’s La Calisto was the composer’s fifteenth opera, and the ninth to a libretto by Giovanni Faustini (1615-1651). First performed at the Teatro Sant’Apollinaire in Venice on 28th November 1651, the opera by might have been sub-titled ‘Gods Behaving Badly’, so debauched are the deities’ dalliances and deviations, so egotistical their deceptions.

Walter Braunfels : Orchestral Songs Vol 1

New from Oehms Classics, Walter Braunfels Orchestral Songs Vol 1. Luxury singers - Valentina Farcas, Klaus Florian Vogt and Michael Volle, with the Staatskapelle Weimar, conducted by Hansjörg Albrecht.

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored.

New from Opera Rara : Gounod La Colombe and Donizetti Le Duc d'Albe

Two new recordings from highly acclaimed specialists Opera Rara - Gounod La Colombe and Donizetti Le Duc d'Albe.

Félicien David: Herculanum

It is not often that a major work by a forgotten composer gets rediscovered and makes an enormously favorable impression on today’s listeners. That has happened, unexpectedly, with Herculanum, a four-act grand opera by Félicien David, which in 2014 was recorded for the first time.

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir.

A Prize-Winning Rediscovery from 1840s Paris (and 1830s Egypt)

Félicien David’s intriguing Le désert, for vocal and orchestral forces plus narrator, was widely performed in its own day, then disappeared from the performing repertory for nearly a century.

Félicien David: Songs for voice and piano

This well-packed disc is a delight and a revelation. Until now, even the most assiduous record collector had access to only a few of the nearly 100 songs published by Félicien David (1810-76), in recordings by such notable artists as Huguette Tourangeau, Ursula Mayer-Reinach, Udo Reinemann, and Joan Sutherland (the last-mentioned singing the duet “Les Hirondelles” with herself!).

John Taverner: Missa Corona spinea

This new release of John Taverner’s virtuosic and florid Missa Corona spinea (produced by Gimell Records) comes two years after The Tallis Scholars’ critically esteemed recording of the composer’s Missa Gloria tibi Trinitas, which topped the UK Specialist Classical Album Chart for 6 weeks, and with which the ensemble celebrated their 40th anniversary. The recording also includes Taverner’s two settings of Dum transisset Sabbatum.

“Nessun Dorma — The Puccini Album”

Sounds swirl with an urgent emotionality and meandering virtuosity on Jonas Kaufmann’s new Puccini album—the “real one”, according to Kaufmann, whose works were also released earlier this year on Decca records, allegedly without his approval.

Honegger: Jeanne d’Arc au bûcher

Marion Cotillard and Marc Soustrot bring the drama to the sweeping score of Arthur Honegger’s Jeanne dArc au bûcher, an adaptation of the Trial of Joan of Arc

Far in the Heavens — Choral Music of Stephen Paulus

Stephen Paulus provided the musical world, and particularly the choral world, with music both provocative and pleasing through a combination of lyricism and a modern-Romantic tonal palette.

Review: You Promised Me Everything

Richard Taruskin entitled his 1988 polemical critique of the notion of ‘authenticity’ in the context of historically informed performance, ‘The Pastness of the Present and the Presence of the Past’.

Donizetti: Les Martyrs

As the editor of Opera magazine, John Allison, notes in his editorial in the June issue, Donizetti fans are currently spoilt for choice, enjoying a ‘Donizetti revival’ with productions of several of the composer’s lesser known works cropping up in houses around the world.

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

A worthy tribute for a vocal seductress of the ancient régime

Carolyn Sampson has long avoided the harsh glare of stardom but become a favourite singer for “those in the know” — and if you are not one of those it is about time you were.

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

OPERA TODAY ARCHIVES »

Recordings

Witold Lutosławski: Twenty Polish Christmas Carols; Lacrimosa; Five Songs
22 Dec 2005

LUTOSLAWSKI: Twenty Polish Christmas Carols

Witold Lutosławski (1913-94) composed vocal works throughout his career, and recording collects several pieces that involve female voices. His set of Twenty Polish Christmas Carols for soprano, women’s choir and orchestra is a late composition compiled between 1985 and 1989 and given its premiere in 1990.

Witold Lutosławski: Twenty Polish Christmas Carols; Lacrimosa; Five Songs

Olga Pasichnyk, soprano; Jadwiga Rappé, alto; Polish Radio Chorus, Kraców; Polish National Radio Symphony Orchestra (Katowice); Antoni Wit (cond.)

Naxos CD 8.555994 [CD]

 

It is based on the collection of twenty Christmas carols for voice and piano that Lutosławski arranged in 1946, a time when the politics dictated that the arts create works like this for the people. Only someone as steeped in Polish culture as Lutosławski could approach arrangements of these carols with the aplomb that they deserve and, at the same time, introduce elements that do not make them caricatures. The collection is as reminiscent of some of the folksong settings of Ralph Vaughan Williams, and the appeal of the music resides in the masterful settings that he gave each piece.

While some of the melodies may be familiar, others are more insular in nature. The carol entitled “Hurrying to Bethlehem” The delicate timbres and floating harmonies of “Lullaby, Jesus” is one of the outstanding selections on this recording. Likewise angular melody of “This is our Lord’s birthday” evokes a Slavic idiom that hints at the kind of choral number a composer like Prokofiev have used in one of his cantatas, while Lutosławski’s orchestration suggests Shostakovich’s style. The wind colors used in “Shepherds, can you tell?” is engaging, especially when they occur with the interplay between solo voice and choral writing. The arrangements by Lutosławski make some wonderful Polish carols available to a broader audience.

This masterful combination of the familiar with a modern touch makes the collection attractive not only as a recording, but also for performances during the Christmas season. The performance preserved on this recording is taken from concerts given on 5 December 2001. In fact, the other pieces on the CD were part of another concert, which was given on 15 January 1997) and include Lutsławski’s Lacrimosa for soprano, choir, and orchestra, as well as his Five Songs for female voice the 30 solo instruments.

The Lacrimosa is one of two settings from the Requiem completed in 1937 by Lutosławski, and as a fragment it offers a glimpse at the composer early in his career. The melody given to the soprano is reminiscent of some of the music Ginastera used in his Bachianas Brasilieras. The overt simplicity that Lutosławski uses in this piece is part of its attraction. As much as it is unmistakably modern, the Lacrimosa is also engaging in its clear presentation of the text, and masterful use of solo voice in contrast to choral passages, all of which are supported by a carefully composed accompaniment. It is unfortunate that the other setting from the Requiem was destroyed and that Lutosławski did not pursue the setting of the entire piece. Those unfamiliar with the work will find this performance to be extremely effective.

Another work that deserves further attention is the set of Five Songs to texts by the contemporary poet Kazmimiera Iłłakowicz (1892-1983). The only nominally secular pieces on this CD, the Five Songs are essentially revisions of children’s verses that have a modern slant, and Lutosławski’s music accentuates that aspect of the texts. Composed in 1957, the Five Songs are a product of a time when Lutosławski benefited from the cultural openness that occurred after Stalin’s regime ended. As with the other pieces collected in this recording, the performance is convincing and conveys the spirit of the music well.

This and the other pieces are performed by the Polish Radio Chorus, Kraców, and the Polish National Radio Symphony Orchestra (Katowice) conducted by Anoni Wit. The soprano for the set of Twenty Polish Christmas Carols and the Lacrimosa is Olga Pasichnyk, with the alto Jadwiga Rappé serving as soloist for the Five Songs. The diction is clear and serves the texts well, but it is unfortunate that the texts and translations are not provided with the recording. With the exception of Lutosławski’s Five Songs, the texts are available at the Naxos website (www.naxos.com/libretti/20carols.htm), the publication of the materials with the CD makes a difference. At the same time it would also be useful at least to have the titles of the pieces and their components in the original language and also in translation. Nevertheless, this recording makes available some fine music and in turn, it shows yet another side of one of the most important Polish composers of the twentieth century.

James L. Zychowicz
Madison, Wisconsin

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):