Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

John Joubert's Jane Eyre

Librettists have long mined the literature shelves for narratives that are ripe for musico-dramatic embodiment. On the whole, it’s the short stories and poems - The Turn of the Screw, Eugene Onegin or Death in Venice, for example - that best lend themselves to operatic adaptation.

Through Life and Love: Louise Alder sings Strauss

Soprano Louise Alder has had an eventful few months. Declared ‘Young Singer of the Year’ at the 2017 International Opera Awards in May, the following month she won the Dame Joan Sutherland Audience Prize at the BBC Cardiff Singer of the World.

A Master Baritone in Recital: Sesto Bruscantini, 1981

This is the only disc ever devoted to the art of Sesto Bruscantini (1919–2003). Record collectors value his performance of major baritone roles, especially comic but also serious ones, on many complete opera recordings, such as Il barbiere di Siviglia (with Victoria de los Angeles). He continued to perform at major houses until at least 1985 and even recorded Mozart's Don Alfonso in 1991, when he was 72.

Emalie Savoy: A Portrait

Since 1952, the ARD—the organization of German radio stations—has run an annual competition for young musicians. Winners have included Jessye Norman, Maurice André, Heinz Holliger, and Mitsuko Uchida. Starting in 2015, the CD firm GENUIN has offered, as a separate award, the chance for one of the prize winners to make a CD that can serve as a kind of calling card to the larger musical and music-loving world. In 2016, the second such CD award was given to the Aris Quartett (second-prize winner in the “string quartet” category).

Detlev Glanert : Requiem for Hieronymus Bosch

Detlev Glanert's Requiem for Hieronymus Bosch should be a huge hit. Just as Carl Orff's Carmina Burana appeals to audiences who don't listen to early music (or even to much classical music), Glanert's Requiem for Hieronymus Bosch has all the elements for instant popular success.

A Falstaff Opera in Shakespeare’s Words: Sir John in Love

Only one Shakespeare play has resulted in three operas that get performed today (whether internationally or primarily in one language-region). Perhaps surprisingly, the play in question is a comedy that is sometimes considered a lesser work by the Bard: The Merry Wives of Windsor.

A Resplendent Régine Crespin in Tosca

There have to be special reasons to release a monophonic live recording of a much-recorded opera. Often it can give us the opportunity to hear a singer in a major role that he or she never recorded commercially—or did record on some later occasion, when the voice was no longer fresh. Often a live recording catches the dramatic flow better than certain studio recordings that may be more perfect technically.

Karine Deshayes’s Astonishing New Rossini Recording

Critic and scholar John Barker has several times complained, in the pages of American Record Guide, about Baroque vocal recitals that add instrumental works or movements as supposed relief or (as he nicely calls them) “spacers.”

Knappertsbusch’s Only Recording of Lohengrin Released for the First Time

Hans Knappertsbusch was one of the most renowned Wagner conductors who ever lived. His recordings of Parsifal, especially, are near-legendary among confirmed Wagnerians.

Kathleen Ferrier Remembered

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.

Color and Drama in Two Choral Requiems from Post-Napoleonic France

The Requiem text has brought out the best in many composers. Requiem settings by Mozart, Verdi, and Fauré are among the most beloved works among singers and listeners alike, and there are equally wondrous settings by Berlioz and Duruflé, as well as composers from before 1750, notably Jean Gilles.

Matthias Goerne - late Schumann songs, revealed

Matthias Goerne Schumann Lieder, with Markus Hinterhäuser, a new recording from Harmonia Mundi. Singers, especially baritones, often come into their prime as they approach 50, and Goerne, who has been a star since his 20's is now formidably impressive. The colours in his voice have matured, with even greater richness and depth than before.

LALO and COQUARD: La Jacquerie

La Jacquerie—here recorded for the first time—proves to be a wonderful opera, bringing delight upon delight.

Urania Remasters Marriage of Figaro

Good news for lovers of Mozart’s Marriage of Figaro: the famous Living Stereo recording, a co-production of RCA Victor and English Decca, is now available again, well remastered, on Urania.

Opera Rara: new recording of Bellini's Adelson e Salvini

In May 2016, Opera Rara gave Bellini aficionados a treat when they gave a concert performance of Vincenzo Bellini’s first opera, Adelson e Salvini, at the Barbican Hall. The preceding week had been spent in the BBC’s Maida Vale Studios, and this recording, released last month, is a very welcome addition to Opera Rara’s bel canto catalogue.

Jonas Kaufmann : Mahler Das Lied von der Erde

Jonas Kaufmann Mahler Das Lied von der Erde is utterly unique but also works surprisingly well as a musical experience. This won't appeal to superficial listeners, but will reward those who take Mahler seriously enough to value the challenge of new perspectives.

The "Lost" Songs of Morfydd Owen

A new recording, made late last year, Morfydd Owen : Portrait of a Lost Icon, from Tŷ Cerdd, specialists in Welsh music, reveals Owen as one of the more distinctive voices in British music of her era : a grand claim but not without foundation. To this day, Owen's tally of prizes awarded by the Royal Academy of Music remains unrivalled.

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

The Tallis Scholars: Josquin's Missa Di dadi

‘Can great music be inspired by the throw of the dice?’ asks Peter Phillips, director of The Tallis Scholars, in his liner notes to the ensemble’s new recording of Josquin’s Missa Di dadi (The Dice Mass). The fifteenth-century artist certainly had an abundant supply of devotional imagery. As one scholar has put it, during this age there was neither ‘an object nor an action, however trivial, that [was] not constantly correlated with Christ or salvation’.

OPERA TODAY ARCHIVES »

Recordings

Einojuhani Rautavaara (b. 1928): Rasputin, Opera in Three Acts
18 Dec 2005

RAUTAVAARA: Rasputin

In fall 2003, Los Angeles Opera opened its season with Deborah Dratell’s Nicholas and Alexandra, with libretto by Nicholas von Hoffman. At that time, company director Placido Domingo, who took on the juicy role of Rasputin, announced that the production would be filmed and prepared for eventual DVD release.

Einojuhani Rautavaara (b. 1928): Rasputin, Opera in Three Acts

Matti Salminen, Lilli Paasikivi, Jorma Hynninen, Jyrki Anttila, Jyrki Korhonen, Riikka Rantanen, Gabriel Suovanen, Lassi Virtanen, Sauli Tiilikainen, Aki Alamikkotervo, Jaakko Hietikko, Finnish National Opera Orchestra, Finnish National Opera Chorus, Mikko Franck (cond.)

Ondine ODV 4003 NTSC [DVD]

33.00 €  Click to buy

That didn’t happen, perhaps, if one may dare to assume, because Nicholas and Alexandra received such scathing reviews. But a DVD has appeared with the central characters of the czar, czarina, and the Mad Monk, in an opera that premiered at almost exactly the same time as the Dratell work. Einojuhani Rautavaara’s Rasputin, performed at the Finnish National Opera, doesn’t have to be compared to the woe-begotten Nicholas and Alexandra to merit praise. The DVD captures an intense, riveting evening of dramatic musical theater and a performance by Matti Salminen in the lead role that manages to capture all the seedy charisma and ecstatic lechery of this fascinating figure. If opera-lovers sadly cannot expect a world-tour of this great artist performing in a fine opera written with him in mind, they must at least obtain the DVD and settle in to experience Salminen’s brilliant work in a operatic stage work of genuine achievement.

The opera only covers Rasputin’s life from the time he entered the life of Russian royal family as they desperately sought relief for their hemophiliac son. He is seen as a dangerous influence by the established order, represented in the opera by two men seeking to marry the czar’s daughter Irina — Dimitri and Felix, whose rivalry is muted by the fact of their own homosexual relationship. As Rasputin’s influence grows, desperation sets in, and finally the Monk’s enemies can find no other option than to poison, stab, and shoot him to death. The conflagration to come reveals itself in a dream of the czar’s, as flames fill the stage.

Rautavaara’s opera, therefore, takes its place in the Faustian tradition as an innovative portrait of a malevolent but charismatic figure and the havoc he wreaks in a society of false piety. And like Mephistopheles, Rasputin makes for a great role for a deep, resonant voice (Domingo’s in the Dratell work was, of course, set higher — if not in true tenor range).

Salminen revels in the both the role’s musical challenges and the character’s schizophrenic nature. For like all truly great characters, Rasputin isn’t faking either his religious ecstasy or degrading himself with his libidinous rampages — they are integral parts of his Falstaffian nature, the ying and yang of a life force beyond understanding or control. The character’s first set piece – a long, dark meditation translated as Evil will sink in the water — quickly establishes Rasputin’s ominously attractive personality, and Rautavaara’s music, while not conventionally melodic, makes for a trance-inducing lullaby, and the audience falls under the Monk’s spell just as the Czarina and her ailing son do.

Like the best opera composers, Rautavaara sees to it that all the major roles get their time in the limelight. Lilli Paasikivi’s czarina begins the opera with a desperate plea for someone to save her son’s life, recalling in its minor key drama Butterfly’s final aria to her “piccolo iddio.” Jorma Hynninen’s Nicholas comes across as a weak man but a loving father, concerned that his daughter Irina might be about to marry one of two very wrong men, while allowing his wife to have her way in terms of Rasputin’s growing influence. Jyrki Anttila (Felix) and Gabriel Suovanen (Dimitri) both exude proper amounts of elegant sleaze as lovers who see Irina as a ticket to power, and Rasputin as the greatest threat to their ambition.

In three acts, the opera runs about 2 and half hours, so with two intermissions probably required, it would be a substantial, and probably expensive, proposition to stage. But this original production has much to recommend it, as smoothly moving walls slide into formulations to quickly signify shifting locations, and the lighting and costuming are of consistently high standards. Hannu Lindholm designed the production and Vilppu Kiljunen directed.

The production of new operas seems to be increasing, which, while healthy by most any measure, also means that some good works can be swept away by the next tide of newer works. Opera houses the world over would do very well to check out this Ondine release and realize that here is a new opera of potent drama and searing musicality, and if Matti Salminen is available, what more could be wanted? Anyone without the patience — formidable, indeed — to await that development should acquire this Ondine DVD soon.

Chris Mullins
Los Angeles Unified School District, Secondary Literacy

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):