Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

John Joubert's Jane Eyre

Librettists have long mined the literature shelves for narratives that are ripe for musico-dramatic embodiment. On the whole, it’s the short stories and poems - The Turn of the Screw, Eugene Onegin or Death in Venice, for example - that best lend themselves to operatic adaptation.

Through Life and Love: Louise Alder sings Strauss

Soprano Louise Alder has had an eventful few months. Declared ‘Young Singer of the Year’ at the 2017 International Opera Awards in May, the following month she won the Dame Joan Sutherland Audience Prize at the BBC Cardiff Singer of the World.

A Master Baritone in Recital: Sesto Bruscantini, 1981

This is the only disc ever devoted to the art of Sesto Bruscantini (1919–2003). Record collectors value his performance of major baritone roles, especially comic but also serious ones, on many complete opera recordings, such as Il barbiere di Siviglia (with Victoria de los Angeles). He continued to perform at major houses until at least 1985 and even recorded Mozart's Don Alfonso in 1991, when he was 72.

Emalie Savoy: A Portrait

Since 1952, the ARD—the organization of German radio stations—has run an annual competition for young musicians. Winners have included Jessye Norman, Maurice André, Heinz Holliger, and Mitsuko Uchida. Starting in 2015, the CD firm GENUIN has offered, as a separate award, the chance for one of the prize winners to make a CD that can serve as a kind of calling card to the larger musical and music-loving world. In 2016, the second such CD award was given to the Aris Quartett (second-prize winner in the “string quartet” category).

Detlev Glanert : Requiem for Hieronymus Bosch

Detlev Glanert's Requiem for Hieronymus Bosch should be a huge hit. Just as Carl Orff's Carmina Burana appeals to audiences who don't listen to early music (or even to much classical music), Glanert's Requiem for Hieronymus Bosch has all the elements for instant popular success.

A Falstaff Opera in Shakespeare’s Words: Sir John in Love

Only one Shakespeare play has resulted in three operas that get performed today (whether internationally or primarily in one language-region). Perhaps surprisingly, the play in question is a comedy that is sometimes considered a lesser work by the Bard: The Merry Wives of Windsor.

A Resplendent Régine Crespin in Tosca

There have to be special reasons to release a monophonic live recording of a much-recorded opera. Often it can give us the opportunity to hear a singer in a major role that he or she never recorded commercially—or did record on some later occasion, when the voice was no longer fresh. Often a live recording catches the dramatic flow better than certain studio recordings that may be more perfect technically.

Karine Deshayes’s Astonishing New Rossini Recording

Critic and scholar John Barker has several times complained, in the pages of American Record Guide, about Baroque vocal recitals that add instrumental works or movements as supposed relief or (as he nicely calls them) “spacers.”

Knappertsbusch’s Only Recording of Lohengrin Released for the First Time

Hans Knappertsbusch was one of the most renowned Wagner conductors who ever lived. His recordings of Parsifal, especially, are near-legendary among confirmed Wagnerians.

Kathleen Ferrier Remembered

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.

Color and Drama in Two Choral Requiems from Post-Napoleonic France

The Requiem text has brought out the best in many composers. Requiem settings by Mozart, Verdi, and Fauré are among the most beloved works among singers and listeners alike, and there are equally wondrous settings by Berlioz and Duruflé, as well as composers from before 1750, notably Jean Gilles.

Matthias Goerne - late Schumann songs, revealed

Matthias Goerne Schumann Lieder, with Markus Hinterhäuser, a new recording from Harmonia Mundi. Singers, especially baritones, often come into their prime as they approach 50, and Goerne, who has been a star since his 20's is now formidably impressive. The colours in his voice have matured, with even greater richness and depth than before.

LALO and COQUARD: La Jacquerie

La Jacquerie—here recorded for the first time—proves to be a wonderful opera, bringing delight upon delight.

Urania Remasters Marriage of Figaro

Good news for lovers of Mozart’s Marriage of Figaro: the famous Living Stereo recording, a co-production of RCA Victor and English Decca, is now available again, well remastered, on Urania.

Opera Rara: new recording of Bellini's Adelson e Salvini

In May 2016, Opera Rara gave Bellini aficionados a treat when they gave a concert performance of Vincenzo Bellini’s first opera, Adelson e Salvini, at the Barbican Hall. The preceding week had been spent in the BBC’s Maida Vale Studios, and this recording, released last month, is a very welcome addition to Opera Rara’s bel canto catalogue.

Jonas Kaufmann : Mahler Das Lied von der Erde

Jonas Kaufmann Mahler Das Lied von der Erde is utterly unique but also works surprisingly well as a musical experience. This won't appeal to superficial listeners, but will reward those who take Mahler seriously enough to value the challenge of new perspectives.

The "Lost" Songs of Morfydd Owen

A new recording, made late last year, Morfydd Owen : Portrait of a Lost Icon, from Tŷ Cerdd, specialists in Welsh music, reveals Owen as one of the more distinctive voices in British music of her era : a grand claim but not without foundation. To this day, Owen's tally of prizes awarded by the Royal Academy of Music remains unrivalled.

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

The Tallis Scholars: Josquin's Missa Di dadi

‘Can great music be inspired by the throw of the dice?’ asks Peter Phillips, director of The Tallis Scholars, in his liner notes to the ensemble’s new recording of Josquin’s Missa Di dadi (The Dice Mass). The fifteenth-century artist certainly had an abundant supply of devotional imagery. As one scholar has put it, during this age there was neither ‘an object nor an action, however trivial, that [was] not constantly correlated with Christ or salvation’.

OPERA TODAY ARCHIVES »

Recordings

Gioachino Rossini: Moise et Pharaon
06 Dec 2005

ROSSINI: Moise et Pharaon

Rossini's original Italian opera, Mose In Egitto, was re-adapted as Moise et Pharaon for Paris. A new libretto, the renaming of certain characters, some new music, a ballet and reordering of the original music make up the newer version.

Gioachino Rossini: Moise et Pharaon

Barbara Frittoli, Sonia Ganassi, Ildar Abdrazakov, Erwin Schrott, Giuseppe Filianoti, Tomislav Muzek, Giorgio Giuseppini, Antonello Ceron, Nino Surguladze, Maurizio Muraro, Milan La Scala Chorus, Milan La Scala Orchestra, Milan La Scala Ballet, Ricardo Muti (cond.).

TDK DVWW-OPMEP [DVD]

 

It is certainly grand in the French manner and it receives a grand presentation in TDK's version. It was presented at the Teatro Arcimboldi when La Scala was in the process of renovation. The set designed by Gianni Quaranta fills the stage. Everything is large. His work is eye catching and seems quite appropriate. The director Luca Ronconi moves his forces around with aplomb, but it is difficult to create dramatic action in a piece that is relatively static. Despite a large cast that performs well, there is often the feeling that one is viewing a padded oratorio.

The chorus sings well and in the scenes which involve the chorus and principals, one gets a sense of what was to come later with Giullame Tell, as well as Rossini's successors Donizetti and Verdi.

Riccardo Muti is the gifted master of an orchestra that plays more than well. Muti is superb at controlling his orchestra and getting the most out of a cast that is never less than very good.

The Moise is the Russian Ildar Abdrazakov. He is properly noble in his acting and looks a plausible Moses. Vocally, the voice is a high lying bass, somewhat baritonal in nature. He has no trouble with the middle voice, nor the upward extensions. A couple of notes in the nether reaches are thin, but in all he is fine.

Barbara Frittoli is exceptionally ardent as Anai. She sings with great accuracy. In this version, a good deal of the ornamentation for all the voices has given way to straight forward dramatic thrust and it suits Frittoli well.

Giuseppe Filianoti as Amenophis, Pharaon's son, lives up to all the good things one has heard about this young man. His is a beautiful lyric voice. It is used with taste and his acting is excellent. He presents a fine figure on stage. Let us hope he stays in the lyric repertoire until his voice ripens He is quite ready and able to make a splash as the Duke of Mantua, Alfredo and Edgardo in Lucia right now.

Erwin Schrott as Pharaon brings a lovely baritone to his role. He acts with appropriate majesty. He too should continue to rise in the ranks.

Sonia Ganassi is luxury casting as Sinaide, Pharaon's wife. She hasn't much to sing other than to participate in the large chorale scenes. What she does do, she does well.

Tomislav Muzek is Moise's brother Eliezer . His is a higher lying tenor that Filianoti's. A nice voice of his sort. I only wish the costumers had done a better job with his wig. It makes him look like a nerd.

Giorgio Giuseppini is appropriately stern and unyielding as Osiride the Egyptian High Priest and presnts a voice that reflects his character well.

Nino Surgaladze sings her small role as Moise's sister touchingly.

The cast is rounded out by Antonello Ceron as an Egytian officer and Maurizio Muraro as a mysterious voice.

The ballet, which opens Act III is entirely forgettable. It actually intrudes on the opera. I realize that Rossini was only providing what Paris convention demanded. In these days of DVD, one may skip through it at fast forward or skip it entirely.

Throughout, the chorus plays an important role in this opera. Bruno Casoni is the chorus master. He has done a superb job with his group.

It is unlikely that another version of this opera will appear on DVD. There really is no need for one. This is an excellent production, well conducted and beautifully sung. You may find fault with what Rossini did with his original opera, but there is no arguing that what Muti's forces have done, is other than first-rate.


Murray Schlanger

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):