06 Jan 2006
MOZART: Requiem
Requiem in D Minor (K. 626)
Music composed by Wolfgang Amadeus Mozart. Text based on the Mass for the Dead (Requiem Mass).
Opera in three acts. Words and music by Richard Wagner.
Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .
This theme relates to operas based on the works of Friedrich von Schiller.
Here are operas based on French literature from Balzac, Hugo and beyond:
Le Cid, Opéra in 4 acts
I puritani, opera seria in three acts
Zaira, Tragedia lirica in two acts.
Athalia: Oratorio (sacred drama) in 3 acts
Lucrezia Borgia: Melodramma in a prologue and two acts.
La Esmeralda: Opéra in four acts.
Ernani: Dramma lirico in four parts.
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A Midsummer Night’s Dream, a comedy in five acts with incidental music.
Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.
Gli Equivoci (The Comedy of Errors): Opera in two acts.
Der Sturm: Opera in three acts
The Fairy-Queen: Semi-opera in five acts.
Macbeth: Melodramma in quattro parti.
Requiem in D Minor (K. 626)
Music composed by Wolfgang Amadeus Mozart. Text based on the Mass for the Dead (Requiem Mass).
First Performance: 14 December 1793 at Neukloster in Wiener Neustadt.
The Requiem was commissioned by Count Franz Walsegg-Stuppach in the summer of 1791. Although Mozart promised to have the work completed within 4 weeks, he was interrupted by other projects, including La Clemenza di Tito and Die Zauberflöte. In the meantime, Mozart's health rapidly deteriorated. Composition on the work nevertheless continued, even from his deathbed.
On December 4 Mozart was desparately weak, and a constant stream of friends visited him. In the early afternoon three singers from the theater sang through with him the completed movements of the Requiem, Mozart himself taking the alto line. When they reached "Lacrimosa," of which he had finished only the first eight measures, he wept and put the music aside.The Compleat Mozart, Neal Zaslaw (ed.) with William Cowdery (New York & London: W.W. Norton, 1990) at p. 17. Mozart died the following morning.
Click here for the Latin text with English translation.
Click here for a presentation by the Österreichischen National-bibliothek.