Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
La Vestale, a tragédie lyrique in three acts.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Il Trovatore, dramma in four parts.
Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
Arabella: Lyrische Komödie in three acts
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).
Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).
Un ballo in maschera, a melodramma in three acts.
Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)
Medea: Melodramma tragico in three acts.
Die Tote Stadt, an opera in three acts.
Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.
Some Details concerning the Revolution inaugurated by Rossini
Manon Lescaut, dramma lirico in quattro atti
Elektra: Tragedy in one act.
Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.
“Diacono himself does not know what musical talent he possesses” – Mascagni
I Capuleti e i Montecchi, Tragedia lirica in due atti e quattro parti.
Music composed by Vincenzo Bellini (1801-1835). Libretto by Felice Romani, based on the play Giulietta e Romeo (1818) by Luigi Scevola.
First Performance: 11 March 1830 at Teatro La Fenice, Venice.
Principal Characters:
| Capellio, head of the Capuleti | Bass |
| Giulietta, his daughter | Soprano |
| Romeo, head of the Montecchi | Mezzo-Soprano |
| Tebaldo, partisan of the Capuleti, betrothed to Giulietta | Tenor |
| Lorenzo, doctor and adviser to Capellio | Tenor |
Time and Place: 13th Century Verona
Synopsis:
Part One
Act I, Scene 1: A gallery in the Capuleti palace.
The city of Verona is torn apart by civil strife. The followers of the Capuleti family (the "Guelfi") oppose the followers of the Montecchi family (the "Ghibellini"). Fearing an attack, Capellio has called his people to exhort them to continue the struggle. He informs them that Romeo, the head of the Montecchi, is sending an envoy with peace proposals. Capellio hates Romeo, who recently killed his son. Lorenzo counsels them to hear the proposals. Tebaldo, however, promises vengeance with the blood of Romeo. Capellio thereupon offers Tebaldo his daughter, Giulietta; and they are to be married that evening. Knowing of the secret bond between Romeo and Giulietta, Lorenzo advises against the marriage because Giulietta is ill. Romeo, who is known by the Capuleti only by name, arrives to discuss peace. He proposes that the peace be sealed by the marriage of Romeo and Giulietta. Capellio refuses and promises future bloodshed. Romeo is informed of Giulietta's betrothal to Tebaldo.
Act I, Scene 2: A room in Giulietta's apartment.
Giulietta learns of her father's decision. She sadly calls out to her beloved Romeo. Lorenzo arrives with Romeo through a secret door to Giulietta's room. Romeo embraces Giulietta and urges her to run away with him. She refuses because of her duty to obey her father.
Part Two
Act I, Scene 3: A courtyard in Capellio's palace.
The Guelfi celebrate the imminent wedding of Giulietta and Tebaldo. Romeo, disguised as a Guelfi, confides to Lorenzo that there are a thousand armed Ghibellini outside the city preparing to attack. Lorenzo urges him to abandon his plans, all to no avail. The attack begins. During the commotion, Romeo races to join his men. Giulietta enters in her wedding dress. Romeo reaches her and urges her to follow him. Capellio and Tebaldo arrive leading the Guelfi. They recognize Romeo as the envoy. Romeo identifies himself and escapes with the assistance of the Ghibellini.
Part Three
Act II, Scene 1: An apartment in Capellio's palace.
Giulietta is anxious. Lorenzo tells her that Romeo is safe; however, the wedding will take place the next day. Lorenzo devises a stratagem. He advises her to take a potion that will produce a deathlike condition. Giulietta immediately grasps the potion and drinks it. Capellio enters and instructs her to retire and to prepare for the wedding. Giulietta implores him to embrace her. Disturbed, Capellio begins to feel remorse. Harboring suspicions of Lorenzo, he sends for Tebaldo and orders him to guard Lorenzo.
Act II, Scene 2: A deserted place near Capellio's palace.
Alarmed by the lack of news, Romeo searches for Lorenzo. He comes upon Tebaldo who challenges him to a duel. Just as they are about to engage in combat, they are taken aback by funeral music. It is a funeral procession to Giulietta's tomb. Both overwhelmed with grief, Romeo and Tebaldo disengage.
Part Four
Act II, Scene 3: At the tombs of the Capuleti.
Led by Romeo, the Ghibellini arrive to mourn. He orders her tomb to be opened and bids farewell to Giulietta. He then takes poison. Giulietta awakens and calls out to Romeo. She sees him at the foot of the sepulcher, thinking that he is there at Lorenzo's instructions. She soon realizes the truth when Romeo tells her he has taken poison. They embrace. Romeo dies and Giuletta falls dead upon his body. The Guelfi and Ghibellini rush in and observe the tragic scene. Capellio blames himself for the consequences of the hatred between the two factions.