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Recently in Recordings

Les Funérailles Royales de Louis XIV recreated at Versailles

Les Funérailles Royales de Louis XIV, with Ensemble Pygmalion, conducted by Raphaël Pichon now on DVD/Blu -ray from Harmonia Mundi. This captures the historic performance at the Chapelle Royale de Versailles in November 2015, on the 300th anniversary of the King's death.

Tenebræ Responsories
recording by Stile Antico

Tomas Luis de Victoria’s Tenebrae Responsories are designed to occupy the final three days of Holy Week, and contemplate the themes of loss, betrayal and death that dominate the Easter week. As such, the Responsories demand a sense of darkness, reflection and depth that this new recording by Stile Antico - at least partially - captures.

Mahler Symphony no 9, Daniel Harding SRSO

Mahler Symphony no 9 in D major, with Daniel Harding conducting the Swedish Radio Symphony Orchestra, new from Harmonia Mundi. A rewarding performance on many levels, not least because it's thoughtfully sculpted, connecting structure to meaning.

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Never heard of Nicola De Giosa (1819-85), a composer who was born in Bari (a town on the Adriatic, near the heel of Italy), but who spent most of his career in Naples? Me, neither!

Winterreise by Mark Padmore

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The Epic of Gilgamesh - Bohuslav Martinů

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Maybe the Best L’heure espagnole Yet

The new recording, from Munich, has features in common with one from Stuttgart that I greatly enjoyed and reviewed here: the singers are all native French-speakers, the orchestra is associated with a German radio channel, we are hearing an actual performance (or in this case an edited version from several performances, in April 2016), and the recording is released by the orchestra itself or its institutional parent.

Stéphanie d’Oustrac in Two Exotic Masterpieces by Maurice Ravel

The two works on this CD make an apt and welcome pair. First we have Ravel’s sumptuous three-song cycle about the mysteries of love and fantasies of exotic lands. Then we have his one-act opera that takes place in a land that, to French people at the time, was beckoningly exotic, and whose title might be freely translated “The Nutty and Delightful Things That Can Happen in Spain in Just One Hour”.

Stefano Secco: Crescendo

I had never heard of Stefano Secco before receiving this CD. But I see that, at age 34, he already has had a substantial career, singing major roles at important houses throughout Europe and, while I was not paying attention, occasionally in the US.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

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Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

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Il sogno di Scipione: a new recording from Classical Opera

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Mozart’s Requiem: Pierre-Henri Dutron Edition

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Schumann and Mahler Lieder : Florian Boesch

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Hans Werner Henze : Kammermusik 1958

"....In lieblicher Bläue". Landmark new recordings of Hans Werner Henze Neue Volkslieder und Hirtengesänge and Kammermusik 1958 from the Scharoun Ensemble Berlin, with Andrew Staples, Markus Weidmann, Jürgen Ruck and Daniel Harding.

Elder conducts Lohengrin

There have been dozens of capable, and more than capable, recordings of Lohengrin. Among the most-often praised are the Sawallisch/Bayreuth (1962), Kempe (1963), Solti (1985), and Abbado (1991). Recording a major Wagner opera involves heavy costs that a record company may be unable to recoup.

Premiere Recording: Mayr’s Telemaco nell’isola di Calipso (1797)

No sooner had I drafted my review of Simon Mayr’s Medea in Corinto,



Nine German Arias
03 Apr 2006

Nine German Arias—An Urban Baroque Film

It’s always interesting when one’s own opinion about a work varies violently from others’ views, even if they are to date minimal in number. In this case, it is not the music per se that is under discussion but the way it is represented, or in my opinion, mis-represented by this film.

Nine German Arias

Cara McHardy, Rona Israel and Saffron Van Zwanenberg, sopranos; Rodolfo Richter, Graham O'Sullivan, Zilla Gillman and Alison McGillivray, instrumentalists, Robert Howarth (harpsichord and musical director); Peter Shayne and Sophia Panayiotopoulos, producers; Peter Shayne, director.

Antahkarana DVD

£20  Click to buy

It is introduced with the words: “Filmed entirely in London in the year 2000, on video, and premiered at the 22nd Moscow International Film Festival, this award winning and groundbreaking first feature by opera director Peter Shayne is a conceptual dramatisation of Handel’s Nine Arias, composed in London c1725.

So far so good. Handel and the poet Barthold Brockes were students at the same time in Halle, and it's often assumed that they knew each other and were perhaps even friends. Brockes wrote a nine-volume anthology, from the first volume of which Handel set his Nine German Arias around 1725. In translation, the Brockes work is titled "Earthly Delight in God, Consisting of Physical and Moral Poems," the texts reflecting pleasure in the glory of God's natural creation. If one needs reassurance as to the quality of these works, then there are several excellent audio versions available - with Dorothea Roschmann’s on Harmonia Mundi an excellent example.

Reading the advertising for Peter Shayne’s work, made in 2000 but only just released on DVD last December, it sounds an interesting enough visual accompaniment to these last works the master wrote in the German language: “Three haunting apparition-like female figures wander the city singing three arias each. They extol the glories of nature and the divine, transporting us to a world of baroque ideals.”

Unfortunately, the realisation comes woefully short of the aspiration in a mass of crass and insensitive visuals that are obviously desperately trying to do something novel and challenging, yet end up just causing this reviewer to seriously consider throwing the DVD box at the screen. There are a few good ideas - but then they are endlessly repeated, ad nauseum. The film itself as a whole - tricksy “arty” shots included - reminded me of something a third-year Film Making student might produce - on a bad day. If the incessantly repeated shots were meant to be an ironic comment on the baroque aria form, then I can only say that Mr. Handel is poorly served by someone who doesn’t seem to have any real affection for, or understanding of, his music. The musicians (some first rate ones are listed) do their best and my heart goes out to the three sopranos who must be wondering now why they ever agreed to take part in this caricature.

S.C. Loder © 2006

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