Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Repertoire

Das Liebesverbot, Vienna 1962

Das Liebesverbot: Grosse komische Oper in two acts.

Lohengrin, Bayreuth 2010 Live

Opera in three acts. Words and music by Richard Wagner.

Parsifal, Bayreuth 2012 Live

Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.

Music from Johann Wolfgang von Goethe

“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .

Operas based on the works of Friedrich von Schiller

This theme relates to operas based on the works of Friedrich von Schiller.

Operas Based on French Literature

Here are operas based on French literature from Balzac, Hugo and beyond:

Jules Massenet: Le Cid

Le Cid, Opéra in 4 acts

Vincenzo Bellini: I puritani

I puritani, opera seria in three acts

Vincenzo Bellini: Zaira

Zaira, Tragedia lirica in two acts.

G. F. Handel: Athalia

Athalia: Oratorio (sacred drama) in 3 acts

DONIZETTI: Lucrezia Borgia

Lucrezia Borgia: Melodramma in a prologue and two acts.

BERTIN: La Esmeralda

La Esmeralda: Opéra in four acts.

VERDI: Ernani — Florence 1957

Ernani: Dramma lirico in four parts.

von Waltershausen: Oberst Chabert

Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.

VERDI: Otello — La Scala 1954

Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.

A Midsummer Night’s Dream

A Midsummer Night’s Dream, a comedy in five acts with incidental music.

HAHN: Le Marchand de Venise

Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.

STORACE: Gli Equivoci

Gli Equivoci (The Comedy of Errors): Opera in two acts.

MARTIN: Der Sturm

Der Sturm: Opera in three acts

PURCELL: The Fairy-Queen

The Fairy-Queen: Semi-opera in five acts.

OPERA TODAY ARCHIVES »

Repertoire

Le bain turc by Jean-Auguste-Dominique Ingres (1862)
25 Jul 2006

MOZART: Die Entführung aus dem Serail — Part III

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

Wolfgang Amadeus Mozart: Die Entführung aus dem Serail

Erika Köth (Constanze), Lisa Otto (Blonde), Rudolf Schock (Belmonte), Murray Dickie (Pedrillo), Kurt Böhme (Osmin), Hannsgeorg Laubenthal (Pasha Selim), Chor der Wiener Staatsoper, Wiener Philharmoniker, George Szell (cond.)
Live recording, 7 August 1956, Vienna.

 

First Performance: 16 July 1782, Burgtheater, Vienna.

Principal Characters:
Selim, Pasha Nonsinging role
Constanze, a Spanish lady and Belmonte's bethrothed Soprano
Blonde, Constanze's English maid Soprano
Belmonte, a Spanish nobleman Tenor
Pedrillo, Belmonte's servant and now supervisor of the Pasha's gardens Tenor
Osmin, overseer of the Pasha's country palace Bass
Klaas, a sailor Nonsinging role
Mute, Osmin's servant Nonsinging role

Setting: The country palace of Pasha Selim.

Synopsis:

Background to the story

This is the tale of Constanze and Belmonte, two young Spaniards of noble birth. Constanze, her English maid, Blonde, and Pedrillo, Belmonte’s servant, fell into the hands of pirates who attacked their ship. The pirates sold their captives at a slave market to Pasha Selim. After month of searching for them in despair, tormented by not knowing what had become of his beloved Constanze and the two servants, Belmonte sets out to find them.

Act One

Belmonte has arrived on the distant Turkish shore and approaches the high wall surrounding the seraglio. Here he encounters Osmin, the Pasha’s right-hand man, and questions him about the people he is seeking. Osmin, however, has not the slightest intention of giving this stranger any information whatsoever and sends him on his way.

Belmonte continues to look for a way to get into the seraglio.Through a prison window, he manages to catch a glimpse of Pedrillo. This confirms that Constanze and Blonde are also being held prisoner in the harem.

Pasha Selim has chosen Constanze to be the object of his affections. He visits the harem every day and does everything in his power to persuade her into accepting his suit. Constanze remains steadfast in adamantly refusing to succumb. She has no idea yet that her beloved Belmonte is so near.

Meanwhile, Belmonte has disguised himself as an architect an enters the First Courtyard of the seraglio. He teams up with Pedrillo and together they try to get past Osmin into the Second Courtyard.

Act Two

Osmin has taken a fancy to Blonde, but his persistent advances are met with resistance by the young English woman. The two of them are involved in constant battles of wit, which Osmin just can’t win.

Constanze makes it increasingly difficult for the Pasha to approach her and he finally loses patience. He threatens to punish her if she does not soon accept his suit.

Blonde learns about the plan for their escape from Pedrillo. Before they can put the plan into action, however, they first have to outwit Osmin. Pedrillo manages to persuade Osmin to help him empty a bottle of wine and the latter then falls into a deep sleep. The two couples are able to meet and plan their escape.

Act Three

Belmonte, still disguised as an architect, smuggles Pedrillo out of the Seraglio and they head for Belmonte’s ship. There they wait for night to fall.

At midnight, Belmonte and Pedrillo row round the coast to the foot of the harem. Pedrillo serenades his Blonde as a signal. Osmin discovers them in the boat and sends a fleet of ships out to capture them again.

The death penalty awaits them, but Pasha Selim decides to forgo revenge and sets the captives free.

[Synopsis Source: Bayerische Staatsoper]

Click here for the complete libretto.

Click here to download this performance in m4a format for iTunes.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):