Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

The Epic of Gilgamesh - Bohuslav Martinů

New recording of the English version of Bohuslav Martinů's The Epic of Gilgamesh, from Supraphon, the Czech Philharmonic Orchestra conducted by Manfred Honeck. This is the world premiere recording of the text in English, the original language in which it was written.

Maybe the Best L’heure espagnole Yet

The new recording, from Munich, has features in common with the Stuttgart one: the singers are all native French-speakers, the orchestra is associated with a German radio channel, we are hearing an actual performance (or in this case an edited version from several performances, in April 2016), and the recording is released by the orchestra itself or its institutional parent.

Stéphanie d’Oustrac in Two Exotic Masterpieces by Maurice Ravel

The two works on this CD make an apt and welcome pair. First we have Ravel’s sumptuous three-song cycle about the mysteries of love and fantasies of exotic lands. Then we have his one-act opera that takes place in a land that, to French people at the time, was beckoningly exotic, and whose title might be freely translated “The Nutty and Delightful Things That Can Happen in Spain in Just One Hour”.

Stefano Secco: Crescendo

I had never heard of Stefano Secco before receiving this CD. But I see that, at age 34, he already has had a substantial career, singing major roles at important houses throughout Europe and, while I was not paying attention, occasionally in the US.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

Il sogno di Scipione: a new recording from Classical Opera

With this recording of Mozart’s 1771 opera, Il sogno di Scipione (Sicpio’s Dream), Classical Opera continue their progress through the adolescent composer’s precocious achievements and take another step towards the fulfilment of their complete Mozart opera series for Signum Classics.

Mozart’s Requiem: Pierre-Henri Dutron Edition

The stories surrounding Mozart’s Requiem are well-known. Dominated by the work in the final days of his life, Mozart claimed that he composed the Requiem for himself (Landon, 153), rather than for the wealthy Count Walsegg’s wife, the man who had commissioned it in July 1791.

Schumann and Mahler Lieder : Florian Boesch

Schumann and Mahler Lieder with Florian Boesch and Malcolm Martineau, now out from Linn Records, following their recent Schubert Winterreise on Hyperion. From Boesch and Martineau, excellence is the norm. But their Mahler Lieder eines fahrenden Gesellen takes excellence to even greater levels

Hans Werner Henze : Kammermusik 1958

"....In lieblicher Bläue". Landmark new recordings of Hans Werner Henze Neue Volkslieder und Hirtengesänge and Kammermusik 1958 from the Scharoun Ensemble Berlin, with Andrew Staples, Markus Weidmann, Jürgen Ruck and Daniel Harding.

Elder conducts Lohengrin

There have been dozens of capable, and more than capable, recordings of Lohengrin. Among the most-often praised are the Sawallisch/Bayreuth (1962), Kempe (1963), Solti (1985), and Abbado (1991). Recording a major Wagner opera involves heavy costs that a record company may be unable to recoup.

Premiere Recording: Mayr’s Telemaco nell’isola di Calipso (1797)

No sooner had I drafted my review of Simon Mayr’s Medea in Corinto,

A Verlaine Songbook

Back in the LP days, if a singer wanted to show some sophistication, s/he sometimes put out an album of songs by famous composers set to the poems of one poet: for example, Phyllis Curtin’s much-admired 1964 disc of Debussy and Fauré songs to poems by Verlaine, with pianist Ryan Edwards (available now as a CD from VAI).

Giovanni Simone Mayr: Medea in Corinto

The Bavarian-born Johann Simon Mayr (1763–1845) trained and made his career in Italy and thus ended up calling himself Giovanni Simone Mayr, or simply G. S. Mayr. He is best known for having been composition teacher to Giuseppe Donizetti.

Matthias Goerne: Bach Cantatas for Bass

In this new release for Harmonia Mundi, German baritone Matthias Goerne presents us with two gems of Bach’s cantata repertoire, with the texts of both BWV 56 and 82 exploring one’s sense of hope in death.  Goerne adeptly interprets the paradoxical combination of hope and despair that underpins these works, deploying a graceful lyricism alongside a richer, darker bass register.

Gramophone Award Winner — Matthias Goerne Brahms Vier ernste Gesänge

Winner of the 2017 Gramophone Awards, vocal category - Matthias Goerne and Christoph Eschenbach - Johannes Brahms Vier ernste Gesänge and other Brahms Lieder. Here is why ! An exceptional recording, probably a new benchmark.

Véronique Gens: Visions from Grand Opéra

Ravishing : Visions, Véronique Gens in a glorious new recording of French operatic gems, with Hervé Niquet conducting the Münchener Rundfunkorchester. This disc is a companion piece to Néère, where Gens sang familiar Duparc, Hahn, and Chausson mélodies.

OPERA TODAY ARCHIVES »

Recordings

Nicolai Rimsky-Korsakov: Snegurochka
25 Aug 2006

RIMSKY-KORSAKOV: Snegurochka

This is a most sympathetic performance, though perhaps being a Fleming helps. In my small country on the frontier of Northern and Southern European influences, many musical styles made their entrance and became popular.

Nicolai Rimsky-Korsakov: Snegurochka

Solange Michel, Lucien Lovano, Janine Micheau, Rita Gorr, Michel Hamel, Joseph Peyron, Freda Betti, Geneviève Moizan, Michel Roux, Jean Giraudeau, Bernard Cottret, Michel Hamel, Gustave Wion; Orchestre et Choeur de l'ORTF, Charles Bruck (cond.)
Live recording: Paris, June 30, 1955

Ponto PTO 1036 [2CDs]

$10.99  Click to buy

Until the seventies, Bel Canto on the radio meant broadcasts of Italian, French, German and Russian opera, operettas, zarzuela, the token Gilbert and Sullivan, canzoni napolentane and American love songs. Because of the eclectic mix, “O wie so trügerisch” and “Comme la plume au vent” sounded as familiar as “La donna è mobile” performed in half a dozen different languages.

And then there was Henri Goraieb, a well-known French pianist who programmed a Bel Canto program on France Musique, which was immensely popular all over Western Europe. Almost every week Goraieb presented selections from a seemingly inexhaustible collection of radio performances given in France from the forties until the sixties. Rarely recorded artist such as Marthe Luccioni, Georges Noré, Odette Turba-Rabier, Jeanne Guyllama, Raphael Romangioni, and many others now became household names. Even great names like Alain Vanzo became greater still with the broadcast of performances of the prime, and even exhumed recordings thought to be lost forever. Even the lesser “starry” singers were busily employed at French radio that they had almost a year’s workload. Singers like Joseph Peyron, Lucien Lovano and Geneviève Moizan found that a radio career was ideally suited to their personal needs.

Hence, this Snegurochka is somewhat of a feast of recognizance for this reviewer, who maybe is somewhat less objective than ought to be. This is not my first choice, however, if one absolutely needed an authentic and complete Russian version. There are some cuts in the performance, and the sound is a bit constricted, favoring the voices, which makes it difficult to judge the role of conductor Charles Bruck. Yet the ensembles go smoothly without hesitation, which may be due in part to strict rehearsals.

The performance begins with Solange Michel, a fine voice and a truly authentic Carmen, which nevertheless is only the second mezzo in the cast accompanying Rita Gorr in the role of Lel. For Gorr admirers, the voice is at its best with the well-known lush sound without stridency. The title role, sung b Janine Micheau, a fine lyric soprano with somewhat sweet and sour timbre French sopranos are famous for. Her voice is still fresh and beautiful, far less wooden that later recordings. Yet vocal honors certainly are awarded to Geneviève Moizan as Kupava. Her sound is wonderfully lyric, clear, and personal, a sound, which makes the listener sit up and take notice. Michel Roux is a sonorous and convincing Mizgir, and tenor Jean Giaudeau’s role is completely suited to his particular talents. All these singers have excellent pronunciation. Even the women are almost always clearly understandable.

So, if you want to know what French singing was all about before the run for original language performances, this is the recording for you. Hopefully Ponto will further delve into the rich heritage of French radio in the future.

Jan Neckers

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):