19 Nov 2006
MARSCHNER: Der Vampyr
Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924).
Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance.
Guglielmo Tell: Melodramma tragico in four acts
Mefistofele, Opera in un prologo, quattro atti e un epilogo
Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe
La Forza del Destino, a melodramma in quattro atti
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra
Martha, an opera in four acts.
Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.
First performance: 25 November 1847 at Theater an der Wien, Vienna.
La serva padrona, intermezzo in two parts
Music composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.
First performance: 28 August 1733, Teatro San Bartolomeo, Naples.
Fidelio, an opera in two acts
Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano.
VERDI: Macbeth, melodramma in quattro parti.
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.
Music composed by Johann Strauss II.
Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.
First performance: 5 April 1874 at the Theater an der Wien, Vienna.
Fedora, a melodrama in three acts.
Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien Sardou
First performance: 17 November 1898 at Teatro Lirico Internazionale, Milan
Tosca, a melodrama in three acts
Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.
First performance: 14 January 1900 at Teatro Costanzi, Rome
Victorien Sardou (1831-1908) was a popular French dramatist during the later half of the 19th Century. He, along with Eugène Scribe, combined melodrama and realism to a produce a more serious form of drama that emphasized careful plot construction.
A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!"
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Eugene Onegin, lyrical scenes in three acts and seven tableaux.
Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin.
First performance: 29 March 1879 at the Maliy Theatre, Moscow.
Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997]
The Queen of Spades (Pique Dame), an opera in three acts.
Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists.
First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg.
Manon Lescaut, dramma lirico in quattro atti
Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists.
First performance: 1 February 1893 at Teatro Regio, Turin.
Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924).
Streaming Audio
Music composed by Heinrich August Marschner (1795-1861). Libretto by Wilhelm August Wohlbrück after the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter.
First Performance: 29 March 1828, Theater der Stadt Leipzig, Leipzig
| Principal Characters: | |
| Lord Ruthven, the vampire | Baritone |
| Sir John Berkley | Bass |
| Janthe, his daughter | Soprano |
| Sir Humphrey Davenaut | Bass |
| Malwina, his daughter | Soprano |
| Edgar Aubry, employee of Davenaut's | Tenor |
| The Vampire Master | Spoken role |
| John Perth, Lord Ruthven's steward | Spoken role |
| Emmy, his daughter and Dibdin's fiancee | Soprano |
| George Dibdin, servant of Davenaut's | Tenor |
| Berkley's manservant | Bass |
| James Gadshil | Tenor |
| Richard Scrop | Tenor |
| Robert Green | Bass |
| Toms Blunt | Bass |
| Suse Blunt, Toms's wife | Mezzo-Soprano |
Setting: Sir Humphrey Davenaut's Estate in Scotland, 18th century
Synopsis:
The vampire Lord Ruthven appeals to his Vampire Master to grant him another year of life on earth before being condemned to hell. The Vampire Master agrees provided Ruthven can bring three more victims to him before midnight. Almost instantly, Janthe, daughter of Lord Berkley, falls into Ruthven's clutches and is despatched in the vampires' cave. Her father's rescue party comes belatedly onto the scene and Ruthven is accused of her murder. He is stabbed and left for dead. Aubry, a member of the house of Davenant, comes upon Ruthven's near-lifeless body, however, and helps him recover in the moonlight. Horrified at realising that Ruthven is a vampire, Aubry is nevertheless sworn to secrecy because Ruthven had once saved his life. At a wedding party among the local peasantry shortly afterwards, Ruthven sets his sights on the bride, Emma, lures her away and murders her. Finally, Malwina Davenant prepares to marry Ruthven himself according to her father's wishes (she would prefer Aubry), but Aubry reveals the vampire's true nature and Ruthven is straightaway dragged down to hell by a demonic crew. Davenant awards Malwina's hand to Aubry.
[Synopsis Source: Boosey & Hawkes]
Click here for the complete libretto (original 4-act version)