Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Repertoire

Rimsky-Korsakov – Mozart and Salieri

Mozart and Salieri, an opera in one act consisting of two scenes.

Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.

First performance: 7 December 1898 in Moscow.

Strauss – Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.

Spontini – La Vestale

La Vestale, a tragédie lyrique in three acts.

Mussorgsky – Boris Godunov

Boris Godunov, an opera in four acts with prologue


Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire


First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg

Verdi – Il Trovatore (La Scala 1930)

Il Trovatore, dramma in four parts.

Strauss – Ariadne auf Naxos (Salzburg 1954)

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).

MOZART: Die Entführung aus dem Serail (Berlin 1949)

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

MOZART: Die Entführung aus dem Serail (Aix-En-Provence 1954)

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

STRAUSS: Arabella – Dresden 2005

Arabella: Lyrische Komödie in three acts

MOZART: Die Entführung aus dem Serail (Vienna 1956)

Die Entführung aus dem Serail, Singspiel in 3 Acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner.

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).

VERDI: Don Carlo

Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).

VERDI: Un ballo in maschera

Un ballo in maschera, a melodramma in three acts.

Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)

Giovanni Pacini: Medea

Medea: Melodramma tragico in three acts.

Erich Wolfgang Korngold: Die Tote Stadt

Die Tote Stadt, an opera in three acts.

Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.

Stendhal on the Rossini Revolution

Some Details concerning the Revolution inaugurated by Rossini

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti

STRAUSS : Elektra

Elektra: Tragedy in one act.

Lyric Opera of Chicago’s 2020 Ring Cycle

Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.

Carlo Diacono: L’Alpino

“Diacono himself does not know what musical talent he possesses” – Mascagni

OPERA TODAY ARCHIVES »

Repertoire

Heinrich Marschner (1795-1861)
19 Nov 2006

MARSCHNER: Der Vampyr

Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924).

Heinrich Marschner (1795-1861): Der Vampyr

Leo Heppe (Sir Humphrey), Liane Synek (Malwina), Fritz Sperlbauer (Edgar Aubry), Georg Oeggl (Lord Ruthwen), Peter Lagger (Sir Berkley and Robert Green), Gisela Rathauscher (Janthe), Kurt Equiluz (Georg Dibdin and James Gadshill), Traute Skladal (Emmy), Johannes Blaha (Toms Blunt), Erich Kuchar (Richard Scrop), Maria Nussbaumer (Suse), Das Grosse Wiener Rundfundorchester, Kurt Tenner (cond.)
Live performance, 1951, Vienna

 

Music composed by Heinrich August Marschner (1795-1861). Libretto by Wilhelm August Wohlbrück after the play Der Vampir oder die Totenbraut by Heinrich Ludwig Ritter.

First Performance: 29 March 1828, Theater der Stadt Leipzig, Leipzig

Principal Characters:
Lord Ruthven, the vampire Baritone
Sir John Berkley Bass
Janthe, his daughter Soprano
Sir Humphrey Davenaut Bass
Malwina, his daughter Soprano
Edgar Aubry, employee of Davenaut's Tenor
The Vampire Master Spoken role
John Perth, Lord Ruthven's steward Spoken role
Emmy, his daughter and Dibdin's fiancee Soprano
George Dibdin, servant of Davenaut's Tenor
Berkley's manservant Bass
James Gadshil Tenor
Richard Scrop Tenor
Robert Green Bass
Toms Blunt Bass
Suse Blunt, Toms's wife Mezzo-Soprano

Setting: Sir Humphrey Davenaut's Estate in Scotland, 18th century

Synopsis:

The vampire Lord Ruthven appeals to his Vampire Master to grant him another year of life on earth before being condemned to hell. The Vampire Master agrees provided Ruthven can bring three more victims to him before midnight. Almost instantly, Janthe, daughter of Lord Berkley, falls into Ruthven's clutches and is despatched in the vampires' cave. Her father's rescue party comes belatedly onto the scene and Ruthven is accused of her murder. He is stabbed and left for dead. Aubry, a member of the house of Davenant, comes upon Ruthven's near-lifeless body, however, and helps him recover in the moonlight. Horrified at realising that Ruthven is a vampire, Aubry is nevertheless sworn to secrecy because Ruthven had once saved his life. At a wedding party among the local peasantry shortly afterwards, Ruthven sets his sights on the bride, Emma, lures her away and murders her. Finally, Malwina Davenant prepares to marry Ruthven himself according to her father's wishes (she would prefer Aubry), but Aubry reveals the vampire's true nature and Ruthven is straightaway dragged down to hell by a demonic crew. Davenant awards Malwina's hand to Aubry.

[Synopsis Source: Boosey & Hawkes]

Click here for the complete libretto (original 4-act version)

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):