15 Apr 2007
ROSSINI: Mosè
Mosè (Moïse et Pharaon, ou Le passage de la Mer Rouge), Melodramma in four acts
Opera in three acts. Words and music by Richard Wagner.
Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .
This theme relates to operas based on the works of Friedrich von Schiller.
Here are operas based on French literature from Balzac, Hugo and beyond:
Le Cid, Opéra in 4 acts
I puritani, opera seria in three acts
Zaira, Tragedia lirica in two acts.
Athalia: Oratorio (sacred drama) in 3 acts
Lucrezia Borgia: Melodramma in a prologue and two acts.
La Esmeralda: Opéra in four acts.
Ernani: Dramma lirico in four parts.
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A Midsummer Night’s Dream, a comedy in five acts with incidental music.
Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.
Gli Equivoci (The Comedy of Errors): Opera in two acts.
Der Sturm: Opera in three acts
The Fairy-Queen: Semi-opera in five acts.
Macbeth: Melodramma in quattro parti.
Mosè (Moïse et Pharaon, ou Le passage de la Mer Rouge), Melodramma in four acts
Music composed by Gioachino Rossini. Libretto by Luigi Balocchi and Étienne de Jouy, Italian translation by Calisto Bassi.
First Performance: 26 March 1827, Opéra, Paris
| Principal Characters: | |
| Mosè, the Hebrews’ lawgiver | Bass |
| Elisero, his brother | Tenor |
| Faraone, King of Egypt | Bass |
| Aménofi, his son | Tenor |
| Aufide, Egyptian officer | Tenor |
| Osiride, High Priest | Bass |
| Maria, sister of Mosè | Mezzo-Soprano |
| Anaìde, her daughter | Soprano |
| Sinaide, wife of Faraone | Soprano |
| A mysterious voice | Bass |
Setting: Ancient Egypt
Synopsis:
Moses promises to lead the Israelites out of captivity in Egypt. Anaïs and her mother have been released by Pharoah on the intervention of Queen Sinaïs, who is sympathetic to the Israelites. Anaïs loves Pharoah's son, but intends to leave with her people, while her lover Amenophis has decided she must stay. Moses brings upon Egypt the plague of darkness. This is raised, with freedom again promised, while Pharoah has arranged a marriage for his son Amenophis with an Assyrian princess, to his distress. The High Priest Osiris demands that Moses pay reverence to Isis before the Israelites leave. Moses refuses and the Israelites are sent away in chains. Amenophis and Anaïs meet, he still hoping that their love may be permitted. He warns her that Pharoah's army is pursuing the Israelites, who are now triumphantly led by Moses across the Red Sea, while Pharoah's men are drowned.
Rossini adapted his earlier opera Mosè in Egitto (Moses in Egypt) as Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharoah, or The Passage of the Red Sea) for Paris, with a new libretto, creating the necessary grand opera spectacle that France demanded. Staging of the French version of the work makes obviously heavier demands on resources. This second opera for Paris marks a further step by Rossini towards his fourth and final opera for the French capital, Guillaume Tell (William Tell).