04 Jul 2007
RIMSKY-KORSAKOV: Coq d'Or
The Golden Cockerel [Zolotoy petushok (Le coq d’or)], a dramatized fable with a prologue, three acts and an epilogue.
Opera in three acts. Words and music by Richard Wagner.
Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .
This theme relates to operas based on the works of Friedrich von Schiller.
Here are operas based on French literature from Balzac, Hugo and beyond:
Le Cid, Opéra in 4 acts
I puritani, opera seria in three acts
Zaira, Tragedia lirica in two acts.
Athalia: Oratorio (sacred drama) in 3 acts
Lucrezia Borgia: Melodramma in a prologue and two acts.
La Esmeralda: Opéra in four acts.
Ernani: Dramma lirico in four parts.
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A Midsummer Night’s Dream, a comedy in five acts with incidental music.
Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.
Gli Equivoci (The Comedy of Errors): Opera in two acts.
Der Sturm: Opera in three acts
The Fairy-Queen: Semi-opera in five acts.
Macbeth: Melodramma in quattro parti.
The Golden Cockerel [Zolotoy petushok (Le coq d’or)], a dramatized fable with a prologue, three acts and an epilogue.
Streaming Audio
Music composed by Nicolai Rimsky-Korsakov (1844–1908). Libretto by Vladimir Nikolayevich Bel’sky, based on Alexander Pushkin’s treatment of stories from The Alhambra by Washington Irving (rev. ed., 1851).
First Performance: 24 September 1909, Solodovnikov Theatre, Moscow.
| Principal Characters: | |
| King Dodon | Bass |
| Prince Guidon | Tenor |
| Prince Afron | Baritone |
| Commander Polkan | Bass |
| Amelfa, royal housekeeper | Contralto |
| Astrologer | Tenore-Altino |
| The Queen of Shemakha | Soprano |
| The Golden Cockerel | Soprano |
Synopsis:
The bumbling King Dodon talks himself into believing that his country is in danger from the neighbouring State governed by the beautiful Queen Shemakhan. He asks for advice from a mysterious Astrologer, who gives him a magic Golden Cockerel, which promises to look after his interests.
The Golden Cockerel confirms that Queen Shemakhan certainly has some territorial ambitions, so King Dodon foolishly decides to make a pre-emptive strike against the neighbouring State, and sends his army, led by his two sons, to start the battle. However, his sons are both so inept that they manage to kill each other on the battlefield.
King Dodon then decides to lead the army himself, but further bloodshed is averted because the Golden Cockerel ensures that the old king becomes besotted when he actually sees the beautiful Queen. The Queen herself encourages this situation by performing a seductive dance - which tempts the King to try and partner her, but he is clumsy and makes a complete mess of it.
The Queen realises that she can take over Dodon’s country without further fighting — she engineers a marriage proposal from Dodon, which she coyly accepts.
The final scene starts with the great Bridal procession in all its splendour - and when this is reaching its conclusion, the Astrologer appears and says to the king “You promised me anything I could ask for if there could be a happy resolution of your troubles.......” “Yes, Yes, “ said the king, “Just name it and you shall have it”. “Right,” said the Astrologer, “I want Queen Shemakhan!”. At this, the King flares up in fury, and strikes down the Astrologer with a blow from his mace. The Golden Cockerel, loyal to his Astrologer master, then swoops across and pecks through the King’s jugular.