21 Oct 2007
MOZART: Der Schauspieldirektor
Der Schauspieldirektor [The Impresario], Singspiel in one act, K486.
Andromaca: Dramma per musica in three acts.
Ermione: Azione tragica in two acts.
Ippolito ed Aricia: Tragedia in five acts.
Idomeneo: Opera seria in three acts.
Paride ed Elena: Dramma per musica in five acts.
Orphée: Opera in four acts.
Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi
Alceste, ou Le triomphe d’Alcide: Tragédie en musique in a prologue and five acts.
Alceste: Tragédie opéra in three acts.
Medea: Melodramma tragico in three acts.
Oedipe à Colone: Tragédie lyrique in three acts.
Elektra: Tragedy in one act.
Fedra: Dramma per musica in two acts.
Les Troyens: Grand opéra in five acts.
Die Meistersinger von Nürnberg: Music drama in three acts.
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
Divertimento teatrale in one act.
Andrea Chénier, an opera in four acts.
La figlia del reggimento [La Fille du régiment (‘The Daughter of the Regiment’)], Opéra comique in two acts.
L’elisir d’amore, Melodramma giocoso in two acts.
La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème.
Der Schauspieldirektor [The Impresario], Singspiel in one act, K486.
Music composed by W. A. Mozart. Libretto by Gottlieb Stephanie the younger.
First Performance: 7 February 1786, Schönbrunn, Orangery
| Characters: | |
| Frank, an impressario | Speaking role |
| Eiler, a banker | Speaking role |
| Buff, an actor | Speaking role |
| Herz, an actor | Speaking role |
| Madame Pfeil, an actress | Speaking role |
| Madame Krone, an actress | Speaking role |
| Madame Vogelsang, an actress | Speaking role |
| Vogelsang, a singer | Tenor |
| Madame Herz, a singer | Soprano |
| Mademoiselle Silberklang, a singer | Soprano |
Setting: an impresario’s room in Salzburg, 1786.
Synopsis:
Gottlieb Stephanie, who had previously collaborated with Mozart in Entführung aus dem Serail, portrays the misadventures of the entrepreneur Frank who must put together a company of actors and singers while dealing with their whims, rivalries and pretensions of exorbitant remuneration. The economic problems are resolved thanks to banker Eiler’s intervention in exchange for Frank pretending to engage his lover, Madams Pfeil. The musical passages are in the second part of the job, when Frank begins the auditions of the singers. Madams Herz sings an air ranging from an initially pathetic and sentimental character to a bright conclusion, rich in virtuosities. The following air tests Mlle Silberklang. In the trio “Ich bin die erste Sängerin” the two ambitious singers confront him on who the prima donna will be, while Monsieur Vogelsang attempts to reconcile matters. The singers determine that art can thrive with all the personal ambition only through the peaceable cooperation of all their strengths.