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NICOLAI: Die lustigen Weiber von Windsor — Berlin 1943

Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance.

ROSSINI: Guglielmo Tell — Rome 1954

Guglielmo Tell: Melodramma tragico in four acts

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogo

Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro atti

Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra

FLOTOW: Martha — Berlin 1944

Martha, an opera in four acts.

Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.

First performance: 25 November 1847 at Theater an der Wien, Vienna.

PERGOLESI: La serva padrona

La serva padrona, intermezzo in two parts

Music composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.

First performance: 28 August 1733, Teatro San Bartolomeo, Naples.

BEETHOVEN: Fidelio — Munich 1978

Fidelio, an opera in two acts

Maria Callas Performs Lady Macbeth

Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano.

VERDI: Macbeth

VERDI: Macbeth, melodramma in quattro parti.

Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.

STRAUSS: Die Fledermaus

Music composed by Johann Strauss II.

Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.

First performance: 5 April 1874 at the Theater an der Wien, Vienna.

GIORDANO: Fedora

Fedora, a melodrama in three acts.

Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien Sardou

First performance: 17 November 1898 at Teatro Lirico Internazionale, Milan

PUCCINI: Tosca

Tosca, a melodrama in three acts

Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.

First performance: 14 January 1900 at Teatro Costanzi, Rome

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A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!"

RIMSKY-KORSAKOV: Mozart and Salieri

Mozart and Salieri, an opera in one act consisting of two scenes.

Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.

First performance: 7 December 1898 in Moscow.

MUSSORGSKY: Boris Godunov

Boris Godunov, an opera in four acts with prologue


Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire


First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg

TCHAIKOVSKY: Eugene Onegin

Eugene Onegin, lyrical scenes in three acts and seven tableaux.

Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin.

First performance: 29 March 1879 at the Maliy Theatre, Moscow.

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TCHAIKOVSKY: The Queen of Spades

The Queen of Spades (Pique Dame), an opera in three acts.

Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists.

First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg.

PUCCINI: Manon Lescaut

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Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists.

First performance: 1 February 1893 at Teatro Regio, Turin.

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Repertoire

Orphée et Eurydice from Relief d'Hermès (Musée du Louvre)
10 Jan 2008

GLUCK/BERLIOZ: Orphée

Orphée: Opera in four acts.

Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi

Christoph Willibald Gluck (Berlioz version): Orphée

Orphée: Anne Sofie von Otter
Eurydice: Marie Arnet
Amor: Marianne Hellgren Staykov
Dancers, Chorus and Orchestra of the Royal Stockholm Opera, Sir Richard Armstrong (cond.)
Live performance, 8 December 2007, Stockholm

 

First Performance:
Italian Version 5 October 1762, Burgtheater, Vienna
French Version 2 August 1774, Paris Opéra

Principal Characters:
Italian version
Orfeo Alto Castrato
(Mezzo-Soprano (Berlioz version))
Euridice, his wife Soprano
Amore Soprano

French version
Orphée Tenor
Eurydice, his wife Soprano
Amour Soprano

Time and Place: Ancient Thrace

Synopsis:

At Eurydice’s funeral, Orphée’s grief turns to rage against the gods. Amour tells the distraught musician that he will be allowed to descend to the underworld to retrieve his wife if, through his music, he can appease the Furies.

There is a second condition that must be fulfilled if he is to return Eurydice to Earth; he must not look back at her during the journey out of the underworld, nor may he explain to her the reason for his apparent indifference. Orphée has no choice but to consent to the terms.

He subdues the Furies with his music and is permitted to enter the Elysian Fields. There, he meets Eurydice and begins to lead her back to Earth. Eurydice, unable to comprehend her spouse’s apparent indifference, becomes jealous and impatient, and is finally so overcome with frustration that she faints.

Orphée turns, looks, and loses her. He is distraught and on the brink of taking his own life, when Amour appears and restores the faithful lovers to each other.

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