10 Jan 2008
GLUCK/BERLIOZ: Orphée
Orphée: Opera in four acts.
Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi
Opera in three acts. Words and music by Richard Wagner.
Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .
This theme relates to operas based on the works of Friedrich von Schiller.
Here are operas based on French literature from Balzac, Hugo and beyond:
Le Cid, Opéra in 4 acts
I puritani, opera seria in three acts
Zaira, Tragedia lirica in two acts.
Athalia: Oratorio (sacred drama) in 3 acts
Lucrezia Borgia: Melodramma in a prologue and two acts.
La Esmeralda: Opéra in four acts.
Ernani: Dramma lirico in four parts.
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A Midsummer Night’s Dream, a comedy in five acts with incidental music.
Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.
Gli Equivoci (The Comedy of Errors): Opera in two acts.
Der Sturm: Opera in three acts
The Fairy-Queen: Semi-opera in five acts.
Macbeth: Melodramma in quattro parti.
Orphée: Opera in four acts.
Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi
| First Performance: | |
| Italian Version | 5 October 1762, Burgtheater, Vienna |
| French Version | 2 August 1774, Paris Opéra |
| Principal Characters: | ||
| Italian version | ||
|---|---|---|
| Orfeo | Alto Castrato (Mezzo-Soprano (Berlioz version)) |
|
| Euridice, his wife | Soprano | |
| Amore | Soprano |
| French version | ||
|---|---|---|
| Orphée | Tenor | |
| Eurydice, his wife | Soprano | |
| Amour | Soprano |
Time and Place: Ancient Thrace
Synopsis:
At Eurydice’s funeral, Orphée’s grief turns to rage against the gods. Amour tells the distraught musician that he will be allowed to descend to the underworld to retrieve his wife if, through his music, he can appease the Furies.
There is a second condition that must be fulfilled if he is to return Eurydice to Earth; he must not look back at her during the journey out of the underworld, nor may he explain to her the reason for his apparent indifference. Orphée has no choice but to consent to the terms.
He subdues the Furies with his music and is permitted to enter the Elysian Fields. There, he meets Eurydice and begins to lead her back to Earth. Eurydice, unable to comprehend her spouse’s apparent indifference, becomes jealous and impatient, and is finally so overcome with frustration that she faints.
Orphée turns, looks, and loses her. He is distraught and on the brink of taking his own life, when Amour appears and restores the faithful lovers to each other.