![La Douleur et les regrets d'Andromaque sur le corps d'Hector son mari by Jacques-Louis David (1783) [Musée du Louvre]](http://www.operatoday.com/Andromaque.png)
03 Feb 2008
ROSSINI: Ermione
Ermione: Azione tragica in two acts.
Recently in Repertoire
Rimsky-Korsakov – Mozart and Salieri
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Strauss – Ariadne auf Naxos
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
Spontini – La Vestale
La Vestale, a tragédie lyrique in three acts.
Mussorgsky – Boris Godunov
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Verdi – Il Trovatore (La Scala 1930)
Il Trovatore, dramma in four parts.
Strauss – Ariadne auf Naxos (Salzburg 1954)
Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann).
MOZART: Die Entführung aus dem Serail (Berlin 1949)
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
MOZART: Die Entführung aus dem Serail (Aix-En-Provence 1954)
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
STRAUSS: Arabella – Dresden 2005
Arabella: Lyrische Komödie in three acts
MOZART: Die Entführung aus dem Serail (Vienna 1956)
Die Entführung aus dem Serail, Singspiel in 3 Acts.
Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by
Christoph Friedrich Bretzner.
PONCHIELLI: La Gioconda
La Gioconda, dramma lirico in four acts.
Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835).
VERDI: Don Carlo
Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini).
VERDI: Un ballo in maschera
Un ballo in maschera, a melodramma in three acts.
Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833)
Giovanni Pacini: Medea
Medea: Melodramma tragico in three acts.
Erich Wolfgang Korngold: Die Tote Stadt
Die Tote Stadt, an opera in three acts.
Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach.
Stendhal on the Rossini Revolution
Some Details concerning the Revolution inaugurated by Rossini
PUCCINI: Manon Lescaut
Manon Lescaut, dramma lirico in quattro atti
STRAUSS : Elektra
Elektra: Tragedy in one act.
Lyric Opera of Chicago’s 2020 Ring Cycle
Lyric Opera of Chicago has announced both schedules and cast-lists for is Spring 2020 performances of Richard Wagner’s Ring Cycle. Given the series of individual productions already staged by the company since Fall 2016, that pave the way for the complete cycle, Lyric Opera of Chicago’s complete production should affirm the artistic might of the great composer.
Carlo Diacono: L’Alpino
“Diacono himself does not know what musical talent he possesses” – Mascagni
OPERA TODAY ARCHIVES »
Repertoire
Music composed by Gioachino Rossini. Libretto by Andrea Leone Tottola after Jean Racine’s Andromaque.
First Performance: 27 March 1819, Teatro San Carlo, Naples
| Principal Characters: | |
| Ermione [Hermione], daughter of Menelaus and Hélène, promised to Pyrrhus | Soprano |
| Andromaca [Andromaque], widow of Hector and captive of Pyrrhus | Contralto |
| Astianatte [Astyanax], son of Andromaque | Silent |
| Pirro [Pyrrhus], son of Achille, king of Épire (Ipiros) | Tenor |
| Oreste, son of Agamemnon | Tenor |
| Pilade [Pylade], friend of Oreste | Tenor |
| Fenicio [Phoenix], tutor to Achille and then to Pyrrhus | Bass |
| Cleone [Cléone], confidante of Hermione | Mezzo-Soprano |
| Cefisa [Céphise], confidante of Andromaque | Mezzo-Soprano |
| Attalo [Attalus], servant of Pyrrhus | Tenor |
Setting: Buthrot, city of Épire (Ipiros), in a room of Pirro’s palace.
Synopsis:
After having defeated the Trojans, Pirro returns to his country with numerous prisoners among which there is Andromaca and her child, Astianatte. Pirro breaks his promise to Ermione because of his love for Andromaca. Remaining faithful to the memory of Hector, Andromaca rejects his advances. Oreste, who has been sent to Buthrote by the Greek kings to demand that Pirro fulfill his duty, declares his love to Ermione. Yet Ermione, tormented by jealousy, seeks to regain the heart of Pirro. Ermione rejects Oreste and his demand for the death of Astianatte (so as to avoid inevitable revenge). But, Pirro, in the presence of the court and Ermione, asks Andromaca to marry him. Andromaca falsely consents to the wedding, but in reality she wants only to save her child. Humiliated, Ermione induces Oreste to kill Pirro. When Oreste shows her the bloody dagger, Ermione is horrified and calls the Furies upon him. Oreste, stunned and delirious, is dragged away by his companions to a ship.