25 Feb 2008
VINCI: La Partenope
La Partenope: Dramma per musica in three acts.
Medea (Médée): Opéra comique in three acts.
Andromaca: Dramma per musica in three acts.
Ermione: Azione tragica in two acts.
Ippolito ed Aricia: Tragedia in five acts.
Idomeneo: Opera seria in three acts.
Paride ed Elena: Dramma per musica in five acts.
Orphée: Opera in four acts.
Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi
Alceste, ou Le triomphe d’Alcide: Tragédie en musique in a prologue and five acts.
Alceste: Tragédie opéra in three acts.
Medea: Melodramma tragico in three acts.
Oedipe à Colone: Tragédie lyrique in three acts.
Elektra: Tragedy in one act.
Fedra: Dramma per musica in two acts.
Les Troyens: Grand opéra in five acts.
Die Meistersinger von Nürnberg: Music drama in three acts.
Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.
Der Schauspieldirektor [The Impresario], Singspiel in one act, K486.
Divertimento teatrale in one act.
Andrea Chénier, an opera in four acts.
La figlia del reggimento [La Fille du régiment (‘The Daughter of the Regiment’)], Opéra comique in two acts.
La Partenope: Dramma per musica in three acts.
Music composed by Leonardo Vinci. Libretto by Silvio Stampiglia.
First Performance: 1725, Teatro San Giovanni Grisostomo, Venice.
| Principal Characters: | |
| Rosmira, Princess of Cyprus | Soprano |
| Partenope, Queen of Partenope (later Naples) | Contralto |
| Arsace, Prince of Corinth | Soprano |
| Armindo, Prince of Rhodes | Tenor |
| Emilio, Prince of Cuma | Mezzo-Soprano |
| Ormonte, Captain of Partenope's Guard | Tenor |
Background:
Partenope (or Parthenope) appears in Greek mythology and classical sources as one of the sirens who taunted Odysseus. One version has her throwing herself into the sea because her love for Odysseus was not returned. She drowns. Her body washes ashore at Naples, which was called Partenope after her name. From this, Silvio Stampiglia created a fictional account where Partenope appears as the Queen of Naples. According to Robert Freeman:
[T]he libretto for Partenope . . . [was] first set for performance in Naples during 1699 with music by Luigi Mancia, and produced all over Italy in more than a dozen versions with music by a variety of composers . . . [The libretto involves] a young lady named Rosmira, once betrothed to and then deserted by Arsace, now a suitor of Partenope, Queen of Naples, where the drama takes place. Early in the libretto, Rosmira, disguised as a man, charges Arsace with infidelity and defies him to redeem his honor by promising never to reveal her identity. After Arsace promises, Rosmira taunts him before the court, then challenges him to a duel, which Arsace quite naturally tries to evade. But in the final scene Arsace hits upon a solution. He agrees to the duel, but on condition that it be fought with combatants stripped to the waist. . . Rosmira admits her identity and there is no duel.Notes, Vol. 28, No. 2 (Dec., 1971), pp. 216-217.