06 Apr 2008
MASSENET: Esclarmonde
Esclarmonde: Opéra romanesque in four acts and eight tableaux.
Opera in three acts. Words and music by Richard Wagner.
Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .
This theme relates to operas based on the works of Friedrich von Schiller.
Here are operas based on French literature from Balzac, Hugo and beyond:
Le Cid, Opéra in 4 acts
I puritani, opera seria in three acts
Zaira, Tragedia lirica in two acts.
Athalia: Oratorio (sacred drama) in 3 acts
Lucrezia Borgia: Melodramma in a prologue and two acts.
La Esmeralda: Opéra in four acts.
Ernani: Dramma lirico in four parts.
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A Midsummer Night’s Dream, a comedy in five acts with incidental music.
Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.
Gli Equivoci (The Comedy of Errors): Opera in two acts.
Der Sturm: Opera in three acts
The Fairy-Queen: Semi-opera in five acts.
Macbeth: Melodramma in quattro parti.
Esclarmonde: Opéra romanesque in four acts and eight tableaux.
Music composed by Jules Massenet. Libretto by Alfred Blau and Louis de Gramont after the French romance Partonopeus de Blois.
First Performance: 14 May 1889, Opéra-Comique (Théâtre Lyrique), Paris
| Principal Characters: | |
| Emperor Phorcas | Bass |
| Esclarmonde, his daughter | Soprano |
| Parséïs, her sister | Mezzo-Soprano |
| Enéas, a Byzantine knight, fiancé to Parséïs | Tenor |
| Chevalier Roland, Count of Blois | Tenor |
| Cléomer, King of France | Baritone |
| The Bishop of Blois | Baritone |
Synopsis:
Act I
Phorcas, the Emperor of Byzantium, abdicates in favor of his daughter, Esclarmonde. He bestows upon her magical powers on the condition that she must ascend the throne alone until the end of her twentieth year. Then, a tournament will be held in which the victor will become her bridegroom. In the meantime, Esclarmonde's face must remain veiled. Esclarmonde confesses to her sister, Parséïs, to be in love with the knight, Roland. King Cléomer, however, has decided to have his daughter, Bathilde, marry Roland. Esclarmonde sends her beloved to an enchanted island, where she will seduce him. There Roland awakens in the arms of the princess. She offers to become his bride and to give him honor and glory, provided that he never discloses her identity. The next day Roland departs to Blois, which is under seige by the Saracens. Esclarmonde promises him that she will visit him every night wherever he may be. She gives him a magic sword.
Act II
Roland, victorious over the Saracens, refuses the hand of the princess Bathilde without explanation. The Bishop of Blois becomes suspicious and determines to force Roland to reveal his secret. Esclarmonde arrives that night. As the two lovers embrace, the Bishop enters and exorcizes Esclarmonde Her veil is torn off. She bids goodbye to Roland and disappears, escorted by the spirits of the fire.
Act III
Phorcas awkens his daughter and enjoins her to renounce Roland. Otherwise, he will die. Desparate, Roland enters a Byzantine tournament seeking death. Roland wins the tournament and, of course, Esclarmonde. The princess may now express her love and reveal her face.