21 Dec 2008
PUCCINI: Suor Angelica — La Scala 2008
Suor Angelica: Opera in one act (no.2 of Il trittico).
Guglielmo Tell: Melodramma tragico in four acts
Mefistofele, Opera in un prologo, quattro atti e un epilogo
Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe
La Forza del Destino, a melodramma in quattro atti
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra
Martha, an opera in four acts.
Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.
First performance: 25 November 1847 at Theater an der Wien, Vienna.
La serva padrona, intermezzo in two parts
Music composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.
First performance: 28 August 1733, Teatro San Bartolomeo, Naples.
Fidelio, an opera in two acts
Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano.
VERDI: Macbeth, melodramma in quattro parti.
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.
Music composed by Johann Strauss II.
Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.
First performance: 5 April 1874 at the Theater an der Wien, Vienna.
Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance.
Fedora, a melodrama in three acts.
Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien Sardou
First performance: 17 November 1898 at Teatro Lirico Internazionale, Milan
Tosca, a melodrama in three acts
Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.
First performance: 14 January 1900 at Teatro Costanzi, Rome
Victorien Sardou (1831-1908) was a popular French dramatist during the later half of the 19th Century. He, along with Eugène Scribe, combined melodrama and realism to a produce a more serious form of drama that emphasized careful plot construction.
A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!"
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
Eugene Onegin, lyrical scenes in three acts and seven tableaux.
Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin.
First performance: 29 March 1879 at the Maliy Theatre, Moscow.
Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997]
The Queen of Spades (Pique Dame), an opera in three acts.
Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists.
First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg.
Manon Lescaut, dramma lirico in quattro atti
Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists.
First performance: 1 February 1893 at Teatro Regio, Turin.
Suor Angelica: Opera in one act (no.2 of Il trittico).
Streaming Audio
Composed by Giacomo Puccini. Libretto by Giovacchino Forzano.
First Performance: 14 December 1918, Metropolitan Opera, New York
| Principal Roles: | |
| Suor Angelica | Soprano |
| La Zia Principessa [The Princess, her aunt] | Contralto |
| La Badessa [The Abbess] | Mezzo-Soprano |
| La Suora Zelatrice [The Monitress] | Mezzo-Soprano |
| La Maestra delle Novizie [The Mistress of the novices] | Mezzo-Soprano |
| Suor Genoveffa | Soprano |
| Suor Osmina | Soprano |
| Suor Dolcina | Soprano |
| La suora infermiera [The nursing sister] | Mezzo-Soprano |
| Le cercatrici [The alms sisters] | Soprano and Mezzo-Soprano |
| Le novizie [The novices] | Soprano and Mezzo-Soprano |
| Le converse [The lay sisters] | Soprano and Mezzo-Soprano |
Setting:The courtyard of a convent, towards the end of the 17th century
Synopsis:
As the nuns talk and attend to their duties, the question of earthly desires is raised. Suor Genovieffa confesses that she would love to hold a lamb again and Suor Dolcina longs for rich food. Suor Angelica says that she has no unfulfilled wishes, but her colleagues do not believe her, as they know she has been longing to hear from her noble family for seven years, since she had been forced to enter the convent. One of the sisters has been stung by a wasp and Angelica, who has extensive herbal know-ledge, provides the appropriate medication. Two nuns who have been out in the world in search of food report that a fine carriage is outside the gates, but are unable to answer Angelica’s questions about its coat of arms. She is summoned by the abbess: her aunt the princess has come to see her, not from sympathy but because, as the legal guardian of Angelica and her sister Anna Viola, she needs Angelica’s signature to a document. Anna Viola is to be married, to a man, she adds harshly, who has forgiven the stain on the family honor caused by Angelica’s sin.
Angelica longs for news of her baby son, but is told that he had died. Left alone in her grief, she mixes a fatal brew and drinks it. Realising that she has committed a mortal sin, she prays for forgiveness. As she dies she sees a vision of the Virgin leading her child to her.
[Synopsis Source: Opera~Opera]