Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780521746472.png

0810888688.gif

0810882728.gif

Recently in Repertoire

Das Liebesverbot, Vienna 1962

Das Liebesverbot: Grosse komische Oper in two acts.

Lohengrin, Bayreuth 2010 Live

Opera in three acts. Words and music by Richard Wagner.

Parsifal, Bayreuth 2012 Live

Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.

Music from Johann Wolfgang von Goethe

“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .

Operas based on the works of Friedrich von Schiller

This theme relates to operas based on the works of Friedrich von Schiller.

Operas Based on French Literature

Here are operas based on French literature from Balzac, Hugo and beyond:

Jules Massenet: Le Cid

Le Cid, Opéra in 4 acts

Vincenzo Bellini: I puritani

I puritani, opera seria in three acts

Vincenzo Bellini: Zaira

Zaira, Tragedia lirica in two acts.

G. F. Handel: Athalia

Athalia: Oratorio (sacred drama) in 3 acts

DONIZETTI: Lucrezia Borgia

Lucrezia Borgia: Melodramma in a prologue and two acts.

BERTIN: La Esmeralda

La Esmeralda: Opéra in four acts.

VERDI: Ernani — Florence 1957

Ernani: Dramma lirico in four parts.

von Waltershausen: Oberst Chabert

Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.

VERDI: Otello — La Scala 1954

Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.

A Midsummer Night’s Dream

A Midsummer Night’s Dream, a comedy in five acts with incidental music.

HAHN: Le Marchand de Venise

Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.

STORACE: Gli Equivoci

Gli Equivoci (The Comedy of Errors): Opera in two acts.

MARTIN: Der Sturm

Der Sturm: Opera in three acts

PURCELL: The Fairy-Queen

The Fairy-Queen: Semi-opera in five acts.

OPERA TODAY ARCHIVES »

Repertoire

Lucia di Lammermoor by Rafal Olbinski
11 Jan 2009

DONIZETTI: Lucia di Lammermoor — Roma 1957

Lucia di Lammermoor: Opera in three acts.

Gaetano Donizetti: Lucia di Lammermoor

Alisa: Elvira Galassi; Arturo Buklaw: Dino Formichini; Edgardo: Eugenio Fernandi; Enrico Ashton: Rolando Panerai; Lucia: Maria Callas; Normanno: Valiano Natali; Raimondo Bidebent: Giuseppe Modesti. Orchestra e Coro di Roma della RAI. Tullio Serafin, conducting. Live performance, 26 June 1957, Rome.

 

Music composed by Gaetano Donizetti. Libretto by Salvadore Cammarano after Walter Scott’s novel The Bride of Lammermoor (1819).

First Performance: 26 September 1835, Teatro di San Carlo, Naples.

Principal Roles:
Lucia Soprano
Enrico Ashton, Laird of Lammermoor, Lucia’s brother Baritone
Edgardo, Laird of Ravenswood Tenor
Lord Arturo Bucklaw, Lucia’s bridegroom Tenor
Raimondo Bidebent, a Calvinist chaplain Bass
Alisa, Lucia’s companion Mezzo-Soprano
Normanno, huntsman, a retainer of Enrico Tenor

Setting: Ravenswood Castle, Scotland, during the reign of Queen Anne (1702-1714).

Synopsis:

Act I

Scene 1. The entrance hall of Ravenswood Castle

Normanno urges the servants to scour the grounds for an intruder. Enrico is worried because his sister Lucia refuses to marry Arturo, an alliance which would save Enrico from the consequences of having been on the losing side in a recent uprising.

Raimondo reminds him that Lucia has not recovered from the grief of her mother’s death and is not yet ready for love, but Normanno claims that Lucia is in love - with a man who had saved her from a wild bull, none other than Enrico’s mortal enemy, Edgardo. Enrico’s rage is exacerbated by the failure of the retainers to capture the intruder, Edgardo.

Scene 2. The castle grounds

As Lucia and Alisa wait for Edgardo by a ruined fountain, Lucia says that she has seen the ghost of the fountain, a lady killed by her jealous lover, an earlier Ravenswood.

Edgardo announces that he is leaving at once for France on State business. Lucia refuses his request to tell Enrico of their love, rightly fearing his bitter hatred of Edgardo; and Edgardo reminds her that although he has neglected for her sake his oath to avenge his father’s death on her brother, the oath still stands. She calms him and they swear eternal fidelity and exchange rings.

Act II

Scene 1. A room in the castle

Normanno tells Enrico of the success of his scheme to intercept all letters between Lucia and Edgardo, now some months absent in France. Even though the wedding guests are already assembling, Enrico has yet to obtain Lucia’s consent to the marriage, but he has a forged letter which he hopes will convince her that Edgardo plans to marry another. When she tells him that her faith is pledged to Edgardo, he overwhelms her with the letter and reminds her that only Arturo can save him from ruin. Raimondo, who has sent letters to Edgardo on Lucia’s behalf, tells her that there has been no answer and advises her to sacrifice herself for her brother.

Scene 2. The great hall of the castle

The wedding is about to be solemnised. Enrico explains Lucia’s pallor and listlessness to Arturo as symptoms of her mourning for her mother. No sooner has Lucia signed the contract than Edgardo bursts in. He claims Lucia, but Raimondo shows him the contract. He throws the ring she has given him at her and demands his in return and leaves, cursing her faithlessness.

Act III

Scene 1. The tower of Wolf’s Crag

In a raging storm Enrico comes to Edgardo’s home to challenge him to a duel, taunting him with the reminder that Lucia now belongs to another. They agree to fight at dawn near the tombs of the Ravenswoods.

Scene 2. The great hall of Ravenswood Castle

The rejoicing of the wedding guests is interrupted by Raimondo, bearing the news that Lucia has gone mad and killed Arturo. Covered in blood, she enters, imagining that she is about to be married to Edgardo. Enrico’s reproaches turn to remorse when he realises her state. Her wandering mind becomes more disturbed as she remembers Edgardo’s anger, and she collapses.

Scene 3. By the tombs of the Ravenswoods

Waiting for dawn by the tombs of his ancestors, Edgardo thinks bitterly of Lucia’s apparent faithlessness. Tidings of her imminent death are followed by the death knell. He realises that he has misjudged her and stabs himself, hoping to join her in death.

[Synopsis Source: Opera~Opera]

Click here for the complete libretto.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):