11 Oct 2009
NICOLAI: Die lustigen Weiber von Windsor — Berlin 1943
Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance.
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ROSSINI: Guglielmo Tell — Rome 1954
Guglielmo Tell: Melodramma tragico in four acts
MOZART: Idomeneo
Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).
Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet.
GOUNOD: Faust
Faust, Opéra en cinq actes
Music composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe
BERLIOZ: La damnation de Faust
La damnation de Faust, Légende dramatique en quatre parties
Music composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe
BOITO: Mefistofele
Mefistofele, Opera in un prologo, quattro atti e un epilogo
Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe
VERDI: La Forza del Destino
La Forza del Destino, a melodramma in quattro atti
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra
FLOTOW: Martha — Berlin 1944
Martha, an opera in four acts.
Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.
First performance: 25 November 1847 at Theater an der Wien, Vienna.
PERGOLESI: La serva padrona
La serva padrona, intermezzo in two parts
Music composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.
First performance: 28 August 1733, Teatro San Bartolomeo, Naples.
BEETHOVEN: Fidelio — Munich 1978
Fidelio, an opera in two acts
Maria Callas Performs Lady Macbeth
Here we offer three selections from Macbeth with Maria Callas performing the role of Lady Macbeth. These are from a live performance given on 7 December 1952 at La Scala. Victor de Sabata conducts the Orchestra del Teatro alla Scala, Milano.
VERDI: Macbeth
VERDI: Macbeth, melodramma in quattro parti.
Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare.
STRAUSS: Die Fledermaus
Music composed by Johann Strauss II.
Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.
First performance: 5 April 1874 at the Theater an der Wien, Vienna.
GIORDANO: Fedora
Fedora, a melodrama in three acts.
Umberto Giordano, composer. Arturo Colautti, librettist, based on the play with the same name by Victorien Sardou
First performance: 17 November 1898 at Teatro Lirico Internazionale, Milan
PUCCINI: Tosca
Tosca, a melodrama in three acts
Giacomo Puccini, composer. Libretto by Luigi Illica and Giuseppe Giacosa, based on the play La Tosca by Victorien Sardou.
First performance: 14 January 1900 at Teatro Costanzi, Rome
The twists and trysts of Tosca
A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!"
RIMSKY-KORSAKOV: Mozart and Salieri
Mozart and Salieri, an opera in one act consisting of two scenes.
Nicolai Rimsky-Korsakov (1844-1908), composer. Libretto derived from Alexander Puskhin's play of the same name.
First performance: 7 December 1898 in Moscow.
MUSSORGSKY: Boris Godunov
Boris Godunov, an opera in four acts with prologue
Modest Mussorgsky, composer. Libretto by the composer, based on Alexander Pushkin's drama Boris Godunov and Nikolai Karamazin's History of the Russian Empire
First performance: 8 February 1874 at the Mariinsky Theatre, St. Petersburg
TCHAIKOVSKY: Eugene Onegin
Eugene Onegin, lyrical scenes in three acts and seven tableaux.
Pyotr Il’yich Tchaikovsky, composer. Libretto by the composer, based on the verse novel by Aleksandr Sergeevich Pushkin.
First performance: 29 March 1879 at the Maliy Theatre, Moscow.
TCHAIKOVSKY: The Queen of Spades
The Queen of Spades (Pique Dame), an opera in three acts.
Pyotr Il’yich Tchaikovsky, composer. Modest Tchaikovsky and composer, librettists.
First performance: 19 December 1890 at the Mariinsky Theatre, St. Petersburg.
PUCCINI: Manon Lescaut
Manon Lescaut, dramma lirico in quattro atti
Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists.
First performance: 1 February 1893 at Teatro Regio, Turin.
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Music composed by Otto Nicolai (1810-1849). Libretto by Salomon Hermann von Mosenthal after the play of the same name by William Shakespeare.
First performance: 9 March 1849 at Königliches Opernhaus, Berlin.
Principal Characters
| Sir John Falstaff | Bass |
| Herr Fluth | Baritone |
| Herr Reich | Bass |
| Fenton | Tenor |
| Junker Spärlich | Tenor |
| Dr. Cajus | Bass |
| Frau Fluth | Soprano |
| Frau Reich | Mezzo-soprano |
| Anna Reich | Soprano |
Time and Place
Windsor (England) during the reign of Henry V (1413-1422).
Summary
Act I
Scene One
Setting: A court.
Frau Fluth informs her friend, Frau Reich, that she has received a letter from the fat knight, Sir John Falstaff. Mrs. Reich received the same letter. Outraged, they plot revenge against Falstaff. They leave.
Herr Fluth and Herr Reich enter along with two would-be suitors of Anna Reich, Junker Spärlich and Dr. Cajus. The penniless Fenton enters proclaiming his love for Anna and asks for her hand. He is summarily rejected.
Scene Two
Setting: Herr Fluth’s home.
Frau Fluth awaits Falstaff. She and Frau Reich have sent an anonymous note to Herr Fluth informing him of the meeting with Falstaff. A large basket is brought in. A frightened Falstaff is later stuffed into the basket and dumped into the Thames.
Act II
Scene One
Setting: A tavern.
Disguised as one Herr Bach, Herr Fluth visits Falstaff at the Garter Inn. He seeks Falstaff’s assistance in gaining the favor of Frau Fluth. Fluth discovers that Falstaff had been at his home the previous day and that Frau Fluth had invited him to visit her again that afternoon.
Scene Two
Setting: A garden.
Junker Spärlich and Dr. Cajus plan to meet Anna during her daily walk. When Fenton appears, they hide. Anna and Fenton reaffirm their love for one another.
Scene Three
Setting: Frau Fluth’s room.
When Falstaff arrives, Frau Reich tells him that Herr Fluth is approaching. The women disguise Falstaff as an old woman, a relative of Frau Fluth’s maid. Herr Fluth has forbidden her presence in his home and beats her mercilessly. He then searches for Falstaff without success.
Act III
Scene One
Setting: Herr Reich’s home.
The wives have informed their husbands of Falstaff’s letters. Herr Fluth has been forgiven his unwarranted jealousy. They devise another trick to play against Falstaff. There is to be a masquerade. Falstaff is to meet the wives costumed as Herne, the legendary hunter. Frau Reich gives Anna a costume of a red elf to wear so that Dr. Cajus will recognize her. After Frau Reich leaves, Herr Reich enters with a green elf costume for Anna to wear so that Junker Spärlich will recognize her. Anna decides to give the costumes to Dr. Cajus and Junker Spärlich to wear. She will run off with Fenton.
Scene Two
Setting: Windsor Forest.
The townspeople, disguised as spooks and spirits, await Falstaff. Falstaff appears as Herne with large antlers on his head. Frau Reich and Frau Fluth arrive. When the ghosts approach, the wives run away. Terrified, Falstaff tries to hide. However, he is pinched, stabbed and mocked. Falstaff repents. The masqueraders reveal themselves. All are in merriment.