Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Recordings

Schubert’s Winterreise by Matthias Goerne

This Winterreise is the final instalment of Matthias Goerne’s series of Schubert lieder for Harmonia Mundi and it brings the Matthias Goerne Schubert Edition, begun in 2008, to a dark, harrowing close.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Bernarda Fink Sings Mahler Lieder

Bernarda Fink’s recording of Gustav Mahler’s Lieder is an important new release that includes outstanding performances of the composer’s well-known songs, along with compelling readings of some less-familiar ones.

Gergiev’s Das Rheingold

Das Rheingold launches what is perhaps the single most ambitious project in opera, Richard Wagner’s Der Ring des Nibelungen

Hänsel und Gretel

This live performance of Laurent Pelly’s Glyndebourne staging of Humperdinck’s affectionately regarded fairy tale opera, was recorded at Glyndebourne Opera House in July and August 2010, and the handsomely produced disc set — the discs are presented in a hard-backed, glossy-leaved book and supplemented by numerous production photographs and an informative article by Julian Johnson — is certainly stylish and unquestionably recommendable.

Magdalena Kožená: Love and Longing

Recorded at a live performance in 2012, this CD brings together an eclectic selection of turn-of-the-century orchestral songs and affirms the extraordinary versatility, musicianship and technical accomplishment of mezzo-soprano Magdalena Kožená.

Once I was: Songs by Ricky Ian Gordon

Once I was: Songs by Ricky Ian Gordon features an assortment of songs by Ricky Ian Gordon interpreted by soprano Stacey Tappan, a longtime friend of the composer since their work on his opera Morning Star at the Lyric Opera of Chicago.

Amore e Tormento

Alfredo Kraus, one of the most astute artists in operatic history in terms of careful management of technique and vocal resources, once said in an interview that ‘you have to make a choice when you start to sing and decide whether you want to service the music, and be at the top of your art, or if you want to be a very popular tenor.’ 

Rivals—Arias for Farinelli & Co.

In generations past, an important singer’s first recording of Italian arias would almost invariably have included the music of Verdi. 

Verdi at the Old MET

With celebrations of the Verdi Bicentennial in full swing, there have been many grumblings about the precarious state of Verdi singing in the world’s major opera houses today.

Italo Montemezzi: L’amore dei tre re

In the thirty-five years immediately following its American première at the Metropolitan Opera in 1914, Italo Montemezzi’s ‘Tragic Poem in Three Acts’ L’amore dei tre re was performed in New York on sixty-six occasions. 

Così fan tutte from DG

Few operas inspire the kind of competing affection and controversy that have surrounded Mozart’s Così fan tutte almost since its first performance in Vienna in 1790. 

Heart’s Delight: The Songs of Richard Tauber

During his career in film, opera, and operetta, Richard Tauber (1891 - 1948) enjoyed the sort of global fame that eludes all but the tiniest handful of ‘serious’ singers today.

Adriana Lecouvreur from Decca

Known principally for its two concert show-pieces for the leading lady, the success of Francesco Cilea’s Adriana Lecouvreur relies upon finding a soprano willing to take on, and able to pull off, the eponymous role.

Lawrence Brownlee’s Spiritual Sketches

It would be condescending and perhaps even offensive to suggest that singing traditional Spirituals is a rite a passage for artists of color, but the musical heritage of the United States has been greatly enriched by the performances and recordings of Spirituals by important artists such as Paul Robeson, Marian Anderson, Leontyne Price, Martina Arroyo, Shirley Verrett, Grace Bumbry, Jessye Norman, Barbara Hendricks, Florence Quivar, Kathleen Battle, Harolyn Blackwell, and Denyce Graves.

Great Wagner Conductors from DG

As a companion to their excellent Great Wagner Singers boxed set compiled and released in celebration of the Wagner Bicentennial, Deutsche Grammophon have also released Great Wagner Conductors, a selection of orchestral music conducted by five of the most iconic Wagnerian conductors of the Twentieth Century, extracted from Deutsche Grammophon’s extensive archives.

Great Wagner Singers from DG

There could be no greater gift to the Wagnerian celebrating the Master’s Bicentennial than this compilation from Deutsche Grammophon, aptly entitled Great Wagner Singers.

Adding Movie Magic to The Magic Flute

What better way for Masonic brothers, Wolfgang Amadeus Mozart and Emmanuel Shikaneder to disseminate Masonic virtues, than through the most popular musical entertainment of their age, a happy ending folktale that features a dragon, enchanting flutes and bells, mixed-up parentage, and a beautiful young princess in distress?

OPERA TODAY ARCHIVES »

Recordings

Decca 0440 074 3383 6 GH [DVD]
27 Oct 2011

Renée Fleming and Dmitri Hvorostovsky: A Musical Odyssey in St. Petersburg

Exactly what makes this entertaining, handsome video of Dmitri Hvorostovsky and Renée Fleming in concert an “odyssey”?

Renée Fleming and Dmitri Hvorostovsky: A Musical Odyssey in St. Petersburg

Renée Fleming, soprano. Dmitri Hvorostovsky, baritone. State Hermitage Orchestra. Conductor: Constantine Orbelian. Directed for video by Brian Large.

Decca 0440 074 3383 6 GH [DVD]

$27.99  Click to buy

Would it really have been unacceptable to call the program “A Musical Travelogue in St. Petersburg”? There are no adventures with sirens or one-eyed giants, nor is there any sense of homecoming and redemption. Instead, soprano Fleming (Hvorostovsky apparently otherwise engaged) walks through some of the more appealing tourist locations of the city, in three segments that take up about 20 minutes of the main program’s 90-minute running time. At least Decca provides an additional four musical selections for the DVD release.

Putting aside persnickety complaints about language, the DVD is very enjoyable. It gets off to a great start by skipping introductions and immediately joining Renée and Dmitri in front of the State Hermitage orchestra and conductor Constantine Orbelian. Credits roll as the singers launch into the fourth act duet of Il Trovatore’s Leonora and Di Luna. Other than Violetta and Desdemona, Verdi hasn’t played a big part in Ms. Fleming’s career, so it’s fairly surprising how well she does in this scene. Hvorostovsky has sung the Count many times, and in this smaller hall, he is able to bring all of his skill to the performance without having to push as he would in a larger venue. Next, after 10 minutes of Renée guiding us through the Winter Palace, we return to the concert and an extended scene from Simon Boccanegra. A briefer travelogue is followed by several Russian songs, with Olga Kern at the piano. This is Hvorostovsky’s home territory, of course, and he shines; Ms. Fleming looks and sounds ravishing.

Another travelogue section precedes the return of the orchestra for selections from three Tchaikovsky operas, listed in the booklet as Pique Dame, Oprichnik, and the reliable Eugene Onegin. Hvorostovsky sings Yeletzki’s aria handsomely as expected, and the rare opera’s aria for Renée is quite beautiful. Then the pair performs the final scene of Onegin with a potent mixture of elegance and dramatic force.

The bonus tracks are all worthy and undoubtedly only edited out of the main program only for reasons of timing (the main program was offered on PBS in the Great Performances series). Dmitri sings Hamlet’s drinking song from the Ambroise Thomas opera and a rare and very entertaining Anton Rubinstein number. Ms. Fleming gives us her creamy “Casta Diva” and Lisa’s first act aria from Pique Dame.

The Decca set has rudimentary packaging, but the performance itself is classy, and as the travelogue sections are separately tracked, they can easily be skipped on repeat viewings. If one doesn't expect the rollicking adventure of a true odyssey, this set should prove to be high-quality musical entertainment.

Chris Mullins

Click here for a track list.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):