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Elsewhere

Il barbiere di Siviglia, Glyndebourne Festival Opera at the Proms

For its annual visit to the BBC Proms at the Royal Albert Hall, Glyndebourne brought its new production of Rossini's Il barbiere di Siviglia, an opera which premiered 200 years ago.

Béatrice and Bénédict at Glyndebourne

‘A caprice written with the point of a needle’: so Berlioz described his opera Béatrice and Bénédict, which pares down Shakespeare’s Much Ado About Nothing to its comic quintessence, shorn of the sub-plots, destroyed reputations and near-bloodshed of Shakespeare’s original.

Der fliegende Holländer, Bavarian State Opera

‘This is the way the world ends. Not with a bang but a whimper.’ It is, perhaps, a line quoted too often; yet, even though it may not have been entirely accurate on this occasion, it came to my mind. Its accuracy might be questioned in several respects.

Evergreen Baby in Colorado

Central City Opera celebrated the 60th anniversary of The Ballad of Baby Doe with a hip, canny, multi-faceted new production.

Lean and Mean Tosca in Colorado

Someone forgot to tell Central City Opera that it would be difficult to fit Puccini’s (usually) architecturally large Tosca on their small stage.

Die Walküre, Baden-Baden

A cast worthy of Bayreuth made for an unforgettable Wagnerian experience at the Sommer Festspiele in Baden-Baden.

Des Moines’ Elusive Manon

Loving attention to the highest quality was everywhere evident in Des Moines Metro Opera’s Manon.

Falstaff in Iowa: A Big Fat Hit

Des Moines Metro Opera had (almost) all the laughs in the right places, and certainly had all the right singers in these meaty roles to make for an enjoyable outing with Verdi’s masterpiece

Die Fledermaus, Opera Holland Park

With the thermometers reaching boiling point, there’s no doubt that summer has finally arrived in London. But, the sun seems to have been shining over the large marquee in Holland Park all summer.

Nice, July 14, and then . . .

J.S. Bach’s cerebral Art of the Fugue in Aix, Verdi’s massive Requiem in Orange, Ibn al-Muqaffa’ ‘s fable of the camel, jackal, wolf and crow, Sophocles’ blind Oedipus Rex and the Bible’s triumphant Psalm No. 150 in Aix.

Jette Parker Young Artists Summer Performance

The champagne corks popped at the close of this year’s Jette Parker Young Artists Summer Performance at the Royal Opera House, with Prince Orlofsky’s celebratory toast forming a fitting conclusion to some superb singing.

Prom 2: Boris Godunov, ROH

Bryn Terfel is making a habit of performing Russian patriarchs at the Proms.

Des Moines’ Gluck Sets the Standard

What happens when just everything about an operatic performance goes joyously right?

Des Moines: Jewels in Perfect Settings

Two years ago, the well-established Des Moines Metro Opera experimented with a 2nd Stages program, with performances programmed outside of their home stage at Simpson College.

First Night of the Proms 2016

What to make of the unannounced decision to open this concert with the Marseillaise? I am sure it was well intended, and perhaps should leave it at that.

La Cenerentola, Opera Holland Park

In a fairy-tale, it can sometimes feel as if one is living a dream but on the verge of being awoken to a shock. Such is life in these dark and uncertain days.

A New Opera Company with a True Story of Forbidden Love

Victory Hall Opera is a new company making its debut in Charlottesville Virginia on August 14, 2016. Its first presentation will be Richard Strauss’s and Hugo von Hofmannsthal’s Der Rosenkavalier.

Il trionfo del tempo e del disinganno in Aix

The tense, three hour knock-down-drag-out seduction of Beauty by Pleasure consumed our souls in this triumphal evening. Forget Time and Disillusion as destructors, they were the very constructors of the beauty and pleasure found in this miniature oratorio.

Pelleas et Mélisande in Aix

Three parallel universes (before losing count) — the ephemeral Debussy/Maeterlinck masterpiece, the Debussy symphonic tone poem, and the twisted intricacies of a moldy, parochially English country estate.

Siegfried, Opera North

This, alas, was where I had to sign off. A weekend conference on Parsifal (including, on the Saturday, a showing of Hans-Jürgen Syberberg’s Parsifal film) mean that I missed Götterdämmerung, skipping straight to the sequel.


OPERA TODAY ARCHIVES »

Interviews

Elizabeth Caballero [Photo courtesy of Uzan International Artists]
23 Jun 2016

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.  »

Recently in Interviews

All Pages |  1  |  2  |  3 
27 Nov 2011

Piotr Beczala

Piotr Beczala, the Polish lyric tenor, stars in the current La Traviata at the Royal Opera House, London.  »

12 Jul 2011

“Opera is like a tree” — ZhengZhong Zhou

In Gounod’s Faust at the Royal Opera House in October 2011, Zhengzhong Zhou is alternating with Dmitri Hvorostovsky in the part of Valentin. Alternating, not covering or substituting. Since Zhou is very young, it’s quite a challenge. »

30 Jun 2011

Luca Pisaroni sings Handel at Glyndebourne

Luca Pisaroni is one of one the more exciting young bass-baritones of his generation. In July 2011, he sings Argante in the first ever Handel Rinaldo at the Glyndebourne Festival. »

27 Jun 2011

Madama Butterfly by Caurier and Leiser

Patrice Caurier and Moshe Leiser’s Madama Butterfly is such a classic that it is being filmed for the second time at the Royal Opera House, London.  »

22 Jun 2011

Will Crutchfield: Interview with the Director of Opera for the Caramoor Festival

Will Crutchfield made his name as a writer and musicologist in the mid-1980s, becoming the youngest music critic in the history of The New York Times.  »

17 Jun 2011

Jeremy White and the British character singer tradition

Divas make headlines, but character singers are fundamental to the British opera tradition. “Character singing,” says Jeremy White, one of the stalwarts of the Royal Opera House, “is much more than just voice.” »

16 Jun 2011

Jane Henschel — An Interview

Since her first significant and highly acclaimed debut as a guest artist with the Netherlands Opera in 1992, in the taxing role of the Nurse in Richard Strauss’s Die Frau ohne Schatten, American mezzo-soprano Jane Henschel has triumphed in opera houses across the world, marvelling international audiences with her musical versatility, vocal strength and striking stage presence. »

14 Jun 2011

New directions at the Royal Opera House

John Fulljames has been appointed Associate Director for Opera at the Royal Opera House.  »

22 May 2011

Liudmyla Monastyrska — An Interview

Ukrainian soprano Liudmyla Monastyrska certainly knows how to make the most of every opportunity.  »

10 Apr 2011

Paata Burchuladze, The Tsar’s Bride, London

“A tale of corruption, passion and poisoning”, as the Royal Opera House, London, describes its first-ever production of Rimsky-Korsakov’s The Tsar’s Bride, with Paata Burchuladze, highly experienced in this repertoire.  »

20 Feb 2011

Virginia Arts recalls Civil War

For geography buffs the Rappahannock is a river that flows from Virginia’s Blue Ridge Mountains to Chesapeake Bay.  »

01 Feb 2011

Real Opera In New Jersey

In an episode of the series West Wing, political strategist Josh Lyman (played by Bradley Whitford) visits his friend and speech writer Sam Seaborn (Rob Lowe) in New York City before heading to New Hampshire for a promising candidate’s campaign speech.  »

31 Jan 2011

Elizabeth Futral — An Interview

Elizabeth Futral has established herself as one of the major coloratura sopranos in the world today. With her stunning vocalism and vast dramatic range, she has embraced a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn. »

31 Jan 2011

Elisabeth Meister — An Interview

British soprano, Elisabeth Meister, is a rare combination of pragmatism, serious intent, personal warmth and infectious energy.  »

31 Dec 2010

Andrea Clearfield — An Interview

Composer and pianist Andrea Clearfield is a fundamental presence on the contemporary music scene in Philadelphia, with a long collaboration with the Relâche Ensemble to her credit, as well as a monthly salon in her home (with close to 25 years of concerts) that brings together artists from various disciplines, not only music.  »

06 Dec 2010

Rodney Waschka — An Interview

Rodney Waschka is a professor at North Carolina State University in Raleigh, where his multifarious activities are fundamental to the presence of contemporary music in the state.  »

18 Nov 2010

Stellan Sagvik: An Interview

Swedish composer Stellan Sagvik is a protean figure with a large and diverse body of work ranging from works for solo flute (most recently written for his wife, Kinga Práda), to chamber music — five string quartets, with another on the way, and symphonies, operas and choral music.  »

07 Nov 2010

New Adriana Lecouvreur in London — Alessandro Corbelli

A completely new production of Francesco Cilea’s Adriana Lecouvreur is coming to the Royal Opera House, London.  »

03 Nov 2010

Marcela Pavia — An Interview

Composer Marcela Pavia was born and raised in Rosario, Argentina, and comes from a family of Italian immigrants.  »

24 Sep 2010

Pierre Jalbert: An Interview

Composer Pierre Jalbert (b.1967), of French Canadian ancestry, was born and raised in northern New England, and studied composition at Oberlin Conservatory and at the University of Pennsylvania, where he worked with George Crumb.  »

13 Sep 2010

Kate Lindsey: An Interview

This season Santa Fe Opera offered new productions that ranged from standard repertoire (Madame Butterfly and The Magic Flute) to a world premiere (Lewis Spratlan’s Life is a Dream) with The Tales of Hoffmann and Albert Herring falling somewhere amidst.  »

13 Sep 2010

Bruce Adolphe: An Interview

Bruce Adolphe, born and raised in the New York area, a student of composition at Juilliard in the sixties and seventies, has an impressive body of work commissioned by artists known on every continent, and was chosen by the Music Library Association to write a piece for brass (Triskelion) marking the sixtieth anniversary of the Association, premiered by the American Brass Quintet at the national meeting in Indianapolis in February, 1991.  »

12 Sep 2010

Mohammed Fairouz: An Interview

As one of the most sought after composers of the young generation, Mohammed Fairouz has many commissions and a substantial body of work, and maintains a busy performance schedule. »

09 Sep 2010

Jacques Imbrailo, Malatesta at the Royal Opera House

Jacques Imbrailo sings Dr Malatesta in Donizetti’s Don Pasquale at the Royal Opera House, London »

24 Aug 2010

Robert Baksa — An Interview by Tom Moore

Robert Baksa is a name that is well-known to lovers of contemporary chamber music, with a hundred chamber works to his credit.  »

07 Jul 2010

Daniel Catán: An Interview by Maria Nockin

“You want to frame the voice in such a way that it shines.”— Daniel Catán »

01 Jul 2010

Baritone Austin Kness on his way

Baritone Austin Kness, an Adler Fellow at San Francisco Opera recently spoke with Opera Today critic Michael Milenski.  »

28 Jun 2010

Jay Reise: An Interview by Tom Moore

Jay Reise is one of the senior musical figures in Philadelphia, serving on the composition faculty of the University of Pennsylvania since 1980.  »

19 Jun 2010

Christine Brewer: An Interview by Maria Nockin

On 7 June 2010, I spoke with Christine Brewer who was enjoying a relatively free week at her home near St. Louis, Missouri, after long months of air travel between concerts, recitals and operatic performances.  »

17 Jun 2010

Polishing Gemstones — Jette Parker Young Artists

Opera stars are made as well as born. The Royal Opera House Jette Parker Young Artists Programme shapes the stars of the future.  »

07 Jun 2010

Jurgita Adamonytė: An Interview

‘Focussed and pure of tone’, ‘beautifully steady’, ‘pure clarity and note perfection’ — just some of the accolades bestowed on the Lithuanian mezzo soprano Jurgita Adamonytė for her recent performances of Mozart.  »

04 Jun 2010

Aris Argiris debuts as Escamillo in the Royal Opera House's Carmen

Aris Argiris makes his debut at Covent Garden as Escamillo in Bizet’s Carmen. But this is unusually high-profile because it's a first, being filmed in 3D. »

03 Jun 2010

Olja Jelaska: An Interview by Tom Moore

Olja Jelaska (b. 1967) is an important figure in the younger generation of composers from Croatia.  »

01 Jun 2010

Juan Trigos: An Interview by Tom Moore

Juan Trigos, composer and conductor, was born and raised in Mexico City, where his father, also Juan Trigos, is a noted playwright and novelist.  »

18 May 2010

Robert Maggio — An Interview by Tom Moore

Composer Robert Maggio is professor of composition at West Chester University (in suburban Philadelphia).  »

17 May 2010

Elena Ruehr: An Interview by Tom Moore

According to her web site, Elena Ruehr has been called a “composer to watch” by Opera News, and her music has been described as “stunning...beautifully lighted by [a] canny instinct for knowing when and how to vary key, timbre, and harmony” by The Boston Globe. »

22 Apr 2010

Stephen Jaffe: an Interview by Tom Moore

Composer Stephen Jaffe is the Mary and James H. Semans Professor of Music Composition at Duke University. We spoke in his office there in Durham NC on June 25, 2007. »

22 Apr 2010

Micaela Carosi sings Aida in a new production at the Royal Opera House, London

Micaela Carosi, the Verdi specialist, has created Aida many times, so she’s closely attuned to the role. The new production, at the Royal Opera House, London, though, is different. “It’s like singing Aida for the first time”, she says, her eyes sparkling. »

20 Apr 2010

Osmo Tapio Räihälä: An interview by Tom Moore

Osmo Tapio Räihälä is a Finnish composer of contemporary music, and was the founder of Uusinta, a collaborative group of composers and musicians. »

10 Apr 2010

Lance Hulme: An interview by Tom Moore

Composer Lance Hulme studied composition at the University of Minnesota, Yale University, and the Eastman School of Music, and returned to the United States recently, where he lives presently in Greensboro, North Carolina, after two decades in Mitteleuropa, where he founded and directed the contemporary music ensemble Ensemble Surprise.  »

10 Apr 2010

Anna Weesner: An interview by Tom Moore

Anna Weesner is an American composer who grew up in rocky New Hampshire, and now teaches in historic Philadelphia.  »

10 Apr 2010

Timothy Andres: An interview by Tom Moore

Composer and pianist Timothy Andres is in his mid-twenties, with an impressive catalog of works to his credit, many of which can be heard at his website.  »

03 Mar 2010

Sophia Serghi — An Interview

Composer Sophia Serghi is presently professor of music at the College of William and Mary in Williamsburg, Virginia, where she has taught since 1998, with two years away in 2000-2002. »

10 Feb 2010

Gabriela Ortiz — An Interview

Composer Gabriela Ortiz studied composition in Mexico City with Mario Lavista at the National Conservatory of Music, at the Guildhall School with Robert Saxton, and at the University of London with Simon Emmerson.  »

25 Jan 2010

Kerry Andrew — An Interview

Kerry Andrew is a young British composer who seems to have her finger in an astounding number of pies, from modern sacred choral music to alt-folk, and including vocal chamber ensemble music and jazz. We talked via Skype on Jan. 12, 2010.  »

18 Jan 2010

Neal Goren of Gotham Chamber Opera: An Interview

The thing you need in order to start an arts organization, even more than a great deal of money, is a whirlwind – an individual with unstoppable energy who can put it all together and keep it working through thin times and thick.  »

08 Jan 2010

An interview with Hilary Hahn

American violinist Hilary Hahn has entered her fourth decade, having turned thirty last year, and for her eleventh disc she takes on a collaborative role, as obbligatist in a program of Bach cantata arias with soprano Christine Schäfer and baritone Matthias Goerne, accompanied by the Münchener Kammerorchester under the direction of Alexander Liebreich.  »