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Elsewhere

Prom 57: Semyon Bychkov conducts the BBCSO

Thomas Larcher’s Second Symphony (written 2015-16) here received its United Kingdom premiere, its first performance having been given by the Vienna Philharmonic and Semyon Bychkov in June this year. A commission from the Austrian National Bank for its bicentenary, it is nevertheless not a celebratory work, instead commemorating those refugees who have met their deaths in the Mediterranean Sea, ‘expressing grief over those who have died and outrage at the misanthropy at home in Austria and elsewhere’.

40 minutes with Barbara Hannigan...in rehearsal

One of the initiatives for the community at the Lucerne Festival is the ‘40 min’ series. A free concert given before the evening’s main event that ranges from chamber music to orchestral rehearsals.

Prom 54 - Mozart's Last Year with the Budapest Festival Orchestra

The mysteries and myths surrounding Mozart’s Requiem Mass - left unfinished at his death and completed by his pupil, Franz Xaver Süssmayr - abide, reinvigorated and prolonged by Peter Shaffer’s play Amadeus as directed on film by Miloš Forman. The origins of the work’s commission and composition remain unknown but in our collective cultural and musical consciousness the Requiem has come to assume an autobiographical role: as if Mozart was composing a mass for his own presaged death.

High Voltage Tosca in Cologne

I saw two operas consecutively at Oper Koln. First, the utterly bewildering Lucia di Lammermoor; then Thilo Reinhardt’s thrilling Tosca. His staging was pure operatic joy with some Hitchcockian provocations.

Haitink at the Lucerne Festival

Bernard Haitink’s monumental Bruckner and Mahler performances with the Royal Concertgebouw Orchestra (RCO) got me hooked on classical music. His legendary performance of Bruckner’s Symphony No. 8 in C-minor, where in the Finale loosened plaster fell from the Concertgebouw ceiling, is still recounted in Amsterdam.

BBC Prom 45 - Janáček: The Makropulos Affair

Karita Mattila was born to sing Emilia Marty, the diva around whom revolves Leoš Janáček's The Makropulos Affair (Věc Makropulos). At Prom 45, she shone all the more because she was conducted by Jirí Belohlávek and performed alongside a superb cast from the National Theatre, Prague, probably the finest and most idiomatic exponents of this repertoire.

Two Tales of Offenbach: Opera della Luna at Wilton's Music Hall

‘Two outrageous operas in one crazy evening,’ reads the bill. Hyperbole? Certainly not when the operas are two of Jacques Offenbach’s more off-the-wall bouffoneries and when the company is Opera della Luna whose artistic director, Jeff Clarke, is blessed with the comic imagination and theatrical nous to turn even the most vacuous trivia into a sharp and sassy riotous romp.

Britten Untamed! Glyndebourne: A Midsummer Night's Dream

This performance of Britten's A Midsummer Night's Dream at Glyndebourne was so good that it was the highlight of the whole season, making the term ‘revival’ utterly irrelevant. Jakub Hrůša is always stimulating, but on this occasion, his conducting was so inspired that I found myself closing my eyes in order to concentrate on what he revealed in Britten's quirky but brilliant score. Eyes closed in this famous production by Peter Hall, first seen in 1981?

Salzburg encores

A staged piano recital and an opera as a concert.  Pianist András Schiff accompanied the Salzburg Marionette Theater at the Mozarteum Grosser Saal and Anna Netrebko sang Manon Lescaut at the Grosses Festspielhaus.

Leah Crocetto at Santa Fe

On August 4, 2016, soprano Leah Crocetto and accompanist Tamara Sanikidze gave a recital at the Scottish Rite Center in Santa Fe New Mexico. A winner of the Metropolitan Opera Auditions and the BBC Cardiff Singer of the World Contest, this year Crocetto was singing Donna Anna in Santa Fe Opera’s excellent Don Giovanni.

Angela Meade at Sante Fe

On July 31, 2016, against the ethereal beauty of the main hall in the Scottish Rite Center, soprano Angela Meade and pianist Joe Illick gave a recital offering both opera and art songs ranging in origin from early nineteenth century Europe to mid twentieth century America. Many in the audience probably remembered Meade’s recent excellent portrayal of Norma at Los Angeles Opera.

Turco in Italia in Pesaro

When more is definitely more, and less would indeed be less. Two of the biggest names in Italian theater art collide in an eponymous theater.

Proms Chamber Music 5: Shakespeare at 400

It was the fifth Proms Chamber Music concert at Cadogan Hall this season, and we were celebrating Shakespeare’s 400th. And, given the extent and range of the composers and artists, and the diversity and profundity of the musical achievement inspired by the Bard, we could probably keep celebrating in this fashion ad infinitum.

La donna del lago in Pesaro

Each August the bleak and leaky, 12,000 seat Arena Adriatica (home of the famed Pesaro basketball team) magically transforms itself into an improvised opera house that boasts the ultimate in opera chic — exemplary Rossini production standards for its now twelve hundred seats.

Proms at … Sam Wanamaker Playhouse

This highly enjoyable Prom, part of 2016’s ‘Proms at …’ mini-series, took as its guiding concept the reopening of London’s theatres following the Restoration, focusing in particular upon musical and dramatic responses to Shakespeare. Purcell, rightly, loomed large, with John Blow and Matthew Locke joining him. Receiving their Proms premieres were the excerpts from Timon of Athens and those from Locke’s The Tempest.

Santa Fe: Straussian Sweet Nothings

With all the bombast of the presidential campaigns rattling in our heads, with invectives being exchanged and measured discussion all but absent, how utterly lovely to retreat and relax into the harmonious soundscape and well-reasoned debate posed in Strauss’ Capriccio, on magnificent display at Santa Fe Opera.

Santa Fe’s Civil War Gounod

When we entered the Crosby Theatre for Gounod’s Roméo et Juliette the stage was surprisingly dominated by a somber, semi-circular black mausoleum, many chambers inscribed with scrambled names of US Civil War era dead.

Coolly Elegant Vanessa in the Desert

Molten passions were seething just below the icy Nordic exterior of Santa Fe Opera’s wholly masterful production of Barber’s Vanessa.

Le Comte Ory, Seattle

Farce is probably the most difficult of dramatic comedy sub-genres to put across. A farce got up in the stately robes of opera sets its presenters an even higher bar. Presenting an operatic farce on a notoriously chilly and cavernous auditorium is to risk catastrophe.

Racette’s Golden Girl in New Mexico

Fan interest began raging when Santa Fe Opera engaged venerable artist Patricia Racette to make her role debut as Minnie in Puccini’s La Fanciulla del West.


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Leah Crocetto at Sante Fe
17 Aug 2016

Leah Crocetto at Santa Fe

On August 4, 2016, soprano Leah Crocetto and accompanist Tamara Sanikidze gave a recital at the Scottish Rite Center in Santa Fe New Mexico. A winner of the Metropolitan Opera Auditions and the BBC Cardiff Singer of the World Contest, this year Crocetto was singing Donna Anna in Santa Fe Opera’s excellent Don Giovanni.  »

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14 Dec 2012

Vienna: the window to modernity

This recital, which focused on a narrowly specific time and place — 1888-1933 Vienna — paradoxically illuminated not only the musical scope and richness of that epoch but also, as Renée Fleming notes in her prefatory programme article, the extraordinary extent of the diversity, transformation and flux, both historical and cultural, that characterised the era. »

05 Dec 2012

WNO proves a point with Handel’s Jeptha

They say that there’s nothing worse than a musically-obtuse staging of any opera to put a rookie opera-goer off a composer (or even opera itself) for life.  »

18 Nov 2012

More Tosca in San Francisco

Who is Patricia Racette? Sexually ripe Nedda, maternal Cio-Cio-San, neurotic Sister Angelica? But now the jealous Tosca? And without question Mme. Racette has again proven herself the Puccini heroine par excellence of this moment. »

10 Nov 2012

Michael Spyres: Star Ascendant

When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company. »

10 Nov 2012

Ralph Vaughan Williams: The Pilgrim’s Progress

After a slow, long period of gestation, commencing with a short dramatization at Reigate Priory in 1906 and spanning more than 40 years, the first performance of Vaughan Williams’ The Pilgrim’s Progress took place at Covent Garden on 26 April 1951, as part of the Festival of Britain. »

24 Oct 2012

Parsifal bears its own Cross

Parsifal, with its heavy dose of religiosity and strains of racial supremacy, remains at once the most mystical and historically burdened of Wagner’s operas.  »

17 Oct 2012

Albert Herring at Covent Garden

Labelled a “parable of oppression” by the late musicologist, Philip Brett, Britten’s provincial comedy, Albert Herring, is a tough nut to crack.  »

12 Oct 2012

Moby Dick in San Francisco

Forget Herman Melville, forget struggling with deep human complexities. At least those that possessed nineteenth century Americans. »

09 Oct 2012

I Capuleti e i Montecchi in San Francisco

Give me good verses, I’ll give you good music, said Bellini to his librettist Felice Romani. Give me a good director and I’ll give you good opera surely thought San Francisco Opera general director David Gockley. »

27 Sep 2012

Santa Fe 2012

The venerable Santa Fe Opera served up a richly eclectic mix of high-caliber offerings that surely is one of their best festivals in recent seasons.  »

28 Aug 2012

La bohème at the Salzburg Festival

It is difficult to speak with excessive enthusiasm of the programming of a Salzburg Festival that included both Carmen and La bohème, though it would subsequently be redeemed in part by a staging of Die Soldaten.  »

20 Aug 2012

Ariadne auf Naxos, Salzburg Festspiele

When announced in November, this was trailed as the original version of Ariadne auf Naxos, a rare treat indeed.  »

15 Jul 2012

Otello, Royal Opera

Elijah Moshinsky’s Otello, first seen at Covent Garden in 1987, and revived numerous times with a range of stellar casts, may be traditional and conservative, even — excepting the thunderous opening storm scene — somewhat uninventive;  »

09 Jul 2012

Written on Skin at the Aix Festival

Not about tattoo art, not an evocation of the Holocast, and let us not even try to put our finger on what it is about. »

02 Jul 2012

Susan Graham, Wigmore Hall

Embodying a range of iconic female characters from history, literature and song — both the ‘good’ and the ‘not-so-good’ — Susan Graham delivered a wonderfully suave and entertaining performance before a delighted Wigmore Hall audience. »

27 Jun 2012

Les Troyens, Royal Opera House London

A sensational Les Troyens at the Royal Opera House, London. Berlioz, who understood theatrical gestures so well, builds his opera around the most audacious dramatic device in ancient history: the Trojan Horse.  »

15 Jun 2012

The Magic Flute in San Francisco

A feast for the eyes, a feast for the ears, a Flute from America’s heartland that goes directly to your heart. »

08 Jun 2012

Almira, operamission

There are many different ways to analyze the health of New York City. My personal measurements judge the town thus: How many aspiring artsy kids are forced to share a single apartment in an outer borough while they “find themselves” and how many small but immensely able opera companies are functional at any given time.  »

04 Jun 2012

Detlev Glanert’s Caligula, ENO

Detlev Glanert’s Caligula at the ENO shows how powerful modern opera can be. Caligula was a tyrant, but this opera isn’t sensationalist.  »

26 May 2012

Garsington Opera at Wormsley

Director David Freeman tells why this is an event worth experiencing in the Olympic year.  »

19 May 2012

Damrau Dazzles in Geneva

It is not long into Act One of Mignon at Geneva’s Grand Theatre when Diana Damrau glides on stage as Philine, commands our rapt attention, and sweeps all before her. »

26 Apr 2012

Manon, Metropolitan Opera

Massenet’s Manon succeeds in the theater when the soprano has a real sense of the role and how she wants to present it.  »

19 Apr 2012

Armide, Opera Atelier

I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.  »

13 Apr 2012

Lulu by Gran Teatro del Liceu, Barcelona

Released in late 2011, Deutsche Grammophon’s DVD of the new staging of Berg’s Lulu at the Gran Teatro del Liceu, Barcelona is an excellent contribution to the discography of this fascinating opera.  »

31 Mar 2012

Elmer Gantry the Opera

The novels of Sinclair Lewis once shot across the American literary skies like comets, alarming and fascinating readers of that era, but their tails didn’t extend far behind them.  »

19 Mar 2012

Don Pasquale, San Diego

You can’t keep a good opera buffa down. And Gaetano Donizetti’s Don Pasquale is about as good as opera buffa gets.  »

05 Mar 2012

Zurich’s Magnificent ‘Other’ Moor

Right to the musical ‘score’ board: Zurich Opera stared down the mighty challenge posed by Rossini’s Otello ossia il moro di Venezia, and knocked it out of the ballpark. »

20 Feb 2012

Erwin Schrott’s Don Giovanni, ROH

Erwin Schrott triumphed as Don Giovanni in the Mozart/da Ponte series at the Royal Opera House, overcoming the limitations of the staging.  »

03 Feb 2012

An Aria of Lincoln Center — The Metropolitan Opera

To the dismay of New York opera fans, the original Metropolitan Opera House, located at Broadway and 39th Street, was to be torn down and replaced by a new hall a mere 30 blocks away. »

25 Jan 2012

Otello in Zürich

War and destruction is everywhere these days, not least in Pesaro where Graham Vick staged a lethal Mosé in Egitto last August, nor less so in San Francisco where baritone Thomas Hampson perished as Rick Rescorla in Heart of a Soldier last September. »

30 Dec 2011

Vivica Genaux — An Interview

I spoke with Vivica Genaux in December 2011, when she stopped in New York at the end of one of her concert tours.  »

19 Dec 2011

Operas of Jean-Philippe Rameau

Jean-Philippe Rameau, an organist and music theoretician, was active for much of his life in musical centers distant from the cultural juggernaut of Paris.  »

13 Dec 2011

Amsterdam’s Adventurous Idomeneo

Straight to the point: Netherlands Opera has mounted as luminous and emotionally engaging an Idomeneo as is imaginable. »

02 Dec 2011

Faust, Metropolitan Opera

At one point in The Met’s history, Faust was performed so frequently that one critic in mocking reference to Wagner’s opera house at Bayreuth coined the theater Faustophilhaus.  »

25 Nov 2011

Xerxes in San Francisco

No cuts, not a single one, nearly four hours of non-stop arias, and its only hit tune happens within the first five minutes. »

15 Nov 2011

Eugene Onegin, ENO

Deborah Warner’s new production of Tchaikovsky’s Eugene Onegin is an evocative and lyrical depiction of elegiac passion.  »

01 Nov 2011

Anna Bolena, Metropolitan Opera

It’s very unusual for the Met these days—or any major opera house, in any era—to present a glossy new production with two different stars in the leading role.  »

23 Oct 2011

Intertwining facets of Italian High Baroque

‘Erotic oratorio’ is the odd-sounding definition devised by modern scholars, such as Howard E. Smither, for those pious music dramas employing sex-laden plots from the Bible, the Apocrypha or the lives of Saints in order to give the audience moral instruction in a quasi-operatic, if generally unstaged, form.  »

12 Oct 2011

Threepenny Opera, Brooklyn

Should I wait until the end of this review to tell you how much fun, how much of a theatrical whoopee cushion Robert Wilson’s production of Die Dreigroschenoper has been at BAM last week?  »

28 Sep 2011

Lucrezia Borgia in San Francisco

Bad news travels fast. Though you are about to read another version of how American diva Renée Fleming failed to bring Lucrezia Borgia alive, let us begin by discussing a few other things you already know. »

21 Sep 2011

Il Trittico, Covent Garden

What do a ferociously violent melodrama, an ecstatic spiritual revelation and an ironic black farce have in common?  »

06 Sep 2011

Ruhrtriennale’s Luminous Tristan

Bochum’s Jahrhunderthalle, a massive, re-purposed industrial building, seemed an unlikely location to contain and frame the transcendent, unbounded spiritual journey of Wagner’s masterpiece Tristan und Isolde. »

06 Sep 2011

Macbeth from Paris and Parma

Superstitions surround theatrical productions of Shakespeare’s Scottish tragedy.  »

27 Aug 2011

Santa Fe Musical Delights

Musical excellence was the centerpiece of three of Santa Fe Opera’s annual offerings. »

20 Aug 2011

Donizetti’s Marino Faliero at the 2008 Bergamo Music Festival

Gaetano Donizetti is arguably the established opera composer with the highest ratio of failures to successes.  »

13 Aug 2011

Einojuhani Rautavaara’s Aleksis Kivi

Great characters are at the center of all operatic masterpieces, yet opera almost never treads into “operatic biography” territory.  »

01 Aug 2011

La traviata at the Aix Festival

An appreciation of La traviata plus La clemenza di Tito and Le Nez/The Nose at the Aix-en-Provence Festival. »

22 Jul 2011

G. F. Handel: Athalia

Athalia: Oratorio (sacred drama) in 3 acts »

07 Jul 2011

Scenes from Two Marriages

By 1825, as Rossini’s operatic vein was approaching exhaustion, the Neapolitan Saverio Mercadante ranked as a front-runner for his succession alongside Bellini and Donizetti; much more so, however, in the field of serious drama than in opera buffa.  »

06 Jul 2011

Der Ring des Nibelungen in San Francisco

Some of the experts said it was the best Ring ever, others merely said it was one of the best (these were lecturers at a Wagner Society symposium). »

22 Jun 2011

Will Crutchfield: Interview with the Director of Opera for the Caramoor Festival

Will Crutchfield made his name as a writer and musicologist in the mid-1980s, becoming the youngest music critic in the history of The New York Times.  »

06 Jun 2011

Phaedra in Philadelphia

The U.S. premiere of Hans Werner Henze’s Phaedra at the Opera Company of Philadelphia may well be the most important and ambitious new work presented by any American company this season. »

22 May 2011

Liudmyla Monastyrska — An Interview

Ukrainian soprano Liudmyla Monastyrska certainly knows how to make the most of every opportunity.  »

18 May 2011

Orfeo ed Euridice, Metropolitan Opera

Gluck’s Orfeo is, intentionally, free of clutter. If you cut out the scenes of balletic rejoicing just before the finale (and I can’t think of any good reason not to do so), it’s less than ninety minutes of music.  »