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Elsewhere

Adriana Lecouvreur Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea's Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre. The world of commercial public opera had only just dawned with the opening of the Teatro San Cassiano in Venice in 1637 and for the first time opera became open to all who could afford a ticket, rather than beholden to the patronage of generous princes. Monteverdi took full advantage of the new stage and at the age of 73 brought all his experience of more than 30 years of opera-writing since his ground-breaking L’Orfeo (what a pity we have lost all those works) to the creation of two of his greatest pieces, Ulysses and then his final masterpiece, Poppea.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission. It is a sad state of affairs when a season that includes both Boulevard Solitude and Moses und Aron is considered exceptional, but it is - and is all the more so when one contrasts such seriousness of purpose with the endless revivals of La traviata which, Die Frau ohne Schatten notwithstanding, seem to occupy so much of the Royal Opera’s effort. That said, if the Royal Opera has not undertaken what would be only its second ever staging of Schoenberg’s masterpiece - the first and last was in 1965, long before most of us were born! - then at least it has engaged in a very welcome ‘WNO at the Royal Opera House’ relationship, in which we in London shall have the opportunity to see some of the fruits of the more adventurous company’s endeavours.

Rossini is Alive and Well and Living in Iowa

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Gergiev : Janáček Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927. During the rehearsals for the premiere - just 3 for the orchestra and one 3-hour rehearsal for the whole ensemble - the composer made many changes, and such alterations continued so that by the time of the only other performance during Janáček’s lifetime, in Prague in April 1928, many of the instrumental (especially brass) lines had been doubled, complex rhythmic patterns had been ‘ironed-out’ (the Kyrie was originally in 5/4 time), a passage for 3 off-stage clarinets had been cut along with music for 3 sets of pedal timpani, and choral passages were also excised.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece.

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere.

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

High drama in Aix. Three scenarios in conflict — those of G.F. Handel, Richard Jones and the intermittents (disgruntled seasonal theatrical employees). Make that four — mother nature.

Lucy Crowe, Wigmore Hall

The programme declared that ‘music, water and night’ was the connecting thread running through this diverse collection of songs, performed by soprano Lucy Crowe and pianist Anna Tilbrook, but in fact there was little need to seek a unifying element for these eclectic works allowed Crowe to demonstrate her expressive range — and offered the audience the opportunity to hear some interesting rarities.

The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.


OPERA TODAY ARCHIVES »

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Richard Strauss: <em>Notturno</em>
10 Jul 2014

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.  »

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08 May 2007

MASSENET: Hérodiade

Hérodiade, opera in four acts. »

02 May 2007

STRAUSS: Salome

Salome, Musikdrama in one act. »

21 Apr 2007

VERDI: Nabucco (Nabucodonosor)

Nabucco (Nabucodonosor), Drama lirico in four parts. »

15 Apr 2007

ROSSINI: Mosè

Mosè (Moïse et Pharaon, ou Le passage de la Mer Rouge), Melodramma in four acts »

09 Apr 2007

SAINT-SAËNS: Samson et Dalila

Samson et Dalila, grand opera in three acts and four tableaux. »

03 Apr 2007

VERDI: Falstaff

Falstaff, commedia lirica in three acts. »

25 Mar 2007

VERDI: Rigoletto

Rigoletto, melodramma in three acts. »

18 Mar 2007

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

14 Mar 2007

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835). »

04 Mar 2007

VERDI: Il Trovatore

Il Trovatore, dramma in four parts. »

27 Feb 2007

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

20 Feb 2007

VERDI: Aida

Aida, opera in four acts. »

11 Feb 2007

LEONCAVALLO: I Pagliacci

I Pagliacci, dramma in a prologue and two acts. »

05 Feb 2007

MASCAGNI: Cavalleria Rusticana

Cavalleria Rusticana, melodramma in one act. »

28 Jan 2007

PUCCINI: La Bohème

La Bohème, opera in four acts. Music composed by Giacomo Puccini. Libretto by Giuseppe Giacosa and Luigi lllica, based on episodes from Henri Murger’s Scènes de la vie de Bohème. »

21 Jan 2007

PUCCINI: Manon Lescaut

Manon Lescaut, dramma lirico in quattro atti Giacomo Puccini (1858-1924), composer. Luigi Illica and Domenico Oliva, librettists. First performance: 1 February 1893 at Teatro Regio, Turin. »

15 Jan 2007

PUCCINI: Madama Butterfly

Madama Butterfly, opera in two acts. »

07 Jan 2007

GIORDANO: Andrea Chénier

Andrea Chénier, an opera in four acts. »

25 Dec 2006

STRAUSS: Vier Letzte Lieder

Vier Letzte Lieder [Four Last Songs] »

22 Dec 2006

BERLIOZ: Les Nuits d'Été

Les Nuits d'Été (The Nights of Summer), Op. 7. »

10 Dec 2006

WAGNER: Wesendonck Lieder

Fünf Gedichte für eine Frauenstimme (“Wesendonck Lieder”) [Five Poems for a Female Voice] »

04 Dec 2006

KORNGOLD: Die Tote Stadt

Die Tote Stadt, an opera in three acts.Music composed by Erich Wolfgang Korngold (1897-1957). Libretto by Paul Schott (Julius and E. W. Korngold) after the novel Bruges la morte by Georges Rodenbach. »

01 Dec 2006

MARSCHNER: Hans Heiling

Hans Heiling, romantic opera in three acts and prologue.Music composed by Heinrich Marschner (1795-1861). Libretto by Philipp Eduard Devrient, based on Bohemian legends. »

28 Nov 2006

MEYERBEER: Robert Le Diable

Robert Le Diable, grand opera in five acts. Music by Giacomo Meyerbeer (1791-1864). Libretto by Eugène Scribe and Germaine Delavigne. »

19 Nov 2006

MARSCHNER: Der Vampyr

Der Vampyr, romantic opera in two acts in the version by Hans Pfitzner (1924). »

12 Nov 2006

DONIZETTI: Don Sebastiano

Don Sebastiano, Italian translation of Dom Sébastien, roi de Portugal, a grand opera in five acts. »

10 Nov 2006

MEYERBEER: Les Huguenots

Les Huguenots, an opera in five acts.Music composed by Giacomo Meyerbeer (1791–1864). Libretto by Eugéne Scribe and Emile Deschamps. »

27 Oct 2006

VERDI: Don Carlo — Berlin 1948

Don Carlo, an opera in five acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini. »

22 Oct 2006

PUCCINI: Turandot

Turandot, dramma lirico in three acts. »

15 Oct 2006

DONIZETTI: Rita

Rita ou Le mari battu, a comic opera in one act.Music composed by Gaetano Donizetti (1797-1848). Libretto by Gustave Vaëz. »

08 Oct 2006

Settling the Score — An Interview with Philip Gossett

Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »

01 Oct 2006

VIVALDI: Tito Manlio

Tito Manlio (Titus Manlius), dramma per musica in 3 acts. Music composed by Antonio Vivaldi (1678–1741) based on a libretto by Matteo Noris (? – 1714). »

24 Sep 2006

VERDI: I vespri siciliani

I vespri siciliani, grand opera in five acts. Italian edition of Les vépres siciliennes. »

08 Sep 2006

VERDI: Un ballo in maschera

Un ballo in maschera, a melodramma in three acts.Music composed by Giuseppe Verdi. Libretto by Antonio Somma, based upon the work of Eugène Scribe Gustave III ou Le bal masqué (1833) »

28 Aug 2006

VERDI: Don Carlo

Don Carlo, an opera in four acts. Music composed by Giuseppe Verdi (1813–1901). Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller’s dramatic poem Don Carlos, Infant von Spanien. Revised version in four acts (French text revised by Du Locle, Italian translation by Achille de Lauzières and Angelo Zanardini). »

13 Aug 2006

WAGNER: Tristan und Isolde

Tristan und Isolde, Handlung (drama) in three acts.Music and libretto by Richard Wagner. »

30 Jul 2006

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835). »

25 Jul 2006

Die Entführung aus dem Serail

Un bain au sérail by Théodore Chassériau (1849)Musée du Louvre »

22 Jul 2006

MOZART: Die Entführung aus dem Serail — Part II

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

17 Jul 2006

MOZART: Die Entführung aus dem Serail — Part I

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

08 Jul 2006

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

19 Jun 2006

WAGNER: Der fliegende Holländer

Der fliegende Holländer. Romantic opera in 3 acts.Music composed by Richard Wagner. Libretto by the composer. »

11 Jun 2006

MOZART: Così fan tutte — La Scala 1956

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Lorenzo Da Ponte. »

08 Jun 2006

ROSSINI: La Cenerentola

La Cenerentola, ossia La bontà in trionfo. Dramma giocoso in two acts.Music composed by Gioacchino Rossini (1792–1868). Libretto by Jacopo Ferretti after Perrault. »

21 May 2006

DONIZETTI: Poliuto

Poliuto, Tragedia lirica in three acts.Music composed by Gaetano Donizetti (1797-1848). Libretto by Salvatore Cammarano, after the tragedy Polyeucte (1640) by Pierre Corneille. »

18 May 2006

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version).Alceste. Tragédie opéra in three acts (French version). »

15 May 2006

GLUCK: Orfeo ed Euridice

Orfeo ed Euridice. Azione teatrale in three acts (Italian version).Orphée et Eurydice. Tragédie opéra in three acts (French version). »

09 May 2006

MARTÍN Y SOLER: Una cosa rara

Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara. »

30 Apr 2006

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

20 Apr 2006

BELLINI: I puritani

I puritani, opera seria in three actsMusic composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine. »

17 Apr 2006

BELLINI: Norma — Trieste 1953

Norma: Tragedia lirica in due atti »

09 Apr 2006

BELLINI: La sonnambula — La Scala 1955

La sonnambula, Melodramma in due attiMusic composed by Vincenzo Bellini (1801–1835). Libretto by Felice Romani, based on La Sonnambule ou L'arrivée d'un nouveau Seigneur (1827) by Eugène Scribe. »

26 Mar 2006

SMETANA: Die verkaufte Braut

Die verkaufte Braut (The Bartered Bride; Prodaná nevěsta)Comic opera in three acts.Music composed by Bedřich Smetana. Libretto by Karel Sabina »

23 Mar 2006

DONIZETTI: Don Pasquale

Don Pasquale, Dramma buffo in three acts. Music by Gaetano Donizetti. Libretto by Giovanni Ruffini and the composer after Angelo Anelli’s libretto for Stefano Pavesi’s Ser Marcantonio (1810), which was derived from Epicœne or The Silent Woman by Ben Jonson (1609). »

20 Mar 2006

GOUNOD: Roméo et Juliette

Roméo et Juliette, Opéra en cinq actes Music composed by Charles François Gounod. Libretto by Jules Barbier and Michel Carré, based on the play Romeo and Juliet by William Shakespeare. »

12 Mar 2006

CIMAROSA: Il Matrimonio Segreto

Il Matrimonio Segreto, Melodramma giocoso in two acts.Music composed by Domenico Cimarosa (1749-1801). Libretto by Giovanni Bertati after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick. »

02 Mar 2006

WEBER: Oberon

Oberon, Romantic opera in three actsMusic by Carl Maria von Weber. Libretto by James Robinson Planché after Oberon by Christoph Martin Wieland and the 13th-century French romance Huon de Bordeaux »

18 Feb 2006

WEBER: Der Freischütz

Der Freischütz, Romantische Oper in drei Aufzügen.Music composed by Carl Maria von Weber (1786-1826). Libretto by Friedrich Kind. »

15 Feb 2006

ROSSINI: Armida — Venice 1970

Armida, Dramma per musica in tre atti. »

12 Feb 2006

WEBER: Euryanthe

Euryanthe, Romantische Oper in drei AufzügenMusic composed by Carl Maria von Weber (1786-1826). Libretto by Wilhelmina Christiane von Chézy. »

22 Jan 2006

WAGNER: Parsifal

Parsifal. Bühnenweihfestspiel ("stage dedication play") in three acts.Music and libretto by Richard Wagner. »

15 Jan 2006

MOZART: La clemenza di Tito

La clemenza di Tito. Opera seria in due atti (K. 621).Music by Wolfgang Amadeus Mozart. Libretto by Caterino Mazzolà based on a text by Pietro Metastasio. »

08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet. »

06 Jan 2006

MOZART: Requiem

Requiem in D Minor (K. 626)Music composed by Wolfgang Amadeus Mozart. Text based on the Mass for the Dead (Requiem Mass). »

01 Jan 2006

HAYDN: Die Schöpfung

Die Schöpfung, Oratorium in drei TeilenMusic composed by Franz Joseph Haydn. Libretto by Gottfried van Swieten based on selections from the Book of Genesis and Paradise Lost by John Milton. »

28 Dec 2005

GOUNOD: Faust

Faust, Opéra en cinq actesMusic composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe »

25 Dec 2005

BERLIOZ: La damnation de Faust

La damnation de Faust, Légende dramatique en quatre partiesMusic composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe »

16 Dec 2005

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

11 Dec 2005

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro attiMusic composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra »