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Elsewhere

Puccini’s Tosca at the Royal Opera House

Now on its ninth revival, Jonathan Kent’s classic Tosca for Covent Garden is a study in art, beauty and passion but also darkness, power and empire. Part of the production’s lasting greatness, and contemporary value, is that it looks inwards towards the malignancy of a great empire (in this case a Napoleonic one), whilst looking outward towards a city-nation in terminal decline (Rome).

ROH Announces 2018 Jette Parker Young Artists

The Royal Opera House has announced the five singers who will join the Jette Parker Young Artists Programme in September, selected from more than 440 applicants from 59 countries.

The Epic of Gilgamesh - Bohuslav Martinů

New recording of the English version of Bohuslav Martinů's The Epic of Gilgamesh, from Supraphon, the Czech Philharmonic Orchestra conducted by Manfred Honeck. This is the world premiere recording of the text in English, the original language in which it was written.

Maybe the Best L’heure espagnole Yet

The new recording, from Munich, has features in common with the Stuttgart one: the singers are all native French-speakers, the orchestra is associated with a German radio channel, we are hearing an actual performance (or in this case an edited version from several performances, in April 2016), and the recording is released by the orchestra itself or its institutional parent.

Stéphanie d’Oustrac in Two Exotic Masterpieces by Maurice Ravel

The two works on this CD make an apt and welcome pair. First we have Ravel’s sumptuous three-song cycle about the mysteries of love and fantasies of exotic lands. Then we have his one-act opera that takes place in a land that, to French people at the time, was beckoningly exotic, and whose title might be freely translated “The Nutty and Delightful Things That Can Happen in Spain in Just One Hour”.

ROH Return to the Roundhouse

Opera transcends time and place. An anonymous letter, printed with the libretto of Monteverdi’s Le nozze d’Enea con Lavinia and written two years before his death, assures the reader that Monteverdi’s music will continue to affect and entrance future generations:

London Schools Symphony Orchestra celebrates Bernstein and Holst anniversaries

One recent survey suggested that in 1981, the average age of a classical concertgoer was 36, whereas now it is 60-plus. So, how pleasing it was to see the Barbican Centre foyers, cafes and the Hall itself crowded with young people, as members of the London Schools Symphony Orchestra prepared to perform with soprano Louise Alder and conductor Sir Richard Armstrong, in a well-balanced programme that culminated with an ‘anniversary’ performance of Holst’s The Planets.

Salome at the Royal Opera House

In De Profundis, his long epistle to ‘Dear Bosie’, Oscar Wilde speaks literally ‘from the depths’, incarcerated in his prison cell in Reading Gaol. As he challenges the young lover who has betrayed him and excoriates Society for its wrong and unjust laws, Wilde also subjects his own aesthetic ethos to some hard questioning, re-evaluating a life lived in avowal of the amorality of luxury and beauty.

In the Beginning ... Time Unwrapped at Kings Place

Epic, innovative and bold, Haydn’s The Creation epitomises the grandeur and spirit of the eighteenth-century Enlightenment.

Stefano Secco: Crescendo

I had never heard of Stefano Secco before receiving this CD. But I see that, at age 34, he already has had a substantial career, singing major roles at important houses throughout Europe and, while I was not paying attention, occasionally in the US.

The Pearl Fishers at Lyric Opera of Chicago

For its recent production of Georges Bizet’s Les pêcheurs de perles Lyric Opera of Chicago assembled an ideal cast of performers who blend well into an imaginative and colorful production.

New Cinderella SRO in San Jose

Alma Deutscher’s Cinderella is most remarkable for one reason and one reason alone: It was composed by a 12-year old girl.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

La Cenerentola in Lyon

Like Stendhal when he first saw Rossini’s Cenerentola in Trieste in 1823, I was left stone cold by Rossini’s Cendrillon last night in Lyon. Stendhal complained that in Trieste nothing had been left to the imagination. As well, in Lyon nothing, absolutely nothing was left to the imagination.

Messiah, who?: The Academy of Ancient Music bring old and new voices together

Christmas isn’t Christmas without a Messiah. And, at the Barbican Hall, the Academy of Ancient Music reminded us why … while never letting us settle into complacency.

The Golden Cockerel Bedazzles in Amsterdam

Nikolai Rimsky-Korsakov’s fairy tale The Golden Cockerel was this holiday season’s ZaterdagMatinee operatic treat at the Concertgebouw. There was real magic to this concert performance, chiefly thanks to Vasily Petrenko’s dazzling conducting and the enchanting soprano Venera Gimadieva.

Mahler Das Lied von der Erde, London - Rattle, O'Neill, Gerhaher

By pairing Mahler Das Lied von der Erde (Simon O'Neill, Christian Gerhaher) with Strauss Metamorphosen, Simon Rattle and the London Symphony Orchestra were making a truly powerful statement. The Barbican performance last night was no ordinary concert. This performance was extraordinary because it carried a message.

David McVicar's Rigoletto returns to the ROH

This was a rather disconcerting performance of David McVicar’s 2001 production of Rigoletto. Not only because of the portentous murkiness with which Paule Constable’s lighting shrouds designer Michael Vale’s ramshackle scaffolding; nor, the fact that stage and pit frequently seemed to be tugging in different directions. But also, because some of the cast seemed rather out of sorts.

Verdi Otello, Bergen - Stuart Skelton, Latonia Moore, Lester Lynch

Verdi Otello livestream from Norway with the Bergen Philharmonic Orchestra conducted by Edward Garner with a superb cast, led by Stuart Skelton, Latonia Moore, and Lester Lynch and a good cast, with four choirs, the Bergen Philharmonic Chorus, the Edvard Grieg Kor, Collegiûm Mûsicûm Kor, the Bergen pikekor and Bergen guttekor (Children’s Choruses) with chorus master Håkon Matti Skrede. The Bergen Philharmonic Orchestra was founded in 1765, just a few years after the Leipzig Gewandhaus Orchestra : Scandinavian musical culture has very strong roots, and is thriving still. Tucked away in the far north, Bergen may be a hidden treasure, but, as this performance proved, it's world class.

Temple Winter Festival: the Gesualdo Six

‘Gaudete, gaudete!’ - Rejoice, rejoice! - was certainly the underlying spirit of this lunchtime concert at Temple Church, part of the 5th Temple Winter Festival. Whether it was vigorous joy or peaceful contemplation, the Gesualdo Six communicate a reassuring and affirmative celebration of Christ’s birth in a concert which fused medieval and modern concerns, illuminating surprising affinities.


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06 Jan 2018

Stefano Secco: Crescendo

I had never heard of Stefano Secco before receiving this CD. But I see that, at age 34, he already has had a substantial career, singing major roles at important houses throughout Europe and, while I was not paying attention, occasionally in the US.  »

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18 May 2011

Orfeo ed Euridice, Metropolitan Opera

Gluck’s Orfeo is, intentionally, free of clutter. If you cut out the scenes of balletic rejoicing just before the finale (and I can’t think of any good reason not to do so), it’s less than ninety minutes of music.  »

29 Apr 2011

Anne Sofie von Otter, Wigmore Hall

For the second time in a matter of just a few weeks, the Wigmore Hall audience were treated to an evening of seventeenth-century song and dance. »

24 Apr 2011

Sumeida’s Song

It has long been my belief that the problems of the planet would be resolved (or move on to their next stage) if only the folk of every ethnicity (nation, faith, historic minority, tribe) would devote their energy to creating opera—and perhaps theater or dance—out of its musical and mythical traditions.  »

14 Apr 2011

Katarina Karnéus, Wigmore Hall

In Britain, Katarina Karnéus is closely associated with Grieg and Sibelius. Indeed, her career has almost been defined by her recordings of their songs for Hyperion. »

28 Mar 2011

Le Comte Ory, Metropolitan Opera

Rossini’s penultimate stage work, Le Comte Ory, belongs to the tradition of sexy scoundrel operas, along with such works as Don Giovanni, Zampa, Fra Diavolo, Barbe-Bleu, Les Brigands and Threepenny Opera.  »

24 Mar 2011

Sarasota Opera Winter Festival 2011

Opera is alive and well in Sarasota. “It feels like it did before,” says Communications Officer for Sarasota Opera Patricia Horwell. »

15 Mar 2011

Aida, London

Strict courtly hierarchies and the repressed formality of ritual juxtaposed with violent sexual jealousy and lurid erotic excess … a stage-world more suited to the Straussian insalubrity of Salomé than to the epic grandeur of Verdi’s Aida, perhaps?  »

06 Mar 2011

L’Africaine, OONY

Eugène Scribe and Giacomo Meyerbeer were in the business of creating proto-cinematic spectacles of drama and music, the formula being to take a historical incident in some exotic country or era, put in a tormented love story to hold our attention, and resolve the whole in catastrophe. »

18 Feb 2011

Anna Nicole, London

From the sublime (Parsifal, the night before) to the not-even-ridiculous.  »

07 Feb 2011

Nixon in China, New York

Preparing for the Met premier of Nixon in China, I resolved to forget—or place on hold—everything I remembered, or thought I remembered, about the real persons who are characters in this opera,  »

31 Jan 2011

Elizabeth Futral — An Interview

Elizabeth Futral has established herself as one of the major coloratura sopranos in the world today. With her stunning vocalism and vast dramatic range, she has embraced a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn. »

16 Jan 2011

Tosca, Metropolitan Opera

They have been fiddling with Luc Bondy’s staging of Tosca. Scarpia doesn’t masturbate on the Madonna; he just sort of pinches her erotically.  »

31 Dec 2010

Pelléas et Mélisande, New York

Pelléas et Mélisande, Debussy’s impressionist drama closely based on Maeterlinck’s eerie, symbolist play, is not a terribly vocal opera; it calls more for the subtlety of art song style than the belting of great divas and divos. »

19 Dec 2010

La Fanciulla del West, New York

La Fanciulla del West is Puccini’s love letter to an America that had acclaimed him joyously on his triumphant visit of 1907 to attend the Met premieres of Manon Lescaut and Madama Butterfly.  »

11 Dec 2010

Die Walküre at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.  »

03 Dec 2010

Don Carlo, Metropolitan Opera

It may be as well to put matters in context by saying that Don Carlo is a favorite opera of mine (and of all Verdi lovers), and that I found the Met’s new staging highly satisfactory, vocally very good if less than top flight, orchestrally thrilling—and that I hope to catch it again this season. (Interesting rumors have been heard about the alternate tenor.) »

12 Nov 2010

DONIZETTI: Lucrezia Borgia

Lucrezia Borgia: Melodramma in a prologue and two acts. »

07 Nov 2010

La Cenerentola, Minnesota Opera

Minnesota Opera’s recent production of Rossini’s La Cenerentola certainly is a fantastical, comical portrayal of the classical fairy tale.  »

24 Oct 2010

Boris Godunov, Metropolitan Opera

The last curtain call at the opera usually goes to the title character, the star of the work just performed. At the end of the Met’s new Boris Godunov, the calls begin with a solo call for the title character, René Pape as Boris, and conclude with one for the Metropolitan Opera Chorus all by themselves.  »

16 Oct 2010

Rigoletto at Covent Garden

Dame Joan Sutherland, ‘La Stupenda’, sang her first Gilda at Covent Garden in 1957 under the baton of Sir Edward Downes, and sang the role many times and to great acclaim on the ROH stage.  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »

26 Sep 2010

Niobe, Regina di Tebe, Royal Opera

The Royal Opera is hardly renowned for its commitment to baroque opera, and even the great Handel still gets short shrift in his adopted city’s major house.  »

13 Sep 2010

Kate Lindsey: An Interview

This season Santa Fe Opera offered new productions that ranged from standard repertoire (Madame Butterfly and The Magic Flute) to a world premiere (Lewis Spratlan’s Life is a Dream) with The Tales of Hoffmann and Albert Herring falling somewhere amidst.  »

01 Sep 2010

BERTIN: La Esmeralda

La Esmeralda: Opéra in four acts. »

12 Aug 2010

VERDI: Ernani — Florence 1957

Ernani: Dramma lirico in four parts. »

14 Jul 2010

von Waltershausen: Oberst Chabert

Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts. »

23 Jun 2010

VERDI: Otello — La Scala 1954

Otello: Dramma lirico in four acts.Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare. »

21 May 2010

A Midsummer Night’s Dream

A Midsummer Night’s Dream, a comedy in five acts with incidental music. »

24 Apr 2010

HAHN: Le Marchand de Venise

Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts. »

17 Mar 2010

STORACE: Gli Equivoci

Gli Equivoci (The Comedy of Errors): Opera in two acts. »

07 Feb 2010

MARTIN: Der Sturm

Der Sturm: Opera in three acts  »

30 Jan 2010

PURCELL: The Fairy-Queen

The Fairy-Queen: Semi-opera in five acts. »

18 Jan 2010

VERDI: Macbeth — Vienna 2009

Macbeth: Melodramma in quattro parti. »

03 Jan 2010

WAGNER: Das Liebesverbot

Das Liebesverbot: Grosse komische Oper in two acts. »

13 Dec 2009

VERDI: Falstaff — Wales 2008

Falstaff: Commedia lirica in three acts. »

30 Nov 2009

THOMAS: Hamlet — London 2003

Hamlet: Opéra in five acts.Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. »

15 Nov 2009

ROSSINI: Otello — Bad Wildbad 2008

Otello, ossia Il moro di Venezia (‘Othello, or The Moor of Venice’): Dramma in three acts. »

18 Oct 2009

BERLIOZ: Béatrice et Bénédict — Paris 2009

Béatrice et Bénédict: Opéra comique in two acts »

11 Oct 2009

NICOLAI: Die lustigen Weiber von Windsor — Berlin 1943

Die lustigen Weiber von Windsor (The Merry Wives of Windsor), a comical-fantastical opera in three acts with dance. »

29 Sep 2009

VERDI: Otello — Vienna 2006

Otello: Dramma lirico in four acts.Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare. »

06 Sep 2009

MASSENET: Werther — Vienna 2000

Werther: Drame lyrique en 4 actes et 5 tableauxMusic composed by Jules Massenet. Libretto by Edouard Blau, Paul Milliet and Georges Hartmann based on Die Leiden des jungen Werther by Johann Wolfgang von Goethe »

23 Aug 2009

THOMAS: Mignon — New York 2005

Mignon: Opéra comique in three acts. »

03 Aug 2009

SCHUMANN: Scenen aus Goethes Faust

Scenen aus Goethes Faust (op. WoO 3 ) [also known as Szenen aus Goethes „Faust“], oratorio in three parts with seven scenes. »

26 Jul 2009

GOUNOD: Faust — Vienna 2008

Faust, Opéra en cinq actes. »

12 Jul 2009

GOUNOD: Faust — 1953

Faust, Opéra en cinq actes. »

15 Jun 2009

PUCCINI: Turandot — Buenos Aires 1965

Turandot, dramma lirico in three acts. »

10 Jun 2009

VERDI: I masnadieri — Baden-Baden 1998

I masnadieri [The bandits]: Melodramma in four parts  »

17 May 2009

TCHAIKOVSKY: The Maid of Orléans — Moscow 1971

The Maid of Orléans: [Orleanskaya deva]: Opera in four acts »

11 May 2009

ROSSINI: Guglielmo Tell — Rome 1954

Guglielmo Tell: Melodramma tragico in four acts »

03 May 2009

DONIZETTI: Maria Stuarda — Paris 1972

Maria Stuarda: Tragedia lirica in two or three acts. »

26 Apr 2009

VERDI: Don Carlo — Rome 1954

Don Carlo: Opera in four acts.  »

19 Apr 2009

VERDI: Luisa Miller — Reggio Emilia 1976

Luisa Miller: Melodramma tragico in three acts. »

12 Apr 2009

WAGNER: Götterdämmerung — Rome 1968

Götterdämmerung: Third day of Der Ring des Nibelungen in a prologue and three acts. »

06 Apr 2009

WAGNER: Siegfried — Rome 1968

Siegfried: Second day of Der Ring des Nibelungen in three acts. »

29 Mar 2009

WAGNER: Die Walküre — Rome 1968

Die Walküre: First day of Der Ring des Nibelungen in three acts.  »

22 Mar 2009

WAGNER: Das Rheingold — Rome 1968

Vorabend (preliminary evening) of Der Ring des Nibelungen, in four scenes. »

15 Mar 2009

ROSSINI: Il Barbiere di Siviglia — La Scala 1956

Il Barbiere di Siviglia [Almaviva, ossia L’inutile precauzione (‘Almaviva, or The Useless Precaution’)]: Commedia in two acts. »

08 Mar 2009

CHERUBINI: Medea — La Scala 1961

Medea (Médée): Opéra comique in three acts. »

01 Mar 2009

BELLINI: La sonnambula — La Scala 1957

La sonnambula, Melodramma in due atti »

22 Feb 2009

PUCCINI: Tosca — Mexico City 1952

Tosca: A melodrama in three acts. »

15 Feb 2009

ROSSINI: Armida — Firenze 1952

Armida, Dramma per musica in tre atti. »

08 Feb 2009

VERDI: La Traviata — Lisbon 1958

La Traviata: Melodramma in three acts.  »

01 Feb 2009

VERDI: Un ballo in maschera — La Scala 1957

Un ballo in maschera: Melodramma in three acts »

25 Jan 2009

BELLINI: Il Pirata — New York 1959

Il Pirata: Melodramma in two acts. »

18 Jan 2009

BELLINI: Norma — Roma 1955

Norma: Tragedia lirica in two acts. »

11 Jan 2009

DONIZETTI: Lucia di Lammermoor — Roma 1957

Lucia di Lammermoor: Opera in three acts. »

04 Jan 2009

PUCCINI: Turandot — Wien 1961

Turandot, dramma lirico in three acts. »

28 Dec 2008

PUCCINI: Gianni Schicchi — La Scala 2008

Gianni Schicchi: Opera in one act (no. 3 of Il trittico) »

21 Dec 2008

PUCCINI: Suor Angelica — La Scala 2008

Suor Angelica: Opera in one act (no.2 of Il trittico). »

14 Dec 2008

PUCCINI: Il Tabarro — La Scala 2008

Il Tabarro [The Cloak]: Opera in one act (no.1 of Il Trittico). »

07 Dec 2008

PUCCINI: La Rondine — La Scala 1994

La Rondine: Commedia lirica in three acts. »

01 Dec 2008

PUCCINI: La Fanciulla del West — La Scala 1956

La Fanciulla del West: Opera in three acts. »

23 Nov 2008

PUCCINI: La Fanciulla del West — Firenze 1954

La Fanciulla del West: Opera in three acts. »