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Elsewhere

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.


OPERA TODAY ARCHIVES »

Redbox

Aleksandra Kurzak as Fiorilla [Photo © ROH. Photographer: Tristram Kenton]
13 Apr 2015

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.  »

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30 Jul 2006

PONCHIELLI: La Gioconda

La Gioconda, dramma lirico in four acts.Music composed by Amilcare Ponchielli (1834–1886). Libretto by Arrigo Boito (under the pseudonym Tobia Gorrio), based upon Victor Hugo's Angelo, Tyrant of Padua (1835). »

25 Jul 2006

Die Entführung aus dem Serail

Un bain au sérail by Théodore Chassériau (1849)Musée du Louvre »

22 Jul 2006

MOZART: Die Entführung aus dem Serail — Part II

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

17 Jul 2006

MOZART: Die Entführung aus dem Serail — Part I

Die Entführung aus dem Serail, Singspiel in 3 Acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Johann Gottlieb Stephanie the Younger, based on an earlier libretto by Christoph Friedrich Bretzner. »

08 Jul 2006

BIZET: Carmen

Opéra comique in four acts.Music composed by Georges Bizet (1838-1875). Libretto by Henri Meilhac and Ludovic Halévy after Prosper Mérimée’s novella, Carmen. »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

19 Jun 2006

WAGNER: Der fliegende Holländer

Der fliegende Holländer. Romantic opera in 3 acts.Music composed by Richard Wagner. Libretto by the composer. »

11 Jun 2006

MOZART: Così fan tutte — La Scala 1956

Così fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts.Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Lorenzo Da Ponte. »

08 Jun 2006

ROSSINI: La Cenerentola

La Cenerentola, ossia La bontà in trionfo. Dramma giocoso in two acts.Music composed by Gioacchino Rossini (1792–1868). Libretto by Jacopo Ferretti after Perrault. »

21 May 2006

DONIZETTI: Poliuto

Poliuto, Tragedia lirica in three acts.Music composed by Gaetano Donizetti (1797-1848). Libretto by Salvatore Cammarano, after the tragedy Polyeucte (1640) by Pierre Corneille. »

18 May 2006

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version).Alceste. Tragédie opéra in three acts (French version). »

15 May 2006

GLUCK: Orfeo ed Euridice

Orfeo ed Euridice. Azione teatrale in three acts (Italian version).Orphée et Eurydice. Tragédie opéra in three acts (French version). »

09 May 2006

MARTÍN Y SOLER: Una cosa rara

Una cosa rara, ossia Bellezza ed onestà. Dramma giocoso in two acts.Music composed by Vicente Martín y Soler (1754–1806). Libretto by Lorenzo Da Ponte from the comedy La luna de la Sierra by Luis Vélez de Guevara. »

30 Apr 2006

HANDEL: Giulio Cesare in Egitto

Giulio Cesare in Egitto (HWV 17), Drama in three acts.Music composed by Georg Friedrich Handel (1685–1759). Libretto by Nicola Francesco Haym after an earlier libretto by Giacomo Francesco Bussani. »

20 Apr 2006

BELLINI: I puritani

I puritani, opera seria in three actsMusic composed by Vincenzo Bellini (1801-1835). Libretto by Carlo Pepoli from Têtes rondes et Cavaliers (1833) by Jacques Ancelot and Xavier Saintine. »

17 Apr 2006

BELLINI: Norma — Trieste 1953

Norma: Tragedia lirica in due atti »

09 Apr 2006

BELLINI: La sonnambula — La Scala 1955

La sonnambula, Melodramma in due attiMusic composed by Vincenzo Bellini (1801–1835). Libretto by Felice Romani, based on La Sonnambule ou L'arrivée d'un nouveau Seigneur (1827) by Eugène Scribe. »

26 Mar 2006

SMETANA: Die verkaufte Braut

Die verkaufte Braut (The Bartered Bride; Prodaná nevěsta)Comic opera in three acts.Music composed by Bedřich Smetana. Libretto by Karel Sabina »

23 Mar 2006

DONIZETTI: Don Pasquale

Don Pasquale, Dramma buffo in three acts. Music by Gaetano Donizetti. Libretto by Giovanni Ruffini and the composer after Angelo Anelli’s libretto for Stefano Pavesi’s Ser Marcantonio (1810), which was derived from Epicœne or The Silent Woman by Ben Jonson (1609). »

20 Mar 2006

GOUNOD: Roméo et Juliette

Roméo et Juliette, Opéra en cinq actes Music composed by Charles François Gounod. Libretto by Jules Barbier and Michel Carré, based on the play Romeo and Juliet by William Shakespeare. »

12 Mar 2006

CIMAROSA: Il Matrimonio Segreto

Il Matrimonio Segreto, Melodramma giocoso in two acts.Music composed by Domenico Cimarosa (1749-1801). Libretto by Giovanni Bertati after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick. »

02 Mar 2006

WEBER: Oberon

Oberon, Romantic opera in three actsMusic by Carl Maria von Weber. Libretto by James Robinson Planché after Oberon by Christoph Martin Wieland and the 13th-century French romance Huon de Bordeaux »

18 Feb 2006

WEBER: Der Freischütz

Der Freischütz, Romantische Oper in drei Aufzügen.Music composed by Carl Maria von Weber (1786-1826). Libretto by Friedrich Kind. »

15 Feb 2006

ROSSINI: Armida — Venice 1970

Armida, Dramma per musica in tre atti. »

12 Feb 2006

WEBER: Euryanthe

Euryanthe, Romantische Oper in drei AufzügenMusic composed by Carl Maria von Weber (1786-1826). Libretto by Wilhelmina Christiane von Chézy. »

22 Jan 2006

WAGNER: Parsifal

Parsifal. Bühnenweihfestspiel ("stage dedication play") in three acts.Music and libretto by Richard Wagner. »

15 Jan 2006

MOZART: La clemenza di Tito

La clemenza di Tito. Opera seria in due atti (K. 621).Music by Wolfgang Amadeus Mozart. Libretto by Caterino Mazzolà based on a text by Pietro Metastasio. »

08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet. »

06 Jan 2006

MOZART: Requiem

Requiem in D Minor (K. 626)Music composed by Wolfgang Amadeus Mozart. Text based on the Mass for the Dead (Requiem Mass). »

01 Jan 2006

HAYDN: Die Schöpfung

Die Schöpfung, Oratorium in drei TeilenMusic composed by Franz Joseph Haydn. Libretto by Gottfried van Swieten based on selections from the Book of Genesis and Paradise Lost by John Milton. »

28 Dec 2005

GOUNOD: Faust

Faust, Opéra en cinq actesMusic composed by Charles Gounod. Libretto by Jules Barbier and Michel Carré after Faust by Johann Wolfgang von Goethe »

25 Dec 2005

BERLIOZ: La damnation de Faust

La damnation de Faust, Légende dramatique en quatre partiesMusic composed by Hector Berlioz. Libretto by Hector Berlioz, Almire Gandonanière and Gérard de Nerval after Faust by Johann Wolfgang von Goethe »

16 Dec 2005

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogoMusic and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe »

11 Dec 2005

VERDI: La Forza del Destino

La Forza del Destino, a melodramma in quattro attiMusic composed by Giuseppe Verdi. Libretto by Francesco Maria Piave based on the drama Don Alvaro o La fuerza del sino by Angel Perez de Saavedra »

04 Dec 2005

FLOTOW: Martha — Berlin 1944

Martha, an opera in four acts.Music composed by Friedrich von Flotow. Libretto by Wilhelm Friedrich.First performance: 25 November 1847 at Theater an der Wien, Vienna. »

01 Dec 2005

PERGOLESI: La serva padrona

La serva padrona, intermezzo in two partsMusic composed by Giovanni Battista Pergolesi. Libretto by Gennar'antonio Frederico.First performance: 28 August 1733, Teatro San Bartolomeo, Naples. »

27 Nov 2005

BEETHOVEN: Fidelio — Munich 1978

Fidelio, an opera in two acts »

20 Nov 2005

VERDI: Macbeth

VERDI: Macbeth, melodramma in quattro parti.Music composed by Giuseppe Verdi. Libretto by Francesco Maria Piave, based on the play by William Shakespeare. »

12 Nov 2005

STRAUSS: Die Fledermaus

Music composed by Johann Strauss II.Libretto by Richard Genée based on Henri Meilhac and Ludovic Halévy/Karl Haffner.First performance: 5 April 1874 at the Theater an der Wien, Vienna. »

24 Oct 2005

Victorien Sardou — A Tale of Two Operas

Victorien Sardou (1831-1908) was a popular French dramatist during the later half of the 19th Century. He, along with Eugène Scribe, combined melodrama and realism to a produce a more serious form of drama that emphasized careful plot construction. »

10 Oct 2005

The Operatic Pushkin

Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997] »

05 Oct 2005

Abbé Prévost's Manon Lescaut

The Story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost stands as one of the great works of French literature. It first appeared in 1731 as an appendix to the series, Memoirs and Adventures of a Man of Quality. It was later revised in 1753 for independent publication under the title Les Aventures du chevalier Des Grieux et Manon Lescaut with illustrations by Pasquier and Gravelot. »

25 Sep 2005

Ariadne auf Naxos

Only a few months following the premiere of Der Rosenkavalier, Hugo von Hofmannsthal proposed a new opera to Richard Strauss based on Molière’s comedy-ballet, Le Bourgeois gentilhomme (in German, Der Bürger als Edelmann). »

18 Sep 2005

An Introduction to Pacini’s Saffo

By early 1835 Giovanni Pacini had written almost fifty operas during the course of a career launched in 1813. He was tired and he was discouraged. Not only had his earlier works been overshadowed by the force of Rossini’s musical personality, but even after the departure of the Pesarese from Italy in 1823, Pacini’s star did not shine brighter. In his fascinating Memoirs, the composer examined these years and acknowledged his own limitations. Though the first performances of his Irene, o L’assedio di Messina (Naples, Teatro San Carlo, 30 November 1833) were largely rescued by the singers, Pacini knew the creative vein he had been mining was empty. Maturing under the spell of Rossini, he had not yet shown himself to be more than an able follower: “I began to realize that I should withdraw from the field.—Bellini, the divine Bellini, and Donizetti had surpassed me.” »

11 Sep 2005

Das Rheingold — An Overview

Das Rheingold is the first of the four works that constitute Der Ring des Nibelungen. On the title page of Der Ring des Nibelungen, Wagner refers to Das Rheingold as a Vorabend (a preliminary evening). Nevertheless, Das Rheingold sets the foundation on which the remainder of the Ring is built. »