Recently in Repertoire

CHERUBINI: Medea

Medea (Médée): Opéra comique in three acts.

MARTÍN Y SOLER: Andromaca

Andromaca: Dramma per musica in three acts.

ROSSINI: Ermione

Ermione: Azione tragica in two acts.

TRAETTA: Ippolito ed Aricia

Ippolito ed Aricia: Tragedia in five acts.

MOZART/STRAUSS: Idomeneo

Idomeneo: Opera seria in three acts.

GLUCK: Paride ed Elena

Paride ed Elena: Dramma per musica in five acts.

GLUCK/BERLIOZ: Orphée

Orphée: Opera in four acts.

Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859). Libretto by Ranieri de' Calzabigi

LULLY: Alceste, ou Le triomphe d’Alcide

Alceste, ou Le triomphe d’Alcide: Tragédie en musique in a prologue and five acts.

GLUCK: Alceste

Alceste: Tragédie opéra in three acts.

PACINI: Medea

Medea: Melodramma tragico in three acts.

SACCHINI: Oedipe à Colone

Oedipe à Colone: Tragédie lyrique in three acts.

STRAUSS : Elektra

Elektra: Tragedy in one act.

PAISIELLO: Fedra

Fedra: Dramma per musica in two acts.

BERLIOZ: Les Troyens

Les Troyens: Grand opéra in five acts.

WAGNER: Die Meistersinger von Nürnberg

Die Meistersinger von Nürnberg: Music drama in three acts.

STRAUSS: Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.

MOZART: Der Schauspieldirektor

Der Schauspieldirektor [The Impresario], Singspiel in one act, K486.

SALIERI: Prima la musica e poi le parole

Divertimento teatrale in one act.

GIORDANO: Andrea Chénier

Andrea Chénier, an opera in four acts.

DONIZETTI: La Figlia del Reggimento

La figlia del reggimento [La Fille du régiment (‘The Daughter of the Regiment’)], Opéra comique in two acts.

OPERA TODAY ARCHIVES »

Repertoire

Mosaic of Neptune
08 Jan 2006

MOZART: Idomeneo

Idomeneo, rè di Creta. Dramma per musica in tre atti (K. 366).

Music composed by Wolfgang Amadeus Mozart. Libretto by Giovanni Battista Varesco after Idomenée by Antoine Danchet.

Wolfgang Amadeus Mozart: Idomeneo

Richard Lewis, Leopold Simoneau, Sena Jurinac, Birgit Nilsson, Alfred Poell, Glyndebourne Festival Chorus and Orchestra, Fritz Busch (cond.). Live performance, Glyndebourne Festival, 6 June 1951.

 

First performance: 29 January 1781 at the Hoftheater, Munich
Revised version, 13 March 1786 at the palace of Prince Johan Adam Auersperg, Vienna

Principal Characters:

Idomeneo, King of CreteTenor
Idamante, his sonSoprano or Tenor
Ilia, Trojan princess, daughter of Priam, King of TroySoprano
Elettra, princess, daughter of Agamemnon, King of ArgosSoprano
Arbace, the King's confidantTenor
High Priest of NeptuneTenor
Voice of NeptuneBass

Time and Place: Sidone, capital of Crete, after the Trojan War.

Synopsis:

Act I

Ilia, a Trojan prisoner in Crete, is in love with Idamante, son of Idomeneo, who, it seems, may have perished with the Greek fleet. Ilia imagines that the Greek princess Elettra may fare better with Idamante, who enters, bringing news of the sighting of the Greek fleet and the decision to release the Trojan prisoners, while he remains captive to the charms of Ilia. Elettra objects to this act of clemency, and Arbaces enters with the news that the fleet has sunk. Idomeneo, however, has survived, thanks to the vow he has made to Neptune to sacrifice the first living being he meets on his return. Idamante approaches him, neither of them recognising the other. When Idomeneo learns that the other is his son, he rushes away.

Act II

Idomeneo confides in Arbace, who suggests that Idamante should go away, escorting Elettra back to Argos, until some other solution may be found. As they are about to board ship, a storm arises and a sea- monster emerges. Idomeneo admits the vow he has made, but does not give the name of his son.

Act III

Ilia and Idamante are together in the palace gardens, joined there by Idomeneo and Elettra, all expressing their conflicting feelings. The sea-monster meanwhile has been causing devastation and Idomeneo admits to the High Priest of Neptune that the sacrificial victim should be his son Idamante. He, however, has killed the monster and now offers himself as a victim. Ilia tries to take his place, but the voice of Neptune bids Idomeneo abdicate in favour of his son, who should marry Ilia, a command that allows Elettra a final expression of jealousy and anger. Idomeneo is grateful for the rest that retirement will bring.

[Source: Naxos]

Click here for the complete libretto.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):